My system is not decent

After plugging in the power, Chen Wenzhe could see the staff picking up the ultrasonic scaler and engraving pen respectively, and began to demonstrate how to remove rust.

Where the cutting edge of the engraving pen touches, the thick patina falls off, and the bronze decoration is clearly reproduced.

It looks very simple and easy to use.

But only Chen Wenzhe, who has seen the essence, understands that countless hard work and sweat are involved in this familiarity.

There are many ways to remove rust, but it is not easy to use any one method well.

In the past, the older generation used chemical potions to remove rust. This traditional rust removal method is still used by Wang Chen.

However, if you do not master it well, it is easy to damage the surface and decoration of the utensils.

Although it is now possible to use machines to remove rust, no matter what method is used, meticulousness is essential.

This cannot be sloppy, it is necessary to remove the rust and not damage the cultural relics.

Any process of cultural relics restoration is cumbersome, especially the supplementary link, which needs to be refined.

The restoration of cultural relics has to be restored as before. Some cultural relics are missing one or the other, and you have to make up for it.

When making up for vacancies, it is required to be seamless, and there should be no mentality of compromise.

For example, some bronze wares lack an ear or a foot, and bronze fittings must be cast according to ancient casting methods.

How much copper, how much tin, and how much lead are needed, and the accessories are cast in proportion, and there is no sloppy at all.

Repair the old as the old, and the last newly repaired place must be restored.

On the contrary, this is Chen Wenzhe's forte, so don't watch it too much, study it more!

Wang Chen was a young man back then. He took over this skill from his father and has been engaged in the restoration of cultural relics in Nanhe Museum for 36 years.

His restoration techniques have reached the point of perfection.

In his mind, his father is not a conservative person, because he has more than 20 formal apprentices.

These apprentices are scattered all over the country, and most of them are engaged in the restoration of cultural relics.

Now, Wang Chen is thinking more about the lack of successors for this skill.

In April 2013, the organization arranged master students Qin Zhifang and Qi Junchao to worship Wang Chen as their teachers.

Qin Zhifang specializes in the restoration techniques of bronze wares, gold and silver wares, jade wares, ceramics, three-color, glazed pottery, bone wares, and wooden lacquer wares;

Qi Junchao studied the restoration and planning of various cultural relics such as white pottery, red pottery, gray pottery, and painted pottery.

It can be said that Chen Wenzhe really made a lot of money this time.

By revisiting Wang Chen's work, he has learned a lot of restoration techniques. This kind of craftsmanship is hard to see in the outside world, let alone learning.

Going back to an imitation, he really didn't expect that he could get so many inheritances.

Like him, if you want to learn, you can't find a way.

However, some people have the opportunity to learn, but they don't cherish it. This is the difficulty faced by many traditional skills in modern times.

For example, the restoration of cultural relics is a job that hones people's will.

First of all, you have to love the cause of cultural relics, have feelings for cultural relics, and respect the traditional skills left by your ancestors;

Secondly, you have to endure loneliness and learn with a sinking heart;

Only by doing this, through one's own assiduous study, study and practice, can one finally learn the superb restoration skills of cultural relics!

But these are too difficult for young people.

If you have that time, it would be better to watch the girls dancing in the short video, how interesting would that be?

"Baby!" Chen Wenzhe couldn't help touching the copper bar.

Even if this is an imitation, it is an absolute treasure to Chen Wenzhe.

"Haha, I knew you would like it." Li Jinli smiled.

"Where did you get this kind of treasure?" Chen Wenzhe asked curiously.

"It's definitely not available. The tourist souvenirs that can be bought from those museums must be fakes. Such high imitations must have a certain relationship."

Li Jinli explained a little bit, and Chen Wenzhe understood.

Although his museum has not yet officially opened for exhibition, it is already famous.

After all, it is certainly no secret to those in the industry that he has so many national treasures at the customs level.

So many museums with ideas, especially some large museums, want to see if there is an opportunity for cooperation.

If you can’t buy anything, it’s also good to borrow a batch for exhibition.

Among them, not only the Nanhe Museum, but also the Dahai City Museum, the Palace Museum, and the National Museum all intend to cooperate.

Since we want to cooperate, it is not a problem to buy some not-for-sale items.

"I've seen this thing too. Who would believe that when it was first dug out, it was all broken into slag?" Zhang Yijie said with a little emotion.

Zheng Yu raised the bar and said: "It's not so exaggerated, it's just broken, and there are no missing things. When you reassemble it, isn't it just building blocks?"

"You spell it out and give me the facts?"

Zhang Yijie pointed to the intricately crafted moiré copper bar and said with a smile.

"Of course I can't, Wen Zhe definitely can." Zheng Yu said shamelessly.

"Wen Zhe can do it, but where does this kind of treasure come from for him to fight?"

Cao Qingchun looked yearning, but it was a daydream.

"There are a lot of rags like this in China, right?" Li Jinli looked at Chen Wenzhe.

Chen Wenzhe really knows a lot, but it's a pity that those rags are waiting to be repaired.

For example, on the Nanhe side, there are many national treasure bronzes waiting to be restored.

Even if this kind of thing is broken into slag, it is impossible to sell it. It can only be put in the warehouse to eat ashes, waiting for the opportunity to restore it to its original state.

"These national treasures are really aggrieved." Zheng Yu pouted.

"Is there anything more aggrieved than Xijiapan? They have their feet cut off and they are used as pancake stalls." Cao Qingchun said with a smile.

"Actually, there are several national treasures that are as miserable as they are!" Chen Wenzhe also started talking nonsense to his classmates.

"Really? Give me a few examples, we are really curious." Zheng Yu said.

Chen Wenzhe was taken aback, do you really want to say it?

To be honest, he is not afraid. With his knowledge, it is not easy to just give a few examples?

Now that we are talking about Xijiapan, we have to mention the three most aggrieved national treasures in the history of cultural relics in our country.

They were used to pickle vegetables, bake cakes, and ring the school bell.

Knowing the details now, it must be regrettable and distressing.

However, if these things are useless, I don't know what will happen to them!

Fortunately, they were all discovered in the end, and they were collected and protected again!

For example, Dushan Dayuhai, it was used to pickle vegetables.

In front of Chengguang Hall in Tuancheng, Beihai, the capital of gods, there is a stone pavilion with blue glazed tiles called Yuweng Pavilion.

On the white marble stone seat in the pavilion, there is a large wine urn from the Yuan Dynasty.

This large wine urn can be called the largest handed down jade in my country, and it is the Dushan Jade Sea.

"Dushan Big Jade Sea" is also known as "Dayu Urn" and "Wine Sea".

It is 0.7 meters high, with a diameter of 1.35 to 1.82 meters, a maximum circumference of 4.93 meters and a weight of about 3500 kilograms.

The word "Dushan" in Dushan Dayuhai is a fake "Dushan".

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