My system is not decent

The development of green glaze has experienced many ups and downs. Although it has missed many prosperous times, it has also missed the opportunity to carry forward.

But in the last feudal dynasty, the development of green glaze ushered in the dawn of dawn.

It was also at that moment that the imperial kiln in Jingzhen pushed the green glaze to its peak.

The okra green, scallion green, and roe green that were fired in a short time gathered all the strength to highlight the color of the green glaze family, so far the green glaze can finally feel proud.

Whether it is the white of Yongle or the red of Xuande, when people are dazzled, what has to be admired is the aesthetic change of green glaze in Yongzheng Dynasty.

Thanks to this, the green glaze was valued by literati and inkmen, and was accepted by the general public, just like crossing the catastrophe, and finally achieved a positive result.

Seeing this, Chen Wenzhe was stunned.

This is the first time for him to be clear. From the discovery to the development of a glaze color, it has reached the ultimate peak, and it can be seen transparently and clearly at once.

How the green glaze appeared, how it developed, and how it became as beautiful as it is now is not easy.

It took more than 2000 years in the middle to make this glaze color emit a beautiful brilliance.

Of course, these are not important, what is important is the evolution and development of technology in the middle.

Through this study, Chen Wenzhe can be said to have learned all the green-glazed porcelain production techniques from the Han Dynasty, Tang Dynasty, Song, Yuan, Ming and Qing Dynasties.

And this is compared to blue glaze, he has once again fully mastered a glaze color from beginning to end.

At this time, he has been able to produce green-glazed porcelain from various dynasties, of course, including Lvding. If he wants, Tang Sancai is also possible.

Luding is not in a hurry, first make some Tang Sancai, and then Luding will make it naturally.

This time, by studying the knowledge related to green glaze, he is sure to be able to fire three-color pottery.

Many modern people like Tang Sancai porcelain, especially big collectors abroad, who are very fond of it.

However, domestic collectors are very clear that this is a kind of ghost vessel, which is used for burial.

It can be said that the Tang Sancai that we can see now are all dug out from the graves of ancient people.

Of course, not all the things dug out of the grave are shocking, and there are many.

There are many ghost artifacts in the antique market, such as the golden jade clothes, jade swords, and even gold that Chen Wenzhe found earlier, such as gold horseshoes, these can be regarded as artifacts.

But if I really gave you a few of these ghost weapons, would you despise them?

But Tang Sancai is different. This thing is like an urn, and ordinary Chinese people really can't accept it.

At the very least, they would not put this kind of congratulations similar to an urn on a bogu shelf for appreciation, let alone in the bedroom or living room.

It's a pity that this kind of pottery can really enter the hall of elegance now, why?

It can be said that Tang Sancai is a typical example of adoring foreign countries and fawning on foreign countries. It was difficult for people to accept this kind of eclipse in China, but modern people accept it.

Get a funerary object to display at home, no matter how beautiful it is, it will be intimidating. The reason why you accept it is not because of its high price?

At the beginning, foreigners liked it and bought it at a high price. After a long time, Chinese people also think it is a good thing, with high artistic value, so they want it all.

Since Chinese people like it, Chen Wenzhe doesn't mind making a batch.

This time, Chen Wenzhe opened up the correct way to use Suihou's Pearl. He just studied the development process of a green glaze, and he didn't expect to have unexpected gains.

Tang Sancai, the production time is not short, and the production of Ming ware in ancient times seems to have greatly promoted the development of the ceramic industry.

"Fuck, are these ghost weapons?"

Everyone knows the value of Tang Sancai. Now that they have encountered it, they can learn some techniques, so Chen Wenzhe naturally doesn't want to give up.

Unexpectedly, after learning a lot, Chen Wenzhe discovered that most of the antiques around him are ghost weapons.

Before, he thought that the jade clothes with golden strands and the jade sword were ghost artifacts, but he really couldn't do it. Many containers and figurines were also ghost artifacts.

In fact, it is easy to understand that the ancients fired those ceramic figurines just for burial.

Since it is a funerary object, what is it if it is not a ghost weapon?

"There are so many ghost weapons!"

The more you learn, the more you know, Chen Wenzhe is really a little emotional.

According to the types of vessels, there are mainly containers, models, figurines, epitaphs, bone-holding tools and so on.

The most common, and also the least popular, kind of ghost vessel should be the stacked plastic barn jar.

This thing is also considered to be the most common underworld device, also known as barn jar and soul bottle.

This thing was developed from the five-linked bottle of Wu State in the Eastern Han Dynasty.

If you don't know this thing, you will definitely feel very beautiful when you see it, because people, animals, statues, pavilions, etc. are often molded in barn jars.

The celadon barn jars collected by the Palace Museum in Shendu are very representative.

There are not only statues of pavilions, figures, birds and beasts on the mouth of the jar, but also a tortoise stele on the shoulder. There is an inscription on it: "In the third year of Yong'an, he was rich and foreign, suitable for the public, many children and grandchildren, long life, long live thousands of meanings." I haven't seen Ying."

Its shape is like a long egg, and the glaze does not reach the bottom. The best thing is the upper part of the jar, that is, the part of the lid, which is really beautiful.

In the Western Jin Dynasty, the quality of barn jar tires at that time was improved compared with Soochow, and the forms were more diverse.

For example, the barn pots of the Western Jin Dynasty unearthed from the Minghe Way Kiln in Cixi, the upper part focuses on the living pavilions of the nobles, and there are many kabuki figurines and birds in front of the manor.

This has definitely risen to the level of art, and it is impossible to be simply dismissed as a ghost weapon.

Of course, no matter how beautiful the underworld artifacts of that period were, it was impossible for people to accept them.

As for what to play with, it is shocking to think about it.

However, the dark tools are gradually developed, and many modern dark tools have been accepted by people.

From the soul bottle to the later tower tank, this is an obvious artistic sublimation.

Tower jars are also a relatively common type of ghost vessel, including tower jars, tower lid jars, and four spirit tower jars.

The earliest discovery should be in the Jin Dynasty, and then popular in the Tang Dynasty.

Because it is a kind of tank type in Buddhism, it is mostly composed of two parts: the tank and the tank seat.

There is a tower jar with blue and white peony pattern in the Yuan Dynasty in Jiutian, which is a continuation of the tower jar in the Tang Dynasty.

The slender belly of this piece of porcelain is engraved with blue and white patterns, replacing the complicated appliqué techniques. Two pairs of lion and elephant heads are molded on the shoulders, and the cover is in the style of six-edged and seven-level heavy edges.

When ordinary people see it, they will definitely not think it is a ghost weapon, but a real work of art.

If this kind of tower tank is still not easily accepted by people, then the general tank should be very unexpected.

What we are talking about here is the general jar in our usual impression. Many people may not imagine that the general jar was also a Buddhist jar for collecting ashes in a very early period.

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