My system is not decent

The production of enamel colored porcelain is to transplant calligraphy and painting, one of the essence of Chinese culture, onto the porcelain body of craftsmen's skills. This is what makes Chinese porcelain reach the pinnacle of art, making it unprecedented.

Let's take a look at how Yongzheng in the historical records guided the production of porcelain.

From the works handed down from generation to generation, we can see the ultimate pursuit of Emperor Yongzheng!

Yongzheng also commented on the characters in the paintings: "The beauty's head is too big, so another painting should be made, and the chin and shoulders must match the painting."

"Although the Zerde puppy drawn by the westerner Lang Shining is good, but the hair on the tail is very short, and its body is also smaller, let Lang Shining draw another one."

Yongzheng's lady picture, and Kangxi's shadow, but the proportion is more perfect!

The imbalance of proportions can be seen right on the nail, and the sharpness of the eyes can be seen.

Yongzheng knew all kinds of trades, assigned jobs according to the specialties of the servants, and hand-picked "Flowers are painted by Wu Zhang, and stones are painted by Chen Shan";

"Biography and Jiang Tingxi painted two flowers, and the stones in the scene made Yi a painting of a person who can paint stones";

"There are barbarians who know how to paint palace clothes, and they are like him."

And breaking the boundaries of various industries and making use of his strengths, he ordered his son Shining to draw samples for gold-bodied enamel cups, and to paint landscapes on lacquer-backed bookcases with palm bamboo edges.

It was also ordered that Dai Heng and Tang Zhenji, who painted New Year pictures and silk paintings, change to painting enamel.

The enamel colored porcelain in the late Yongzheng Dynasty got rid of the stylized composition in the past, and painted miniature court paintings on the porcelain body, which is outstanding.

The most beautiful enamel bowl of landscape painting found so far is also from the Yongzheng period.

When it comes to enamel-colored antiques, each one is not simple!

Every authentic product found can be described as a treasure.

And the best among them is this enamel blue color landscape pattern bowl!

A small bowl became the most representative existence in the Yongzheng period.

There are quite a lot of good porcelain in the Qing Dynasty, but among the landscape bowl series, the landscape pattern bowls of the Yongzheng period can be said to be famous for their blue and white glaze, and the unique glaze is very "elegant".

This is also an important reason why many antique collectors like this kind of "elegant" bowl.

This Yongzheng enamel landscape bowl is a masterpiece of landscape painting, and the blue and white color is really beautiful.

This enamel landscape bowl from the Yongzheng period of the Qing Dynasty is now treasured in the Wanwan Palace Museum.

The most special thing is because the glaze water in this bowl is so beautiful, it can be regarded as the best among the best.

There are some elegant utensils that were born for that era.

This porcelain body painted enamel blue color landscape pattern bowl is one of them.

Take a closer look at this bowl. The combination of the arc and the deep wall is in line with the characteristics of bowls in the Yongzheng period.

Especially the combination of short circle feet makes the whole bowl look very delicate.

There is also this kind of blue and white glaze water, which is really too delicate.

With the combination of the elegant character and the white glaze feeling of the thin body, you can feel that this bowl is elegant enough, and it does not mean too much excitement at all.

Everyone likes a good bowl in many collections, but this bowl feels very quiet, especially the picture is also very delicate.

Looking closely at the entire arc-shaped wall of the bowl, one side of it is painted with blue materials and landscapes are very unique, and the cliffs and stone murals in the painting are extremely detailed.

It can be said that the changes in every detail and line are very good and can be felt at a glance.

Especially the blue-and-white dyeing, the transformation of shades and lusters, can be said to be the embodiment of a unique technique.

A landscape bowl like this, coupled with a poem at that time, will reveal the artistic conception of the whole bowl.

It can be seen that the attitude of the craftsmen at that time towards this landscape bowl was very picturesque.

Small pictures, landscape painting is a must, I have to admire the wisdom of the ancients for painting.

Such a small bowl, even the celebrity Ma Dudu said that it is difficult for modern people to imitate.

Even if such a picture is drawn, it has lost the fun of the ancients.

What the ancients played was a kind of elegance, and this is the most important part of this type of enamel landscape bowl.

This is something that can’t be helped. Modern people imitate porcelain because they are eager for quick success and quick profit, and it’s all for money.

Even Chen Wenzhe only had a little interest recently, rather than working hard for two taels of silver.

Interest is the best teacher, and only pure hobbies can make the best things.

Now that Chen Wenzhe already has some conditions, he can expect this kind of superb technique that is truly reflected in the ordinary.

Painting skills, not everyone can become a master, let alone a master.

my country's porcelain production has gone through a long period of development, setting up one model after another.

A firewood kiln was created in the Five Dynasties, the Ru kiln of Song Huizong in the Song Dynasty, the blue and white porcelain in the Yuan Dynasty, and the colored porcelain in the Ming Dynasty are all the peaks of porcelain production.

History is also a mirror. In times of prosperity and peace, the production of artworks will advance by leaps and bounds.

In the Yongzheng era, the economy developed and the society was stable.

On the basis of inheriting the porcelain making technology of Kangxi Dynasty, it has made great progress!

His greatest contribution to the history of Chinese ceramics is to promote enamel and pastel colors, bringing the beauty of Chinese colored porcelain to the extreme.

The "sky-high price porcelain bowl" of this period can be said to have been born frequently!

So why are the enamel colors in the Yongzheng and Kangxi periods so expensive?

Enamel colored porcelain is a wonderful work in the history of porcelain making in my country, and it became one of the most important varieties of precious overglaze colored porcelain in the Kangxi period.

From the data point of view, the enamel material first appeared on the bronze sword hilt of the Warring States Period.

Earlier than the records of unearthed enamel in Egypt, craftsmen in West Asia in the Yuan Dynasty completed the point enamel on the porcelain body.

In the Ming Dynasty, it was widely used in filigree enamel for copper tires, and its cloisonne became a famous brand in the Ming Dynasty.

But the use of enamel color materials as pigments on porcelain bodies, copper bodies, gold bodies, and purple sand, Kangxi's contribution is indispensable!

The enamel colors of the three dynasties of the Qing Dynasty are of course worthy of its expensive value!

Because enamel colored porcelain is the product of the peak period of my country's porcelain production technology development.

It can be said that it is the leader of ancient colored porcelain in my country.

During the reign of Kangxi in the early Qing Dynasty, according to the instructions of Emperor Kangxi, the metal tire painting enamel technology introduced from Europe was successfully applied.

Transplanted to the porcelain body, a new variety of overglaze color porcelain was finally created.

During the Yongzheng and Qianlong periods, the output was the largest, and the largest number remained, but very few were on the market.

The production technology of each piece of enamel colored porcelain is very exquisite, coupled with high cost and low output, and it was rarely produced in subsequent dynasties.

It is an art treasure of the emperor and queen, and the white porcelain body used is provided by Jingzhen Royal Kiln Factory.

The painting and firing are done by court painters and professional technicians in the Qing Palace Manufacturing Room and the Yuanmingyuan Manufacturing Room.

Almost all works are small utensils suitable for playing with, and there are no large utensils.