My system is not decent

This time, he accidentally learned Master Deng's skills, but it allowed Chen Wenzhe to learn some top modern craftsmanship.

For example, he can now make rose purple glazed blessing barrel bottles, and he can easily make red glazed lantern bottles.

If there is no special feature, then he can still make ruby ​​red glaze pig ear statues, colorful silk wool glaze amphorae, flame red glaze moonlight bottles, Lang red glaze long shank chicken heart bottles, and Lang red sweat according to Master Deng's skills. Blood BMW, Sanyang Kaitai Flat Belly Bottle.

Among them, the flame red glaze moonlight bottle is similar to the Liuxia lamp.

Just a master of modern arts and crafts, Chen Wenzhi can learn so many top-level crafts, which is really beyond his expectation.

Therefore, in the space of making a series of high-quality porcelain, he still held the mentality that there is no one, and he directly searched for the master of red glaze in the Pearl of Suihou.

Unexpectedly, he really saw some knowledge he wanted right away. It was another modern master who fired copper red glaze.

In fact, think about it, this is very normal.

Don't think too much, there must be many masters in China now, all of whom are on the road of recovery and innovation.

First, reburn the ancient crafts, and then innovate on this basis.

The glaze color of Liuxia lamp can be said to be a kind of carmine.

Master Deng Xiping is not the only one involved in the work of restoring rouge red, there are also people who are re-burning rouge red, rouge water, Lang Hong and so on.

This time, Chen Wenzhe mainly made red-glazed porcelain, so he did not forget to study copper-red-glazed porcelain even when he was making eggshell porcelain.

Langhong is a kind of carmine and rouge water, which are also classics.

And it was the porcelain-making family in Jingzhen who accomplished the feat of re-burning the carmine.

After seeing the technology of this family, Chen Wenzhe really suddenly realized that there is also a shortcut for firing carmine porcelain.

Zhu Xiaoping's family has been making porcelain for generations. His ancestors worked in the imperial kiln factory in the Qing Dynasty, firing carmine porcelain.

But when it was handed down to Zhu Xiaoping's generation, the secret recipe of carmine handed down in the family was incomplete.

In order to restore the firing process of carmine, Zhu Xiaoping made hundreds of experiments in 8 years.

He repeatedly adjusted the kaolin formula, constantly adjusted the glaze ratio, and precisely controlled the kiln firing temperature...

Tried again and again, failed again and again, sometimes when I got angry, I smashed the defective products.

His son once advised him to give up and not to do it, but Zhu Xiaoping felt: "What our ancestors could do, we can't do now. It's a very shameful thing."

Until 2015, after recombining the process, he finally successfully refired carmine porcelain.

The rouge red porcelain made by Zhu Xiaoping is dazzling in color, elegant and luxurious, and has been selected as a national gift many times, representing Chinese culture to the world.

"National ceremonies represent the face of the country, and there is no room for the slightest blemish."

It is because of this spirit that he is a real master, and he is able to continuously receive the task of making porcelain for national ceremonies.

Once, after receiving the task of making a national gift, he locked himself in the office for 15 days.

In the middle of the day, he thought about it day and night, from the shape to the color, from the size to the pattern, from the soil quality to the craft...

Drawings were drawn over and over again, and the final product surprised the reviewers.

All experts believe that his works represent the highest level of traditional handmade porcelain.

What is especially rare is that hundreds of pieces of pure hand-fired porcelain have no color difference and are completely consistent.

The predecessors have made the official kiln porcelain to the extreme. Only by working hard can we make some devices that are in harmony with the treasures of our ancestors. If we can make them, we will have no regrets in this life.

These are the original words of the master, and this is also Chen Wenzhe's goal.

After learning the skills of this master, Chen Wenzhe feels that he has improved a lot.

This time, he not only learned the firing technology of carmine porcelain, but most importantly, he learned the related technology of wood kiln.

Chen Wenzhe knew very early on that the firing of copper red glaze, or red underglaze, is related to the temperature of the firewood kiln.

Therefore, firing carmine is no exception. Since carmine porcelain can be easily fired successfully, it is natural to have an important understanding of the kiln.

It was also at this time that Chen Wenzhe realized deeply that even in modern times, firewood kiln is an indispensable and important means of making porcelain.

The more porcelain he makes, the more Chen Wenzhe understands.

Whether a kiln can be fired successfully depends on the wood kiln and the master who cooperates with the wood kiln.

Some master craftsmen can accurately judge the kiln temperature only by observing the state of the flame with the naked eye.

However, a qualified pile master has to experience at least hundreds of kilns before he can truly control the relationship between kiln, fire, tire and glaze.

This is the defect of wood kiln, but traditional wood kiln fires porcelain, because of the long time and high degree of porcelain, the porcelain fired is more moist and soft, which can better show the texture and color of the porcelain itself.

Therefore, traditional firewood kilns cannot be replaced by gas kilns or electric kilns.

Moreover, the traditional wood kiln uses masson pine as fuel, which does not contain any toxic and harmful substances, and the safety of wood kiln porcelain is very good.

In recent years, as people pay more attention to traditional craftsmanship and safety, the demand for wood kiln porcelain has increased greatly, and many new wood kilns have also appeared in Jingzhen.

Chai kiln technology can be passed down, but it takes ten to twenty years to train a pile master instead of a year or two.

Therefore, relying solely on private porcelain factories may be difficult to guarantee. At this time, the state needs to think of ways to train young people.

Of course, there is no need for Chen Wenzhe to worry about these. Domestic ceramic production has never been broken, it just has ups and downs, with highs and lows.

Now even if it is for the pursuit of profit, the firewood kiln should not be lost, because there is a market!

Firing for [-] hours, after the firing is complete, it needs to be cooled for two days.

If it wasn't for Chen Wenzhe being a local tyrant who built a large number of firewood kilns, and many people helped him burn the kilns, he really couldn't handle it.

Fortunately, the firewood kiln he built was only for firing his works. Otherwise, there would be too many works, and no one would help to fire them.

This is another weakness of firewood kilns. The firing of firewood kilns is all piled up with money.

For Chen Wenzhe's sake of making porcelain, he no longer has to follow the rules.

So, lately he's been doing modern crafts.

Giving youth to traditional fashion, especially porcelain, is a kind of innovation.

Ceramics can also be trendy. In addition to the common cups, dishes and bottles, various creative works with porcelain as elements are not uncommon now.

Necklaces, earrings, bracelets and other accessories made of porcelain reveal elegance in their exquisiteness.

Handbags, cushions, scarves, and mobile phone cases with blue and white patterns as elements are full of trendiness...

Of course, these are just small troubles, and the real heavyweights are still a batch of porcelain made by the top craftsmen called by the country after the founding of the People's Republic of China.

For example, Mao porcelain, Jianguo porcelain, and national gift porcelain are collectively called 5678 porcelain. These are the pinnacle of domestic porcelain after the founding of the People's Republic of China.