My system is not decent

Sky blue, blue but not bright, gray but not dark, green but not emerald.

It is an indescribable color, a color that does not exist in nature.

Selecting agate stones for glaze can make your porcelain appear as juicy as fat, surface as beautiful jade, lustrous and pure, elegant and noble, and only then can a piece of porcelain be full of royal atmosphere, and only agate glazed can produce a satisfactory sky blue color .

It doesn't matter if you can't grasp this point, as long as you have a clear understanding and know what to do.

This time the color is not interesting, and it is the only flaw, but Chen Wenzhe is definitely on the right path.

The batch of Ru kiln fired for the first time seems to be unable to achieve the real blue color after rain, but if he says it has achieved it, it should be possible, right?

After all, there are very few people who have seen the real Yu Guotian Qingse, and he is now slightly worse than the most classic pieces in the Palace Museum!

Compared with the Fangru Kilns of the past dynasties, he is already very powerful, but it is still not comparable to that of the Yongzheng period.

His batch of imitations are really good, but it would be a bit bragging to say that they are comparable to Yongzheng.

At best, it can be regarded as a copy, and the Fangru kiln in the Yongzheng period already contains elements of creation, but this point is incomparable.

There is such a saying in the porcelain collection market, as long as there are high-quality goods, there must be imitations.

Everyone must know that there are very few ancient porcelains left in the market. After all, porcelain is fragile and very difficult to preserve.

So most of the ancient porcelain we see on the market now are likely to be imitations, but these imitations are all high-quality goods.

Modern imitation of ancient porcelain works has also become an important part of the development of Chinese porcelain.

When it comes to Ru kiln imitation, which one is more popular?

This must be porcelain from the Yongzheng period. During the Ming and Qing Dynasties, Jingzhen had become the center of national porcelain manufacturing, and Ru Kiln imitation porcelain was also produced there.

At the same time, in order to achieve the same effect, it can be said that no cost was spared.

Among them, the imitation porcelains of the Qianlong period and the Xuande period were more successful.

However, imitation porcelain during the Yongzheng period was the most successful and is now popular with many collectors.

During the Yongzheng period, a large number of porcelains from the Song Dynasty were imitated, and most of them were monochrome porcelains, giving people the impression of simplicity and elegance.

Among them, imitation Ru kiln porcelain accounts for a relatively large proportion.

In the collection market, the level of Ru kiln imitation during the Yongzheng period was also the highest.

At present, most of Yongzheng imitation porcelains in the world are finely sliced ​​and gray-white glazed.

The reason why Yongzheng's porcelain imitation was so successful is also due to Tang Ying, an effective porcelain art director, who must be known to anyone who knows Yongzheng porcelain.

In the ninth year of Yongzheng, Tang Ying was a skilled porcelain expert.

At the same time, it opened a new era of porcelain manufacturing during the Yongzheng and Qianlong periods, and at that time it was considered a new miracle.

Both the appearance and details of the porcelain are very exquisite, and they are deeply loved by the emperors.

Porcelain in the Yongzheng period, more wins from the changes in the porcelain itself and the aura exuded by the porcelain.

To put it in a simple way, it is the author who makes the imitation porcelain, which adds a kind of vitality to the work itself.

For example, the Ru Kiln Tianqing Glazed Round Washer imitated at that time, the Ru Kiln Powder Celadon Glazed Zun, and the Ru Kiln Glazed Hexagonal Pot imitating Ru Kiln are among the fine works.

Looking back at the porcelain of the Qianlong period, what he dedicated to everyone is a kind of standardization.

Moreover, the programmed form is too rigid and lacks innovation.

Therefore, this is why the imitation porcelain of the Qianlong period lost to the imitation porcelain of the Yongzheng period.

Take another look at the Ru kiln imitation porcelain in the Yongzheng period. Although it seems relatively simple, it always gives people a very elegant and beautiful feeling. This is also the royal porcelain.

Besides, these are all imitation porcelains, but they are not complete replicas, but are infused with the author's own creativity.

If you understand the market, you will find that many current collectors are more keen on this kind of porcelain.

Although it is an imitation, in the eyes of many collectors, this is a beautiful work of art, and what he imitates are all high-quality goods.

Whether it is in terms of material, production process and appearance, it can surpass the original work, which is also the highest level of imitation.

Knowing the gap, it is natural to improve and strive for excellence!

This time, Chen Wenzhe was no longer distracted, and he began to focus on making imitation Ru porcelain.

"I imitate Ru porcelain, you imitate others, you can do whatever you want, blue and white, colorful, pastel, you can do anything, if you really can't, you just follow me!"

After thinking about it for a while, Chen Wenzhe is not making flower cups, but this time he has to check the level of Zhanggu first, so Chen Wenzhe didn't choose a too difficult type of utensil.

To say that the most common type of utensil in Ru kiln works is definitely a plate, because the utensil type is relatively simple.

However, the simple shape of the device cannot be said to be easy to imitate.

After Chen Wenzhe thought for a while, he thought of a special plate that existed in the red building.

Since the Ru kiln porcelain in the Red Mansion was imitated before, it should be imitated to the end.

Among the Ru kiln wares handed down from generation to generation, there are also dishes like those in the Red Chamber, which are deep belly dishes.

There is such a plate in Mrs. Wang's room in "A Dream of Red Mansions".

Also, in the house of Sister Feng, one of the most important figures, there is also a Ru porcelain plate of this kind.

In the book, Sister Feng said to Xiaohong: "Go to our house and tell your sister Ping that there is a roll of silver under the Ru kiln plate shelf on the table outside the house, which is 120 taels...".

"Sister Feng with a pair of red and phoenix triangular eyes and two curved willow-leaf hanging eyebrows" is the housekeeper of Jia's mansion in "A Dream of Red Mansions", and the celebrity next to Jia Mu, the head of the family.

The Ru kiln plates mentioned here are especially mentioned to be held up by shelves, and their high value must be unmatched by ordinary plates.

Also, I don't know which version of the Red Chamber seems to have illustrations. Chen Wenzhe has seen the illustrations on this page, and he clearly remembers that the drawing in it seems to be a deep abdominal plate.

Of course, this illustration is likely to be added by later generations, and there is no guarantee that the one in the red building is the deep abdominal plate, but it doesn't matter at all.

This time, making plates is just for practice. As for what kind of plates to make, it doesn't matter.

Seeing that Zhang Gu was doing well, Chen Wenzhe stopped.

At this time, there was already a large deep belly plate in front of him. As the name suggests, deep belly is a plate with a relatively deep belly.

Since there is a deep abdominal disc, there must be a shallow abdominal disc.

However, no matter what kind of plate it is, it is not difficult to imitate it.

The most important thing is that this kind of plate is very fast to make, even if it is a Ru kiln plate, there is no problem.

Therefore, soon Chen Wenzhe made a batch, and glazed it for the first time. At this time, it will be fired in the kiln for the first time.