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Because the color of alum red glaze is more stable than that of copper red glaze, this kind of alum red glaze porcelain generally needs to be fired twice.

That is, the white porcelain body is fired at high temperature, and then painted with alum red material and fired in a kiln at a low temperature. Therefore, the alum red glazed porcelain variety is also called "smear red".

For example, Ming Zhengde's aluminite-glazed peony-pattern plates are generally 4.1 in height and 17.5 in diameter.

The mouth of this dish is skimmed outward, and the feet converge inward.

The glaze is pure white and even, but the white is grayish.

On the outer wall of the plate, six peonies with twining branches are painted in coral red, and the flowers and leaves are outlined in jujube red.

There are double red borders on the outer edge of the mouth and the groin, a single red border on the lower edge of the foot circle, and a double-circle four-character regular script made in Zhengde at the bottom.

There is also a porcelain goblet with red seawater flying animal pattern painted in Wanli, Ming Dynasty.

Porcelain goblet with red seawater flying animal pattern painted in Wanli, Ming Dynasty, generally 8.9 cm high, 9.7 cm in diameter, 4.8 cm in base diameter.

This kind of cup has a flat bottom and high circle feet, smooth glaze, milky white and moist, blue and white hair color is medium to slightly purple.

The outer wall of the cup is decorated with red-colored sea water, with blue and white dragons, unicorns, seahorses, flying elephants, lions, auspicious deer, luan sparrows, carp, etc. in between.

The handle of the cup is made of red-colored sea-mountain stones, and the red-smearing technique can be clearly seen.

No matter what technology, in the Qing Dynasty, it will generally be carried forward.

Therefore, in the Qianlong period of the Qing Dynasty, Jingzhen Kiln produced red-painted lotus-patterned bottles.

This bottle is 21 in height, 5 in diameter and 5.7 in foot diameter.

This is no longer a small vessel, and Chen Wenzhe didn't have any materials at hand, so he couldn't make one right away.

All the teapots in front of me are Qing Dynasty teapots. It’s okay for Chen Wenzhe to make a plate, but it’s not so easy to make other things.

"This Duomu pot is well made."

Chen Wenzhe had seen Duomuhu before, and even watched Chen Xingchen and the others make it.

This is one of the popular pot styles in the Yuan Dynasty, and it is a vessel for the Tibetan and Mongolian ethnic minorities to hold emulsion.

The famille rose Duomu pot from the Qianlong period of the Qing Dynasty is one of the classics. This Duomu pot is 47 cm high and 14.8 cm in foot diameter.

The body of the pot is in the shape of a bamboo tube, and the upper part of the pot is a monk hat-style cover.

The top cover is a squatting lion button, the dragon handle, phoenix flow, dragon head handle and phoenix body flow are all painted red;

The body of the teapot is decorated with famille rose flowers and eight-treasure eucalyptus. There are four colored hoops in the middle of the yellow glazed ground of this teapot;

Because the yellow glaze ware is only used by the court, the color of the supreme color is never used by the people.

Green glaze is applied to the inside and bottom of the pot, and the center of the bottom of the pot is a square white ground.

The center of the bottom of the pot is square and on the white ground, there are three lines and six characters of "Great Qing Qianlong Year System" in blue and white seal script.

This pot is a typical national tea drinking utensil in the Qing court, and it has the characteristics of Manchu, Tibetan and Mongolian cultures.

It has evolved from the original Manchu and Mongolian milk tea drinking utensils into palace display and practical utensils.

It is adorned with eight-treasure patterns of Tibetan Buddhism and carefully fired by the Jingzhen Imperial Kiln Factory, making it a Qing Palace tea drinking vessel with exquisite glaze, exquisite workmanship and unique shape.

The shape of the Duomu pot is simple, but because of the different craftsmanship, the Duomu pots made are also different.

Generally, the shape of the Duomu pot is cylindrical, with the top closed and the bottom open, with a corolla-shaped decoration on the side of the mouth near the handle.

There are curly flower decorations at both ends of the handle, the style is pot flow, and the feet are short.

Generally, the foot ridge is wide and flat without glaze, and there are imitation metal hoops and rivet-like decorations on the body of the pot.

Qingbai glaze products are the most common. The earliest unearthed Duomu pot porcelain, the only complete one is unearthed from the tomb of Yuantieke, the capital of Shendu.

"Duomu" originally means a barrel of ghee, and it is called Dongmo (dng) or Duomu in Tibetan.

A mitral-like edge is added to the edge of the mouth, and a handle and a mouth are added to form a pot.

Duomu pot is a container for Tibetans to mix and hold buttered tea.

Butter tea is called Chasuma in Tibetan, which means

Pour a small amount of ghee and salt into the strong tea boiled from tea bricks.

Some also add some left ingredients such as monosodium glutamate and milk, and stir until the water and ghee are blended, which is a necessity for the life of Tibetan compatriots.

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Hesitation is mostly used by ethnic minorities, so most of the existing Duomu pots are gold wares, including gold enamel pots.

For example, a Duomu pot that Chen Wenzhe knew was a k-gold embryo.

This Duomu pot is a lotus petal seat with a coral knob.

The cylindrical body is divided into three sections.

Various flower and butterfly lake stones, mother and child pictures, shepherd pictures, rural scenery and other patterns are painted on the consecrated place.

This style of Duomu pot is shining with golden light, full of royal style, and has both decorative and practical value.

Chen Wenzhe had made enamelware before, so he knew very well that enamelware can be divided into three types: cloisonné enamel, commonly known as cloisonné, chiseled enamel, also known as filling enamel, and painted enamel.

This is made of enamel glaze, which is fixed on the surface of gold, silver or copper tires through different processing techniques, and then fired.

The earliest enamelware in my country was produced in the Yuan Dynasty, and the production of enamelware reached its peak in the Qianlong period of the Qing Dynasty.

During the Ming and Qing Dynasties, due to the royal family's emphasis on Tibet and Tibetan Buddhism, many utensils with ethnic characteristics in snowy regions began to enter the court, such as the Duomu pot.

Due to the need for a large number of canonization and religious affairs in the Qing Dynasty, such exquisite instruments and decorations began to appear in large quantities.

The building office at that time produced many such utensils.

At the same time, it is also used for eminent monks bestowed by the Qing emperor, which makes Duomu pots more popular.

Chen Wenzhe remembered that there was a pair of Duomu pots that were put up for auction. The pots were 28 cm high. They were made of pure copper, with fine glaze and brilliant gold.

This kind of multi-mu pot must be a fine product of the Qing Dynasty, and this pair was an imperial display made for the court by the Qianlong Hall of Mental Cultivation in the Qing Dynasty.

During the Ming and Qing Dynasties, due to the rewards of the royal family, Duomu pots were even more popular, and various materials were produced.

There are metal and porcelain, and most of them are metal.

Mainly all kinds of metal body enamelware, which are often seen in the world.

However, porcelain domu pots are relatively rare.

Perhaps it is because they are relatively rare and enamelware is more difficult to make, so the imitations in the factory are all porcelain Duomu pots.

Chen Wenzhe has the materials and technology, and is more suitable to have the capital to make this kind of luxurious gold body enamelware.

However, he has no time.

Now he can only watch and see how far this ceramic factory he created at will can achieve.

Looking at a blue and white flower pot in imitation of Qianlong in Qing Dynasty, Chen Wenzhe felt quite satisfied.

The earliest high-quality blue and white material he can provide is definitely Qianlong blue and white.

Therefore, this kind of Qianlong blue and white porcelain has been imitated by his factory for a long time.

Otherwise, this blue and white floral holding pot would not be imitated so well.

If I remember correctly, the authenticity of this piece of porcelain should be hidden in the Shenshi Palace Museum.

It has a total height of 28.5 cm, a mouth and neck of 6.4 cm, and a foot diameter of 10.4 cm.

The whole pot is decorated with blue-and-white glaze, and the lid is painted with twigs of passionflower. The lid button is a ring, which can be connected with the ring rope at the end of the handle of the pot;

The neck of the pot is decorated with a circle of dark banana leaf patterns, and the body of the pot is painted with patterns of twisted branches of passionflower;

The abdomen is consecrated in two rhombic shapes, inside the consecration are painted two peaches with broken branches;

The part of the long flow is decorated with cirrus cloud patterns, and the connection between the flow and the body of the pot is painted with Ganoderma lucidum patterns;

On the bottom of the pot, there is a six-character three-line square inscribed in the blue and white seal script "Qianlong Years of the Great Qing Dynasty".Recently, the transcoding has been serious, which makes us more motivated and updates faster. Please move your little hands to exit the reading mode.Thanks