My system is not decent

Collecting is a rich man's game. Things that are expensive in the eyes of ordinary people are ordinary in the eyes of rich people!

It can be seen that different people have different views on different things.

Therefore, different porcelain has different prices.

Even the enamel colors of the Qianlong period can't easily cost hundreds of millions, and the most works are actually tens of millions.

And this is already beyond people's imagination.

You must know that over the past dynasties, the number of porcelains in the same period was as many as one million, but very few were tens of millions.

In particular, small bowls and wine cups with simple shapes can be sold for tens of millions, which is unique in all ages.

Or a small bowl, Qing Qianlong blue ground enamel bowl with double dragon lotus pattern.

The size is 16.1 cm in diameter, the estimated price is 10~000 Hong Kong dollars, and the final transaction is 000 million Hong Kong dollars.

This is not a special phenomenon. For example, there is this small bowl auctioned in 2013, which is a pair of bowls with enamel color switch flower and bird patterns in the Qianlong period.

The transaction price at that time was about 9000 and [-] million.

In 2015, the enamel color of the Qianlong period and the small ear bottle for ladies and infants were auctioned, and the price at that time was around 600 million.

In fact, from the following prices, it can be judged that this type of porcelain at that time was very valuable for collection.

Because most of the prices are in the millions or even tens of millions, even some damaged works still have a certain collection value, because what everyone values ​​is their artistic value.

Not to mention the rarity of raw materials, just the craftsmanship and pictures are enough to make people pay a high price.

Of course, enamel colored porcelain is also very suitable for modern people's aesthetic point of view.

Modern people see it and think it is beautiful, so they can buy it at a high price.

This is actually difficult to see above Ding Kiln and Ru Kiln.

Because people who don't know how to see the white porcelain of Ding Kiln are just an ordinary plate, how can it be worth several million?

The pastels, fighting colors and enamel colors of Kangxi, Yongzheng and Qianlong dynasties are different!

No matter who it is, they think it is a good thing when they see it, and they think it should be valuable.

Also, not only Chinese, but even foreigners are recognized.

After all, these porcelains have borrowed some western aesthetics, they look beautiful and feel good!

And as long as there are many people who like it, the price will not be skyrocketed?

So, at this time, Chen Wenzhe also slowed down and began to imitate meticulously.

After all, no matter which emperor in the three dynasties of the Qing Dynasty, they all had classic porcelain, especially enamel.

After being busy for more than a month, Chen Wenzhe's imitation came to an end again.

Although there are not many imitations this time, the craftsmanship is complicated.

Most importantly, he also made some copperware during this period.

To be more precise, it should be a copper tire!

Now that he has made enamel colored porcelain, he can't forget the copper cloisonné enamel work. After all, he still has a top-notch national treasure jar in his hand!

For example, it would be difficult to make his large pot with cloud and dragon pattern now, but it should be easier to make some small pieces of cloisonné enamel now.

Besides, Chen Wenzhe is proficient in bronze ware, so he still has a certain foundation in making cloisonné enamel works.

It turned out that Chen Wenzhe had never thought of making such a level of artwork, because he knew that craftsmanship was very difficult.

It is relatively easy to make enamel on porcelain, and the most difficult thing is to make copper francs.

That is, cloisonne, which is called "copper tire filigree enamel".

Due to its exquisite craftsmanship, it was listed as the first batch of intangible cultural heritage by the country in 2006.

The cloisonné cloisonné enamel painting has broken through the limitation that it could only be attached to the copper tire in the past, and has more "possibilities".

The production subjects are also more extensive, including landscapes, flowers and birds, Thangka and so on.

It not only presents the artistic conception of traditional Chinese painting, but also shows surprising three-dimensional artistic effects.

Selecting pictures, drawing, filigree, indigo, drying, gluing...

There are more than ten pure manual processes in the whole process. After all are completed, a beautiful cloisonné enamel painting is considered complete.

Among them, filigree and dot blue are the most important links, which also constitute the soul, bones and flesh of the filigree enamel painting.

Now Chen Wenzhe has some confidence, but he will definitely not start making very complicated cloisonne, but wants to make some jewelry first.

I saw him holding the aluminum wire in his left hand, and switching smoothly between the tweezers and scissors in his right hand.

Between bends and turns, a delicate and delicate flower prototype appeared.

This is filigree, and filigree is to bend gold-plated aluminum wire according to the pattern.

Constitute smooth lines and three-dimensional patterns on the plane.

The paintings that have undergone the "filigree" process are full of dense lines, which not only have the beauty of traditional Chinese patterns, but also are full of the charm of abstract lines.

After "filigree", it is "point blue".

The most amazing thing about Dot Blue is that there is no color marked in the design pattern.

In the works, what color is the flower, what color is the bird, whether the background is painted blue or painted green, whether the contrast is soft or strong...

These are all in the heart of the creator.

Chen Wenzhe relies on experience and imagination to select colors and match tones.

Almost instantly, the works in his hands became dazzling and shining.

This is the simplest cloisonné enamel painting. This small picture is a piece of jewelry.

Cloisonné enamel painting like this is not difficult to say, but not easy to say.

To make cloisonné enamel painting, in addition to painting skills, you also need to have a certain sensitivity to color.

If you want to make a beautiful work, you need to have a certain art skills.

Recently, Chen Wenzhe can be said to be trying to improve his painting skills.

Especially when making Yongzheng official kilns, if the calligraphy and painting skills are not good, you can't make good things at all, let alone making high imitation and fine imitation Yongzheng official kiln porcelain.

Only with good art skills can we make some small cloisonné enamel utensils.

The work of different sizes and the complexity of the pattern all determine how much time is spent.

Small and simple paintings can be completed within 3 days at the fastest.

For huge and large-scale works, it may take several months.

At present, he devotes most of his time to making cloisonné enamel paintings.

When an exquisite work is completed, his heart is full and joyful.

What the works bring to him is not only a sense of accomplishment, but also a sense of pride in the inheritance of culture.

Intangible cultural heritage must be learned and understood, and it must be inherited and carried forward.

Chen Wenzhe hopes that if he has the opportunity in the future, he can go back to school and pass on these crafts.

It would be even better if it could be promoted further.

It would be even better if an interest class for filigree enamel painting can be added at the primary school stage, so that children can understand traditional culture, love traditional skills, and strive to cultivate a new generation of intangible cultural heritage craftsmen.

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