My system is not decent

"I said young man, we really didn't act, and the price of 50 yuan, you still think it's low?"

"That's right, we only saw 50. If you can tell how ugly you are, we can pay more."

The two old men, with rich experience, adjusted their strategies at any time, just trying to catch the leak in Chen Wenzhe's hands.

But Chen Wenzhe really couldn't say anything, he just thought these things were good, really good.

Although it is not a national treasure, he can see that the level of imitation is here.

The things on this stall are just a little bit behind the real national treasures, or in other words, the people who made them were not the ancients of Xia, Shang and Zhou, but modern people.

Other than that, they don't have to be real antiques at all.

In the long history of ancient China, it is common for later dynasties to imitate previous dynasties, and later generations to imitate previous dynasties.

Because things are good, people imitate them, and imitation products are not always equal to counterfeit products.

People imitate the good and not the bad, only if it is worth imitating.

The imitation is not necessarily bad, and the imitation is definitely not real. If it is not real, it may not be of low value, and the price may be higher.

Only by knowing the true and false, can you know the good or the bad. There is history in the fake, and there are real high-quality imitations.

High imitations also have treasures, depending on the level of appreciation and the imitation itself.

You can collect imitation products, but you don’t want to collect counterfeit products. In short, you must understand that in history, products made by future generations based on the prototype of the previous generation are different from counterfeit products.

There is a difference between imitation and imitation, and there is a difference between imitation and modern counterfeiting.

Chen Wenzhe's batch of bronze wares are old and authentic. As a collection, we need to consider whether they are valuable for collection.

So, will the batch of high imitations in Chen Wenzhe's hands be very large?

Certainly not, as a master of old work, Chen Wenzhe can clearly realize that the creators of this batch of bronze wares have put in painstaking effort and time.

Those two things alone are priceless.

Now being forced to the bar by these two old guys, Chen Wenzhe didn't intend to bear it any longer.

The main thing is that getting achievement points is also addictive!

If he pretends to be a big fork in front of a large number of professionals, won't he get a lot of achievement points?

Looking at the three things in front of him, they are all heavy weapons, but the craftsmanship of the bronze drum is the most complicated, but its production process is not very conspicuous, at least compared to the Siyang Fangzun, it is not so conspicuous.

As for He Zun, although the workmanship is also very good, it is still a bit inferior compared to Siyang Fang Zun.

Well, it's mainly because Chen Wenzhe's ideas are a bit off.

Therefore, Chen Wenzhe chose to learn the manufacturing process of Siyang Fangzun.

He was sure that by activating independent inheritance this time, he would definitely be able to learn the craftsmanship of bronze ware, not other techniques for making old things.

Sure enough, scenes and scenes flashed in his mind.

This time, he didn't want to learn anything, but wanted to know whose craft it was.

"Huangjintai? The successor of Yueyu bronze wares?"

The inheritance obtained through targeted combing is fairly fast.

In just an instant, Chen Wenzhe knew the owners of these bronze vessels clearly.

This expert who imitated the Siyang Fang Zun is also a master with a legacy.

It was handed down from the Ming Dynasty, when the Ming Dynasty died and the Qing Dynasty prospered, Huang's bronze was inherited from generation to generation.

The four-ram square statue in his hand is an antique bronze made by Huang Jintai, a descendant of the Huang family, in the late Republic of China.

Huang's Bronze has been in existence for more than 300 years since Huang Qirui's creation to the Republic of China.

I just don’t know if it was passed down after the Republic of China.

But judging from the family's inheritance, it should have been passed down. Otherwise, where did the batch of bronze wares come from after the founding of the People's Republic of China?

Although he didn't check carefully, Chen Wenzhe was able to confirm that the craftsmanship of this batch of bronze wares was passed down in one continuous line.

"Discover treasures, start independent inheritance, and increase achievement points by ten!"

He finally completed a treasure hunting mission, and as long as he thinks, all the bronze wares here can help him complete an independent inheritance!

"Young man, it's meaningless if you're like this. We're buying it sincerely. You can return the price if it's too high. If it's too high, we can't afford it, so we won't say anything. What do you mean by not saying anything?"

"That's right, let me tell you how ugly Yinmao is, and let us know how the price of these imitations exceeds 50!"

After being woken up by the two old men, Chen Wenzhe became a little impatient. Are they really relentless?

"The family has Yueyu, but gold and jade are not hidden!"

After saying this, Chen Wenzhe just looked at Lao Zhang to see if he knew something.

Sure enough, upon hearing these words, Lao Zhang's expression changed.

Even the old Wang stopped talking, he knew that saying anything else would be superfluous.

Chen Wenzhe felt a little helpless, and he really knew it.

No wonder Professor Wang is so prestige here, he sells all the gold bricks he is optimistic about at a high price, it turns out that his eyesight is really good.

"It's not easy, young man! Even Yue Yu knows it. If I hadn't seen it before and personally studied the craftsmanship of Lao Huang's family, I really wouldn't be able to see the source of these high imitations!"

Old Zhang's face was not red, he was just a little emotional.

Chen Wenzhe couldn't help but admire these old fellows, they were so calm when they didn't pick up the leaks.

According to what they said, the Huang family's high imitation craftsmanship must have been passed down to the present, and it is relatively famous.

Through inheritance, Chen Wenzhe knows that the origin of Huang's Yueyu bronzes can be traced back to the Wanli period of the Ming Dynasty.

The four-ram square statue in his hand came from Huang Jintai, the descendant of the Huang family during the Republic of China, and Huang Yuzhai, the ancestor of Huang Jintai, was a Juren and was sent to serve in Guangdong Province.

Because he liked to collect bronze wares, especially those unearthed in the first generation of Mangshan in Zhongdu, he sent his descendants to collect them everywhere and learn the skills of making bronze wares. The wares he made were called Huang's Yueyu bronze wares.

If it is well made and sought after by others, the family will naturally prosper.

When the third generation descendant of the Huang family arrived, his family established a bronze ware making workshop in Mangshan, the central capital, and started large-scale imitation of bronze ware.

It can be said that from the first generation of the Huang family, the Huang family's Yueyu bronzes have been favored by the royal scholar-officials, and they are vying to collect them.

At the end of the Ming Dynasty and the beginning of the Qing Dynasty, there was a good story in the collection circle that "the family has Yue Yu, but does not hide gold and jade".

For such a famous family, the batch of bronze wares produced cannot be said to be priceless, but the value is definitely not low.

Having received his family's inheritance, Chen Wenzhe was naturally delighted. With this joy, he couldn't help but want to learn it.

A picture emerged in his mind, he saw a person moving out two square statues of four sheep, then picked up a small brush, and brushed the surface of the square statue of four sheep over and over again, carefully brushing all the protrusions and depressions.

These two four-ram square statues have undergone hundreds of processes such as molding, baking, casting, polishing, welding, and forming, and it took three or four months to get what they are today.

That person is Huang Jintai. What he is doing is the final process of surface treatment. It seems simple to only use a wool brush to brush the surface, but he still does not want others to do it for him.