My system is not decent

Most of the three-color utensils in color and ground are large bottles, large jars, large plates, aromatherapy and other display porcelains.

Amongst the stacks of large plates, Chen Wenzhe also found a purple and green shirt with yellow ground.

This kind of glazed porcelain is mainly made of plates, with three-colored grapes, cranes, flowers, and coils painted on the outer wall, and dragon patterns and purple green shirts are drawn inside the plate.

The bottom is inscribed with blue and white or purple glaze, and the top is covered with yellow glaze.

This kind of disk was produced throughout the Qing Dynasty.

Then there is the ink ground tricolor, this kind of plain tricolor porcelain is the ground glaze first applied with green glaze, and then with black glaze.

When it came out, it was outlined with purple black glaze and then filled with yellow, green, purple and white.

Some are painted with three colors of white ground during the ink ground consecration.

The three colors of ink ground are as rare as morning stars, and there were many imitations in the early Republic of China.

There is also a kind of three-color tiger skin, which was imitated more in the late Qing Dynasty and early Republic of China.

This is a tiger-skin-like plaque dyed with yellow, green, and purple tricolor, and the glaze surface is bright and changing.

The utensils include plates, bowls and three stars of fortune, wealth and longevity, all of which have dense and heavy fetal bones.

In fact, no matter what kind of tricolor it is, it cannot be separated from the glaze color.

The earliest tricolor was actually Tang Sancai, so in the Qing Dynasty, tricolor porcelain sculptures were derived.

A type of tri-colored figurines from the Tang Dynasty, combining withered sculptures and glazes, including immortals and Buddhas, animals, ghosts and pots with characters of Fu, Lu and Shou, all of which are firm in quality and vivid in shape.

Three-color Kangxi has rarely been produced, and some imitations appeared in the Guangxu of the late Qing Dynasty and the early Republic of China, and they are also quite exquisite.

Most of the porcelain fragments discovered by Chen Wenzhe were three-color porcelain in the Ming Dynasty.

Compared with the plain three-color porcelain of the Qing Dynasty, the products of the Ming Dynasty have fewer varieties, but the shape, decoration and glaze color of the vessels are not bad at all.

Plain Sancai in Ming Dynasty was developed on the basis of Tang and Song Sancai.

It's just that with the improvement of porcelain firing technology, the imperial factory switched to plain fired porcelain bodies instead of the previous plain fired pottery bodies.

This change not only further increased the mechanical strength of the "plain tire", but also improved the exquisiteness of the finished product, which became the biggest difference between the Ming and Qing tricolor and the Tang and Song tricolor.

According to this point, the plain three-color pottery can be further divided into two categories: "plain three-color pottery" and "plain three-color porcelain".

During the Yongle Xuande period, Jingzhen Imperial Factory had already started firing various simple low-temperature composite colored glaze porcelains.

There are mostly two kinds of colored glazes, which are usually not called "plain three-color", but "green ground sauce color" or "yellow ground green color".

The shapes are also mainly daily necessities such as bowls, plates, and pots.

Similar products were still produced in large quantities until the Chenghua period.

In order to clearly express the painting pattern, the body of the vessel basically uses conical engraving as the dividing line.

Due to the unskilled firing process, there are relatively few products using more than three colored glazes.

But this time, Chen Wenzhe discovered that what they grabbed the most was the three-color plain color from the Ming Dynasty.

Especially some of the classics, such as Chenghua Su Sancai Duck Smoked, is one of the typical Su Sancai products of the Ming Dynasty.

This kind of work is composed of yellow, green, brown, dark green, peacock blue and other colored glazes.

Chen Wenzhe really didn't expect that a Chenghua plain tricolor porcelain could be salvaged from a shipwreck that looked like it was in the Wanli period.

"Five Dynasties Rivers, Mountains, Wind and Moon"

This is a great harvest, and it also makes Chen Wenzhe more interested.

"Grab, hurry up. You don't have to be polite when you meet other people. Whether it's a machine or a diver, you must attack. Anyway, our cargo ship has left this sea area."

Seeing something good, Chen Wenzhe let go of Gao Qijing and the others.

Before, he was afraid that Gao Qijing and the others would be too wild, but now it doesn't matter, who asked them to be more equipped?

The most important thing is that they have more machines in the water and the price is cheaper.

Also, Chen Wenzhe has money, so he is not afraid of loss.

In this way, those salvage ships that do not have much capital and can only send divers into the water will be the first to retreat.

After that, some capital, the salvage ship owner who sent the underwater robot into the water, couldn't bear the loss and quit the salvage operation.

On Chen Wenzhe's side, the personnel hid on the boat, and no one entered the water.

They sent robots into the water to make trouble, and at worst, they would lose some money!

Only hardworking will win, so Chen Wenzhe won.

He soon had a larger collection, this time not only plain three-colored porcelain, but also bucket-colored, five-colored and other porcelain.

As batches of exquisite porcelain were salvaged, Chen Wenzhe also got a better understanding of the porcelains of the Chenghua, Jiaqing, and Wanli periods.

For example, plain three-color porcelain should have continued to be produced during the Jiawan period.

It's just that the scale of overglaze colors such as bucket colors and five colors continues to expand, resulting in a relative decrease in the production of plain three colors.

And with more fighting colors and five colors, they can naturally be sold in large quantities.

Of course, due to the problem of craftsmanship, the quantity of these two types of porcelain is still relatively small.

In addition to these, there is another kind of porcelain, which also appears in the ranks of export porcelain.

At that time, the reduction of plain three-color porcelain also increased another kind of porcelain, that is, Fahuacai porcelain.

At that time, the imperial factory also produced a large number of "Fahua" utensils, also known as "Fahua", "Enamel Flower" and so on.

Like the plain three-coloured pottery above, this kind of utensils are first fired at high temperature to form a plain body, then filled with peacock blue, yellow, green, purple, white and other colored glazes for decoration, and then fired at low temperature.

No matter from the perspective of technological process or raw materials, they should all be attributed to the category of plain tricolor.

It is only because people put too much emphasis on its color in daily life that it is called "Fahua", which seems to have no direct relationship with "plain three-color".

It's a pity that the porcelains snatched from the sunken ship are all from the Ming Dynasty, and there is not a single piece of porcelain from the Qing Dynasty.

This confirms that this shipwreck should have belonged to the Jiawan period, and it is absolutely impossible to belong to the Qing Dynasty.

Compared with the products of the Ming Dynasty, the production of imperial factories in the Qing Dynasty was more detailed and complicated, and the porcelain produced by them was more popular.

Naturally, the price is also higher.

After all, compared with the Ming Dynasty, the technology of the Qing Dynasty is also better.

For example, some plain three-color porcelains in the early Qing Dynasty were gradually outlined with black colors to replace the withered inscribed lines in the past, making the pictures much more refined.

This change should be the result of the porcelain makers in the imperial factory, who learned from the five-color porcelain paintings at that time, and summed up the improvement results.

Therefore, the plain three-color products in the Qing Dynasty were more diverse.

Of course, it is relatively easy to distinguish between plain three-colored colors in the Qing Dynasty and plain three-colored colors in the Ming Dynasty.

The plain three-color porcelain of the Qing Dynasty not only continued the tradition of the imperial factory in the Ming Dynasty and used the withered pattern as the dividing line, but also the withered pattern and other colored glaze patterns did not interfere with each other and coexisted with each other.

What needs to be mentioned here is that in many Kangxi plain three-color products, the white glaze shows varying degrees of tooth-yellow tone.

It is said that the white glaze did not achieve the expected ideal effect because of unsatisfactory firing.

However, in the Qing Dynasty, it was innovating plain three-color.

During the Kangxi period, a new plain three-color porcelain with black color outline appeared in the imperial factory. It is very likely that the porcelain maker borrowed from the painting style of five-color porcelain at that time to obtain an innovative variety.

The biggest change in plain tricolor in the Qing Dynasty was the craftsmen in imperial factories.

When making the traditional plain three-color, they actively referenced the emerging pastels and developed a combination of plain three-color and pastel.

This type of utensils even uses carmine (that is, meat color), which makes the "plain three-color" even more untrue.