My system is not decent

Since it was imitated this time, Chen Wenzhe simply imitated a few more.

The first imitation is the Tianzi thin tire cup, and then some other thin tire cups are imitated, and the last is the Tianzi can!

Before, he thought about imitating the Tianzi Jar, but now that he has the opportunity and learned a lot of knowledge, it is naturally much easier to imitate.

The Pearl of Suihou now is really different from before.

Now it can be said that it is responsive to every request. No matter what knowledge Chen Wenzhe wants to learn, what kind of ancient craftsmanship, formula, and firing process he wants to know, he can find it in the internal information database.

And it is very detailed, and there are even some classic models produced at that time.

You must know that these are not only classic wares handed down from generation to generation, but some classic wares produced by various dynasties and kilns at that time.

This is even more rare, and it also broadens Chen Wenzhe's horizons.

It's just this point that allows Chen Wenzhe to imitate whatever he wants, and he can achieve high imitation and fine imitation.

And if you want to make eggshell cups, you must first make eggshell pottery.

Because the body of porcelain should be very thin, at least it should not be much thicker than eggshell pottery cups, right?

Chen Wenzhe knew a lot about the production of eggshell pottery. At least he knew that eggshell pottery cups from 4000 years ago must have been made from prayer wheels.

He also knew that the walls of ordinary eggshell pottery cups are uniform in thickness and as thin as eggshells.

The thinnest part is only 0.2~0.3 mm, but the texture is extremely fine and hard.

It is not easy to imitate such a tire today.

Moreover, after the eggshell pottery is successfully fired, the surface of the carcass is polished for a long time, so that the particles of reflective materials such as quartz, mica, and sericite are arranged in one direction, and the reflection of light is changed from diffuse reflection to parallel reflection. Make the instrument table shine.

You must know that this is pottery, not porcelain.

Because there is no glaze, the surface of the shape should be very rough.

But eggshell black pottery is not like ordinary pottery, at least the surface has a black luster and is very smooth.

Coupled with the use of hollow holes and decorative slender scratches, its production technology has reached the peak in the history of ancient pottery.

Tall-handled cups are the only shape of eggshell black pottery, and they are a rather unique group of ancient pottery, which can only be found in the early and middle stages of Longshan culture in Qilu.

This may be related to the unique local clay materials and pottery making methods, and it is also an objective reflection of the local people's living customs and aesthetic concepts.

You must know that the firing temperature of pottery must be above 900c, otherwise the eggshell pottery cannot be preserved until this time, because ancestors in ancient times did not use refractory materials.

In addition, the eggshell pottery fired in a high temperature environment does not deform, and there is also a hollowing process that is integrated with calendering.

This proves that the ancestors of more than 4000 years have already possessed a peerless level in temperature control, carving processing, modeling ability, and material technology.

Therefore, it is a typical representative of the superb skills of prehistoric pottery culture, which has been difficult for many artists so far.

If it is the original, although Chen Wenzhe is very good at embryonic technology, he has never thought about replicating eggshell ceramic cups. He has never thought about making eggshell porcelain cups, because the technical difficulty is too high.

But it's different now, because Suihou Zhizhu let go of his authority, allowing him to easily learn how to make eggshell pottery.

Only now did he know that to actually make an eggshell black pottery cup requires at least 20 processes.

This seemingly simple pottery is astonishingly complex and difficult.

With such a complicated process, so much manpower and material resources are spent, and the refined thin pottery produced is naturally not simple.

This kind of black pottery eggshell cup has a mysterious black metallic luster, with intuitive visual impact and shock, which makes people involuntarily feel infinite awe.

Therefore, in ancient times, it was not accessible to everyone. It could only be a ritual vessel for nobles during sacrifices, funerals, battles, and banquets.

Now Chen Wenzhe is not making pottery, but porcelain. As long as he makes a thin enough body, he can produce qualified works.

Of course, he also needs to use high-quality porcelain clay, and the embryos produced are hard enough to be glazed and fired.

If you want to go further, you can pile up various crafts on it, such as hollowing out, dark engraving and so on.

It's just that all these techniques require a sufficiently thin device embryo.

Therefore, if you want to make a thin-shell cup like a magic axe, you must first be able to make eggshell pottery cups.

The most famous eggshell pottery cup is Qilu black pottery, and the production of black pottery was handmade in the early days, using the method of mud strips and plates. The body of the vessel is thicker and the surface is less shiny.

By the Longshan culture period, the wheel system had been widely used.

Coupled with the improvement of pottery kilns and the mastery of kiln sealing technology, the craftsmanship has been greatly improved.

In the production of black pottery in the Longshan culture period, fast wheels were generally used.

Its shape is well-proportioned and regular, its workmanship is fine, its temperature is extremely high, and its texture is hard.

Studies have shown that the ancestors had mastered the advanced carburizing technology of sealing kilns as early as 4600 years ago.

In this way, the dense smoke permeated in the kiln can penetrate the carbon particles in the smoke into the green body through "smoke carburization", making it black.

The production process of Longshan culture eggshell black pottery is very complicated, and all the clay used is fine clay that has been washed repeatedly.

Therefore, there are no impurities in the pottery body, and its texture is fine and dense, with almost no water permeability.

After the clay is ready, it is fired with charcoal and carved out of the kiln, a total of more than a dozen processes, before it can be fired into a piece of black pottery.

Especially for eggshell pottery cups, the wall thickness of the cup is uniform, and the thinnest part is only 0.2-0.3 mm.

Therefore, even with the development of modern technology, it is quite difficult for researchers to imitate firing such thin and light pottery.

And the "smoke carburizing method" of black pottery has also been included in the history of world arts and crafts.

Chen Wenzhe already has the mud-practicing technique of a beginner master, so it is not difficult at all to learn the clay-practicing technique of Longshan eggshell pottery.

As for the raw materials, at this time, the mud from some modern porcelain manufacturers will be used.

Works such as eggshell pottery, in any era, as long as someone knows, has seen, or just understands, they will definitely find a way to imitate.

Modern people are no exception, so it is not difficult for Chen Wenzhe to buy some live materials.

Of course, even if there are suitable materials for making porcelain, the craftsmanship of Longshan black pottery must be used for reference.

After all, Longshan black pottery is also what he needs.

Since you want to make eggshell black pottery, you must fire a batch of eggshell goblets.

But if you want to make eggshell pottery, not to mention other things, it is just a mud tire, so you must study it carefully.

Chen Wenzhe's hometown is Qilu. It turns out that although he has never studied the production of eggshell pottery, he knows a lot about the modern production process of eggshell pottery.

Now on the entire land of Qilu, three series of imitation, duplication and innovation have been formed.

They have formed more than 300 varieties of black pottery in six categories: antique, transplantation, reproduction, craft, ornamental, and practical.