My system is not decent

Kangxi light green porcelain cup and saucer, set of two.

Cups and saucers are small and elegant, and as long as you work hard, they can be made quickly and well.

Soon, Chen Wenzhe made ten sets of cups and saucers, and these twenty pieces of porcelain were also a large set.

These utensils are relatively simple, so Chen Wenzhe generally starts from simple to complex, and this time it is the same, starting with dishes.

Now the bowls, cups and saucers are all made, and what is being made is the plate.

This time, for the dishes made by Chen Wenzhe, the technical requirements have to be upgraded again.

The Yongzheng style conical arch eight-treasure green glaze plate is more suitable.

This cone-arch eight-treasure green glaze dish is open, with shallow walls, ring feet and exposed tires, and a thicker carcass.

Both the inside and outside of the porcelain are covered with green glaze, and the inside of the plate is plain without decoration.

The Buddhist dharma treasure wheel, dharma snail, treasure umbrella, white cover, lotus, treasure jar, goldfish, pan intestine, etc. are perfectly displayed on the outer wall in the shape of twining flowers, which is graceful, luxurious, dignified and beautiful;

The bottom of the plate is white glazed, with a blue and white double circle in the center, and the inner regular script "Yongzheng Year of the Qing Dynasty" has 6 characters and 2 lines.

Green-glazed wares of the Yongzheng period were often engraved and printed with flower patterns, such as twining lotus, eight treasures, and wishful cloud heads.

And this green-glazed plate is a typical Yongzheng green-glazed ware.

The technical requirements of this piece are mainly glazing and carving. For Chen Wenzhe, no matter how complicated the pattern is, he can carve it very quickly.

However, this time only three pieces were made. After all, he adjusted the glaze formula that should be adjusted before.

When it was done, Chen Wenzhe didn't continue, but went out to eat directly after finishing other work.

After eating, he didn't go back to the studio, but went back to his dormitory to rest.

Through the production of green glaze porcelain today, he also discovered some shortcomings of himself.

He still doesn't have a comprehensive understanding of the colored glazes of the past dynasties.

For example, red glaze, yellow glaze, and green glaze, each of which can produce more than a dozen shades of glaze color. Chen Wenzhe made these by himself, and it is definitely not complete now.

Now that Wu San has sent a large number of broken porcelain pieces, and his Sui Hou Pearl has become more powerful, why not have a comprehensive understanding?

If the inheritance obtained is complete enough, he won't have to explore various monochromatic glaze formulas in the future.

If something can be gained, the harvest this time will definitely not be comparable to Yongzheng Twelve-color Glazed Porcelain.

So, this time, we only fired some peacock green glazed bowls and dishes experimentally, and Chen Wenzhe ended his work.

Of course, he also made some other porcelains during the period, but those were the ones that had been completed before, or had been fired several times in the kiln.

Like the enamel color made before, it takes at least three to five days to complete the firing of a kiln of porcelain five times in the kiln.

Back in the dormitory, without doing anything, Chen Wenzhe fell directly into backtracking.

In this way, Chen Wenzhe studied while making, doing some research along the way.

Do and stop, learn to do, until he feels that the most commonly used glaze colors have been studied and understood.

On this day, he came to the studio again, first looked at the porcelain that had been out of the kiln before, and felt that there was no problem, so he continued to make green glazed porcelain.

It is still malachite green, but the malachite green glazed porcelain made now is certainly not simple.

Difficult classic malachite green glazed porcelain, there must be, and some are more special.

Chen Wenzhe is aware of a rather special piece of porcelain imitating bronze ware.

For example, the peacock green glazed convex pan chi square tripod in imitation of bronze ware in Qianlong period of Qing Dynasty

Porcelain, this type of vessel was more popular during the Qianlong period of the Qing Dynasty.

Peacock green glazed convex pan chi square tripod, the whole vessel is square, with vertical ears on the left and right sides of the mouth, and a waist along the bottom;

The four corners of the square belly are of the ridge and edge type, the bottom of the tripod is flat, and the four corners have elephant heads and four legs;

The four sides of the abdomen are in the shape of a square frame, and there are two embossed panchi patterns inside each, and the side of the panchi body is embossed.

Malachite green glaze is applied on the inside and outside of the porcelain, the glaze surface is covered with irregular small flakes, and the glaze is extremely lustrous;

The glaze juice condenses in the low recesses to form a dark glaze, and thus creates rich layers of glaze color on the surface of the vessel;

It is worth mentioning that, for this special type of porcelain, the bottom of the four feet needs to be exposed.

It is not easy to imitate such porcelain, let alone imitate it well.

The shape is complicated, and it takes a lot of time to make one piece. If it is imitated by others, it is hard to say what effect the final glaze color will show.

But Chen Wenzhe does not have such troubles, he has been able to grasp the color rendering effect of malachite green glaze.

Otherwise, he really didn't want to try firing malachite green glazed porcelain with such a complicated shape.

In addition, after the peacock green tripod is completed, it needs to be equipped with a square red sandalwood top cover.

The original jade wares are made of Hetian white jade, which shows how precious this piece of porcelain is.

It is also for this reason that Chen Wenzhe only made one piece of this porcelain square tripod, after all, he still needs to cover it.

After finishing, I don't want to continue to make such complicated things, but I don't want to make too simple porcelain.

So, Chen Wenzhe thought about it and made another small bottle.

This time it is not a peacock green glazed jade pot spring vase, but an imitation Qing peacock green small celestial ball vase.

this bottle

It has a straight mouth, a slender neck, a spherical abdomen, exposed tires at the bottom, and short ring feet.

Compared with the jade pot spring bottle, it has a bigger belly, and if it is not a little smaller, it is not difficult to make.

The inside and outside of this small Tianqiu vase are covered with malachite green glaze, the mouth is slightly lighter in color, the lower abdomen is darker in color, and there is a phenomenon of hanging glaze near the feet;

The glaze is covered with obvious caviar patterns, forming beautiful geometric patterns in the green glaze. The fine mesh and gauze, shrouded in smoke, are pleasing to the eye.

Therefore, regardless of its small size, it is really difficult to make.

The difficulty lies not in the shape of the vessel, but in the effect of the final glaze.

If you don't have a little bit of skill and confidence, you really dare not imitate this kind of high-quality goods.

As far as the hazy effect of the smoke is concerned, ordinary people cannot imitate it.

It is like a fine net and gauze, and forms a special effect of smoke and mist. How is it fired?Is it just luck?

Therefore, as long as this kind of porcelain is imitated, it is a success, and it is definitely a fine product.

Chen Wenzhe has a lot of experience in porcelain with special effects, especially the porcelain that can make a fuss about the glaze.

The coloring effect of the glaze is just the result of the refraction and reflection of light and shadow, vitrification. For these, it is not difficult for Chen Wenzhe, who is proficient in the illusion carving technique.

Of course, the phantom carving technique is definitely not used here, but the geometric patterns formed in the green glaze can be used, and the vitrification effect of the glaze surface can be used.

As long as it has a vitrified texture, the reflective effect is good, and the glaze will look like jade, and the luster will be more beautiful.

Coupled with geometric patterns, it can accurately reflect natural light and form the effect you want.

In this way, there will be a smoke shroud, like a fine net gauze effect.