My system is not decent

Anyone can create the four wonders of the morning sun rising to the sea, the rainbow hanging, the spring and the earth, and the sunset and sunset?

Is it the effect that all porcelain has?Not to mention all porcelain, how many official kiln porcelains in the past dynasties can achieve this level?

Not to mention other dynasties, but the Northern Song Dynasty. No matter how well the folk kilns were fired in that period, they could not achieve such an effect and such a state.

Therefore, Chen Wenzhe believes that making a piece of Ru kiln porcelain requires many conditions, and none of them can be dispensed with.

Just like the porcelain he makes now, it is necessary to consider comprehensively from the aspects of shape, pattern, glaze formula, firing method, and firing temperature.

Therefore, agate glaze must be used.

This is also Chen Wenzhe's opinion that whether agate is mixed or not is the simplest and most direct way to identify Ru kiln porcelain.

The difference between contemporary Ru porcelain and Ru official kiln porcelain in Song Dynasty is also here.

Generally, people who have seen Ru porcelain in ancient times will think that today's high imitation has been done quite well.

But from the professional perspective of Chen Wenzhe, who has cheated, the gap is still obvious.

Although the craftsmanship of contemporary Ru porcelain is definitely more advanced than in the past, it can be made more refined, and the shape design is more suitable for today's daily life.

However, the contemporary Ru porcelain that has left the Nanhe area cannot use local raw materials, and it is difficult to present the heavy taste of ancient Ru porcelain.

In addition, the current high-quality imitations of Ruguan kiln porcelain have relatively monotonous glaze colors and relatively thin connotations.

Because today's fetal glaze formula, compared with the Song Dynasty, I am afraid that the distance is still relatively large.

At this point, it is not that the technology is not good, nor is it that some of the key points are not understood, but purely because of the cost.

Modern people value profit, and no one does business that does not make money.

If you don't have Chen Wenzhe's porcelain making skills, nor his old-fashioned level, the cost of making porcelain is too high, who will sell it to?

If the price is high, no one wants it, and if the price is low, you will suffer.

Therefore, no one will do things that are not directly proportional to the investment in eradication.

Even if some manufacturers in the Nanhe area began to add agate to the glaze, they still could not see the four kinds of blush effects of Ruguan porcelain in the Song Dynasty. This is a problem of craftsmanship.

Of course, even the current Chen Wenzhe couldn't guarantee that he could produce the desired effect.

He has used ancient crafts as much as possible, plus the appropriate mineral materials bought from Nanhe Ruzhou, all of which are combined, plus the most suitable retro firing technology, so that if he can’t replicate the fine works of Ru kiln in the Northern Song Dynasty Ruci, he has nothing to do.

The more Ru porcelain he makes, the more experience Chen Wenzhe has.

After making several large utensils, as the raw materials decreased, he began to save some.

Previously, he planned to reproduce a few classic pieces according to the pictures on the stamps.

But what is he copying now?Although it is considered a classic, it is not as classic as those on stamps!

"Boss, are you doing this respect?"

Seeing Chen Wenzhe's work, Zhang Gu looked envious. He still can't do well with the three little feet under the porcelain!

And look at the boss?With just a few strokes of his hand, he squeezed out a few small feet.

Great ingenuity without workmanship, turning decay into magic, this is his admiration for Chen Wenzhe's craftsmanship.

If there is no talent for this skill, it will take a long time to work hard to achieve it, and what he lacks is time.

However, Chen Wenzhe was younger than him, which made Zhang Gu helpless.

He is also talented in making porcelain, but compared to Chen Wenzhe's talent, he is nothing.

He didn't know that Chen Wenzhe wasn't a talent, but cheating.

Chen Wenzhe's handicraft was inherited from Clay Figurine Zhang, so it is naturally very powerful.

Not to mention pinching a few small clay feet, even pinching three divine beasts is no problem.

It's just that fabricating is not random fabrication, and the result of doing so is to create a four-dimensional image.

Naturally, Chen Wenzhe would not do such a thing.

Of course, if the invention is good, it is creation.

Not making antique porcelain, that is innovation and creation.

It is a pity that Chen Wenzhe is not yet confident enough to create a new type of Ru porcelain.

Therefore, at the beginning, he must imitate, but imitation and imitation are also different.

You must know that ancient people often imitated antiques, and many of the types of utensils they made were also antique porcelain.

For example, Zun, Ding, Cadmium, etc., many ceramic works are imitated from these earliest bronze wares.

The three-legged Ru kiln statue with the string pattern that Chen Wenzhe is imitating now is fired in imitation of the bronze statue of the Han Dynasty.

This statue has a straight mouth, a cylindrical belly, and a flat bottom, supported by three deformed animal feet, which are animal feet, not divine beasts.

There are seven string patterns protruding from the top, middle and bottom of the outer wall of the statue, three in the middle, two near the mouth and bottom.

In terms of craftsmanship, branch firing is used, and there are five small nail marks on the bottom.

The production of utensils is solemn and simple, with elegant charm and seven string patterns on the upper, middle and lower layers, which adds to the solemn and solemn feeling of the three-legged statue.

To make such a three-legged statue, it is necessary to make the tire quality as delicate as possible. Of course, hardness is essential, otherwise it will be easily deformed.

In this way, after successful firing, the final carcass will be fragrant gray, and the carcass will be lighter after firing.

The body mud used by Chen Wenzhe has been prepared many times and is very suitable for firing Ruguan porcelain.

Therefore, it is not difficult to make a tire. Even if the shape of the device is complex and slightly larger, there is no possibility of deformation.

When the tire is ready, apply full glaze inside and outside.

After successful firing in this way, the glaze color will be azure and slightly bluish, which is the standard azure after rain.

Of course, the official name is Sky Blue, and Chen Wenzhe still needs to make a sky blue one, which is caused by his collection addiction.

Now his level of craftsmanship in firing the Ru official kiln has passed, after all, he is firing in strict accordance with the ancient method.

Therefore, after firing the desired glaze color, there is still that perfect opening.

The Ruguan kiln porcelain fired in this way will have small and white shards, and will produce the best ice shards.

If after being fired, the color is soft and lustrous, and the shape is perfect and harmonious, it must have reached the highest level of Ru kiln celadon.

Strictly speaking, this piece can be regarded as a large vessel in Ru Kiln.

However, there is still a saying that Ru kiln has no large vessels, which is naturally justified.

Therefore, as long as there are large vessels from Ru Kiln, it must be the ceiling of Ru Kiln celadon.

If you can make this kind of porcelain, you must do it well and do more.

Since there are two Ru kiln string-pattern tripod statues handed down from generation to generation, Chen Wenzhe copied three statues for each sample, and added three glaze colors, so there are eighteen pieces.

After finishing the eighteen pieces, Chen Wenzhe found that there was not much mud left.

In that case, go ahead and make some smaller shapers.

In that set of stamps, there are not only Youzun, but also bowls and plates.