My system is not decent

In the ruins of the Ru Kiln in Qingliangsi, the excavated fragments are piled up like a mountain. It is not a few pieces, dozens of pieces, or even hundreds of thousands of pieces, but millions of pieces.

Among so many fragments of porcelain, there are many fragments with residual feet, and quite a few of them conform to the type of three-legged washer.

It is also the foot fragments unearthed from the Ru kiln site in Qingliangsi, some of which are obviously from the three-legged wash, and the shape of the utensils is similar to some complete utensils unearthed before, so it can provide strong support for the second point of view.

However, after looking at the above two views, we will find that the Song Ru three-legged washing machine in the Forbidden City of Shendu originally came from the damage and grinding of the shape of the vessel. This view is a bit far-fetched.

Because the remaining part of the foot of the three-legged wash in the Forbidden City is still different from the upper part of the foot of some unearthed pieces.

And now the shape of the three-legged washbasin in the Forbidden City is indeed very exquisite and in place.

Therefore, it is hard to imagine what it would look like after adding half-length, slightly outstretched feet.

Therefore, Chen Wenzhe made a bold guess, whether these two types of three-legged washers existed at the same time in history?There are even three-legged washes with more styles!

He has done three-legged washes with three-legged beast feet before, so now he is doing a batch of drop-shaped patches, which is why he is doing three-legged washes again.

However, the shape of the three-legged washing machine is simple, even if it is a foot, it is nothing in front of Chen Wenzhe's clay figurine Zhang's unique skill, so what he does is fast and good.

However, after finishing this batch of three-legged washes, he found that there was still mud left.

Looking at the busy Zhang Ku, Chen Wenzhe didn't know what to say!

He had just processed some of the remaining mud, and this kid reconciled him a bit.

Although the number is not large, it is enough for him to make a large number of embryos again.

This is nothing, the most important thing is that this kid is practicing with precious high-quality kaolin.

Looking at a large row of embryos being dried, Chen Wenzhe couldn't help but smile.

He made a three-legged washing machine before, because the shape and glaze color of the three-legged washing machine are very classic.

Make some now and play with yourself, there is no need to do more.

But this kid Zhang Gu really didn't let him worry!

He can't make complicated embryos, so what are he doing now?Saucers, bowls, plates!

Looking at the ware embryos that were drying, Chen Wenzhe still chose to make some Ru kiln porcelains such as small bowls and small dishes.

It's a pity that he has never seen the picture of the legendary small dish, even if it is described in words, he has never seen it, otherwise he would definitely make an identical one.

Now he can only imitate some small dishes of Ruguan kiln in the Northern Song Dynasty based on historical records.

This is too simple to do, besides, Zhang Gu has already prepared the embryo for him.

So after finishing a batch of small dishes, he made another batch of classic Ru kiln small bowls, especially the Ru kiln lotus flower bowl.

This kid Zhang Gu is too serious, he can make some common shapes, and he doesn't do very well with slightly more complicated ones.

Of course, he can still make simple lotus bowls, and he can make many kinds of lotus bowls as a professional.

However, although the shape of the truly classic Ru kiln lotus bowl is not too complicated, it is not easy to make.

In particular, the separated lotus petals have the beauty of geometric shapes. If you are not familiar with it, it will not be possible to make some fine works in a short time.

Chen Wenzhe just let go of the Yingqing lotus flower bowl of the Song Dynasty very early on. He can be said to be handy in imitating the lotus petal bowl, especially the secret color porcelain lotus bowl.

Therefore, the Ru kiln porcelain he imitated this time is the lotus petal lotus mouth bowl.

The bowls of the Northern Song Dynasty are not simple. It can even be said that each piece is a classic, and many imitations have been made by later generations.

There are two styles of Ru porcelain bowl handed down from generation to generation, one is the lotus mouth bowl of the Wanwan Forbidden City, and there is only one piece;

The second is that on the Ru porcelain stamps this time, the bowls with the feet left open and slightly rolled out from the collection of the Forbidden City in Shendu were selected.

There are two pieces of this bowl, the other is in the David Foundation in England.

These porcelains are all porcelains for court furnishings.

The Ru porcelain bowl on the Ru porcelain stamp is 6.7 cm high, 17.1 cm in diameter and 7.7 cm in foot diameter.

Judging from its open mouth slightly curled outwards, deep belly, and outwardly curled feet, it resembles the shape of gold and silver bowls from the Tang Dynasty.

Inside its feet, there are five small nail marks.

It is a standard incense ash body, thin and light, and the inside and outside of the bowl are covered with glaze.

If you observe with a magnifying glass of more than ten times, you will find that there are sparse air bubbles in the glaze that are "few like morning stars".

Such a beautiful little bowl is really not easy to make.

This time Chen Wenzhe worked extra hard, and when he was done, he felt as if his body had been hollowed out.

Concentrate on making porcelain with all your heart, which consumes too much energy.

However, there are still some plain embryos left at this time, all of which are plates.

Making plates is simple, Zhang Gu made more than a dozen pieces without seeing it at a glance. If it is not glazed, it will be wasted, which is too pity.

"Let's make a few more dishes. Among Ru kiln wares, it seems that the most dishes have been handed down."

Among Ru Kiln porcelains, there seem to be more than a dozen Northern Song dishes handed down from generation to generation.

The most classic one must be the one on the stamp.

The Ru porcelain plate is one of more than a dozen Ru porcelain plates handed down from generation to generation. Only the Palace Museum in Shendu has 4 pieces. The one on the stamp is the largest one, with a height of 3.4 cm, a diameter of 19.6 cm, and a foot diameter 13 cm.

The glaze color is azure and pure, with ice shards inside and out, the bottom feet are skimmed outside, full of glaze, and five nails are fired. It is a standard Ru official kiln utensil and belongs to the palace furnishings porcelain.

Among the Ru kiln porcelain unearthed from the ruins of the Ru official kiln in Qingliangsi, there are several kinds of Ru porcelain plates of the same size and different sizes.

After finishing seven or eight dishes in a row, Chen Wenzhe felt really tired.

However, looking at a row of Ru Kiln porcelain on the workbench to dry, Chen Wenzhe really felt a sense of accomplishment.

The next time is rest, after the rest is printing, engraving, glazing, and firing in the kiln.

On this day, after sending all the made porcelain into the kiln, Chen Wenzhe felt a little empty.

But at this time he can't rest, because after firing in the kiln, he still needs to fire the kiln.

Over the past few days, he has done such things very skillfully.

When he came to the kiln factory, he looked at the situation inside the kiln through the specially made fire photos, and found that there was no problem, so Chen Wenzhe could take a rest.

In this way, a busy day is a night, and it is like this every day.

Because no matter it is Ru kiln, enamel glaze, carmine glaze and other single-color glazed porcelain, it is very troublesome to fire, and other people do not have very good kiln firing techniques.

The batch of porcelain he made is all high-quality goods, but he dare not entrust others to take the risk of firing them.

Therefore, he is now completing a series of tasks from placing porcelain in Ru kiln to heating, controlling fire, controlling temperature, observing, and adjusting temperature every day.