My system is not decent

For Chen Wenzhe, there is no difference between the mold and the mold.

However, the large number of Ru kiln porcelain made using molds is naturally for sale.

And the works that he collects or puts in his self-built museum are naturally special, so naturally he needs to make them himself.

In fact, there are only those types of Ru kiln wares, not to mention the mass-produced practical wares, but some special shapes handed down from Ru kiln wares, which are enough for Chen Wenzhe to imitate.

The main types of Ru kiln handed down from generation to generation include three-legged statues, Fenghua statues, goose-neck bottles, straight-mouthed bottles, paper mallet bottles, Arhat bowls, large lotus bowls, plates (open mouth, straight mouth, three-legged), dishes (flower mouth ), washing, lamp support (flower mouth), narcissus basin, etc.

Of course, the shape of the Ru kiln is far more than this, such as bowls with lotus petals, bowls with sea water patterns, hollowed-out cup holders, furnaces with embossed lotus petal patterns, flower-painted sea-water pattern cylinders, sets of boxes, pots, bird head-shaped vessels, etc. It is also discovered from time to time.

Now that there are suitable materials to make these types of porcelain, it is not difficult for Chen Wenzhe at all.

It can even be said that there are only some well-regulated works, and there is no challenge for Chen Wenzhe at all.

Therefore, in addition to making these conventional porcelains using moulds, Chen Wenzhe also specially selected some commemorative Ru porcelains to imitate by himself.

For example, a large number of Ru porcelains have appeared in famous books, paintings, poems, stamps, anecdotes, etc., and such works will be more valuable if they are imitated?

At the very least, for Wu San and the others, as long as they are well-made, they will surely be able to easily sell them at a sky-high price.

Chen Wenzhe has the ability of photographic memory, so he knows exactly what Ruci are in the famous works.

For example, there are many Ru kiln porcelains recorded in the classic classic "A Dream of Red Mansions".

If you want to imitate, just a Dream of Red Mansions is enough for Chen Wenzhe to imitate for a while.

This is the convenience for modern people to make antique porcelain, because the ancients have made all the types of utensils they can think of.

Now, Chen Wenzhe doesn't need to bother with design at all. It can be said that he can find many classic models in just any ancient books.

For example, in the third chapter of "Dream of Red Mansions", it talks about Daiyu's first entry into Jia's mansion.

"When Daiyu entered the main room, she looked up and saw the red gold nine-dragon and blue-green plaque bestowed by the emperor with three big characters of "Rongxi Hall". An ancient bronze tripod..., and on the right side is a Ru kiln beauty goblet..."

This is the first time that Ru porcelain is mentioned in "Dream of Red Mansions". In the article, Ru porcelain is mentioned side by side with the emperor's inscribed plaque, red sandalwood and other precious things to set off the splendor and wealth of Jia's mansion.

From here, it can be seen that Ruci's noble and extraordinary status at that time.

Of course, Ru porcelain not only appeared in the magnificent main hall of Jia's mansion, but also in the rooms of several main characters in Dream of Red Mansions.

In particular, the flower goblet, or Ru Kiln beauty goblet, has appeared several times.

In Mrs. Wang's room, Ru porcelain flower goblet appeared again.

There is a description in the book: "There is a scarlet carpet on the big kang facing the window... On the left side is Wenwang Ding, next to the tripod is a spoon and incense box. On the right side is the Ru kiln beauty goblet, with seasonal flowers and plants inserted in it" .

The goblet here is an ancient drinking vessel, which is equivalent to the later wine cup. It has a long body, a trumpet-shaped mouth and bottom, and was popular in the Shang and Western Zhou Dynasties.

Mrs. Wang is one of the main characters in "A Dream of Red Mansions". She is the mother of the first protagonist Jia Baoyu and the imperial concubine of Jia's mansion, Jia Yuanchun, one of the twelve beauties, and one of the parents in charge of Rongguo Mansion.

This graceful and luxurious piece of Ru kiln porcelain is not only a precious antique, but also an elegant decoration to set off the identity of the owner.

Such classic Ru kiln wares, Chen Wenzhe must imitate.

The imitation of the flower goblet is actually very simple, because this thing looks like a statue.

Because of the early Huagu, people usually describe it as "Zun".

The flower goblet that evolved later was bronze in the Shang and Zhou dynasties.

This kind of work has a beautiful shape and mysterious and complicated decorations, and it has always been a utensil that cannot be ignored in ancient Chinese feasts.

Respect, contains the history of my country's profound etiquette culture and wine culture, and has profoundly accumulated the civilization of my country's Bronze Age.

The bronze flower goblet is a wine vessel and water vessel in the Shang and Zhou dynasties, and it is used with the Zun.

Chen Wenzhe has seen a late Shang bronze flower goblet, and it is very beautiful.

Since the ancients all imitated bronze wares, Chen Wenzhe can naturally follow suit.

The flower goblets of the Ru kiln are good, but the later imitations of the flower goblets of the Ru kiln are not inferior.

Even in some special dynasties, imitation Ru kiln wares were very expensive.

Of course, Chen Wenzhe definitely doesn't pay much attention to the price, what he wants is that kind of artistic achievement.

Since you have to do it, do your best.

Therefore, through one piece of porcelain, Chen Wenzhe can produce many antique porcelains of the same type.

It's a pity that he has too many thoughts and too few hands, so he can only record some thoughts.

Fortunately, now he has a whole factory of workers to help him, so some ideas can be realized immediately.

This time imitating Ru porcelain, he used craftsmen brought from China, the best of which was Zhang Gu.

Others can only help in the deployment and processing of mineral materials, at most filtering, stale, and mud.

The final shaping must have been done by Chen Wenzhe himself.

"If you have time, you can imitate a bronze flower goblet!"

While imitating, thinking at the same time, Chen Wenzhe's movements are still very fast.

He is not interested in imitating ordinary flower goblets, but the classic evolution of flower goblets from ancient times to the present is still worthy of his imitation.

It must have been a bronze ware at the beginning, and it is not so easy to perfectly imitate a bronze ware.

At the very least, no matter what you imitate, you must at least understand it, right?

Of course, bronze ware cannot be imitated now, but he can make porcelain.

The earliest pottery and porcelain all evolved from bronze ware.

It's a pity that there are no detailed records of Ru porcelain such as Huagu in the Red Chamber, so he can only design the artwork based on some information.

The first piece he directly used the template of the bronze ware, because such a Ru kiln flower goblet is not only handsome and elegant, but also majestic and majestic!

Combining with the materials of the Red Chamber, it is not easy for people to recognize that this piece of Ru kiln porcelain comes from the Red Chamber.

In this way, he can be regarded as a fabricated work.

After finishing it, Chen Wenzhe always had a guilty conscience, so he simply copied a bronze flower goblet perfectly.

The bronze flower goblet he had seen in the late Shang Dynasty was elegant in shape, dignified and elegant, rich in patina, and even more historical.

This bronze flower goblet has a round trumpet with a large mouth, a thin waist, and round feet that are turned outward.

The body is wrapped with three layers of shell skin, which is the best bronze ware. The relief decoration is simple and mysterious, complicated and luxurious.

The lower layer is carved with geometric circuit linear graphics, the middle layer is decorated with Kui patterns, and the upper layer is shaped like petals and decorated with inscriptions.

The cross hole on the sole of the foot is a characteristic of the degeneration of the large cross hole in the late Shang Dynasty.

Bronze wares like this must be heavy wares. Even if they were made into porcelain wares, they would look very simple, heavy and dignified!