My system is not decent

Following Chen Wenzhe's thoughts, what appeared in front of his eyes at this time was no longer a picture, but a three-dimensional projection.

The most important thing is that he can still zoom in with his mind, even a virtual projection that rotates the three-dimensional picture.

The projection is too real, and many details must be revealed!

In this way, it is really convenient to identify this piece of porcelain.

Because many features have been cleaned and displayed in front of Chen Wenzhe, such as "bamboo silk brush marks".

Most importantly, he can zoom in at any time, allowing him to see more clearly.

Looking at the magnified porcelain in front of him, Chen Wenzhe felt a little emotional.

Will he be able to take pictures first when appraising porcelain in the future, and then use the ability of Sui Hou Zhizhu to start appraising from the microscopic aspect?

For example, now, with this porcelain tripod in front of me, where is there any secret to hide?

Because many of its characteristics have been magnified and completely presented in front of Chen Wenzhe's eyes.

A craft like "bamboo silk brush mark" should be a defect at the beginning.

Because in the tire-making process of the Ding Kiln in the Song Dynasty, when the tire was half-dry, a bamboo silk brush was used to repair the tire, so there were some "bamboo silk brush marks" on the tire surface.

Because of the thinner glaze applied in the Ding kiln, after firing, the brush marks left by the bamboo silk tire repair can be vaguely seen through the glaze surface at the thinner glaze.

This kind of marks not only appear on Ding kiln porcelain, but the brush marks on other kiln openings are not as fine and dense as those of Ding kiln.

Therefore, this is one of the basic characteristics of Ding kiln porcelain, and we must pay special attention to it when identifying it.

This kind of trace is definitely not what the craftsmen want to leave, but has to be left.

Unexpectedly, because of the quality of Ding kiln wares, this defect has also become a beautiful scenery of Ding kiln.

Looking at these scratches from the bamboo threads, Chen Wenzhe felt a little emotional.

He hadn't thought before that the pictures of the porcelain inside the Suihou Pearl could change according to his wishes.

In this way, it is very convenient for him to study some antiques that he does not have in his hands.

He can clearly see many unique characteristics of antiques, and he can study them however he wants.

In addition to being unable to touch, all the features of the antique can be seen more clearly as the picture is enlarged.

For example, the tear stains on the current Ding Kiln porcelain tripod are also a major feature of Ding Kiln.

After all, Ding Kiln is a kiln mouth thousands of years ago. No matter how high his level is, some defects are indispensable.

This is the limitation of the times. Their technology at that time limited their craftsmanship, such as the common "wax tear marks" on glazed surfaces.

This kind of "tear marks" is caused by the uneven glazing and the drooping of the glaze water when it is fired.

The lower part of the vertical glaze protrudes like wax tears, and the lower part of the spherical surface is light water green.

The phenomenon of tear marks can only be seen in the Ding kiln porcelain of the Northern Song Dynasty, and the Ding kiln porcelain of the Tang Dynasty to the Five Dynasties did not have this feature.

This is because the glazing of the Ding kiln in the Tang Dynasty was relatively thin, and the body glaze was very tightly bonded, so there was no glaze flow.

However, the glaze of the Northern Song Dynasty was thick and yellowish, with large and numerous air bubbles in the glaze, and the glaze layer hung and flowed with the vessel during the firing process, forming tear marks.

This kind of "tear stain" usually only appears on the outside of the dish and bowl.

Of course, not every Ding kiln porcelain has "tear marks", but it is easier to confirm that there are "tear marks" than those without "tear marks".

Seeing such clear and standard tear marks, Chen Wenzhe really couldn't figure out whether this porcelain tripod was a fake or not.

In any case, with this kind of appearance and this kind of craftsmanship, Chen Wenzhe is more willing to believe that it is the white porcelain tripod of the Northern Song Dynasty.

The control picture turned over, exposing his tripod legs.

There are not many types of bottom feet for Ding kiln utensils, mainly flat bottom and ring foot.

However, its ring feet are obviously different from those of other kiln artifacts.

These characteristics are reflected in the over-fired Ding kiln wares after the middle period of the Northern Song Dynasty.

Thanks to the invention of over-firing, the base of the utensils can be covered with glaze, and the exposed parts are moved to the utensils.

However, the appearance of the glazed feet is not so perfect.

Generally, the surface of the foot is always not smooth enough, and the surface of the foot is the part where the circle foot contacts the ground.

In this part, the glaze is thick in some places, and thin in other places. If you touch it with your hand, you can feel the unevenness obviously.

All Ding kiln ring-foot wares in the Northern Song Dynasty, that is, those that adopt the over-firing method and glaze the ring feet, all have this feature.

In addition, there are two types of ring feet, large and small.

On the soles of the large circle feet, brush marks of bamboo silk are often visible, and the brush marks are concentric circles.

This phenomenon does not exist in the small ring feet, but regardless of the size of the ring feet, the feet are extremely shallow, the foot walls are narrow, the small ring feet dig the feet beyond the shoulders, and there is almost no hook.

In identifying Ding kiln wares, the last point is deformation.

Most of the utensils of the Ding kiln, especially the bowls, are somewhat deformed.

This characteristic can be clearly observed if the whole device is buckled upside down on the table.

Of course, this is a high-quality porcelain tripod, and it will definitely not be deformed too much, or it will not remain as a famous high-quality product through the ages.

"This is unlikely to be a fake!"

Chen Wenzhe looked at this treasure, he would not think that the masters of the Ming Dynasty must be more powerful than the modern masters of imitation.

Judging from the imitations of Ding kiln on the market at present, the phenomenon of tear marks can be done, and it is enough to be true.

Bamboo brush marks are not difficult to get rid of, but the deformation of the utensils is not done by human beings.

Even if some are intentional, traces of unnaturalness can be seen.

Finally, Chen Wenzhe's eyes fell on the colorful taotie pattern of this porcelain.

At this moment, when he saw these taotie patterns, he was no longer as surprised as when he first saw them.

"Is this sauce glaze? Or call it black color? It's kiln transformation, right?"

Ding kiln's black color change is still very famous, and it is not even worse than that of Jian kiln.

Among the five famous kilns in the Song Dynasty, Ding Kiln is the earliest kiln mouth, and it is also the kiln mouth with the richest variety, style and decoration, and the kiln mouth with the longest firing history.

Ding kiln products were not only favored by consumers at that time, but also favored by the court, and became a historical monument of porcelain in Tang and Song dynasties.

For example, the kiln transformation of Ding kiln is also widely spread, and there are even many poems expressing this phenomenon.

For example, Qilu, Yongding kiln black and changing bamboo hat.

The meteorite crashed into the night sky, and several streaks were drawn in the sky.

As bright as a shooting star, it is as beautiful as a dream.

The waxy bones of the white fetus are firm and thin, and the dark camel spots are dense.

The peerless Xuanqing is in the form of a hat, and there is almost no trace of the Ding kiln handed down from generation to generation.

If you are not knowledgeable, but proficient in literature, you may think that you are praising the starry sky when you see this kind of verse?

Even if you have a little professional knowledge, maybe you will think it is a compliment, right?

However, this is the poem chanting Dingyao Kiln Changing Bamboo Hat.

Such a beautiful sentence describes the Ding Kiln porcelain thousands of years ago!It has been detected that your latest reading progress is "Chapter 140, ​​Eighth Chapter [-], Carved with Red Land, Hongfu Qitian Gaiwan"

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