My system is not decent

Lao Zhou is right, as long as the six most famous features of Ru kiln porcelain are imitated, the imitation of Ru kiln porcelain is almost complete.

Chen Wenzhe is more aware of the main characteristics of Ru porcelain.

The "green as the sky" mentioned by Chen Wenzhe just now is one of them.

The glaze color is just like after the rain, when the clouds clear and the mist clears, the overall glaze color is calm and elegant, with a refined texture. How can these characteristics be imitated?

If it was before today, Chen Wenzhe really didn't have any confidence.

But now it is different, he really has some confidence.

Of course, if you really see a piece of Ru kiln and let him take a look at its past, it may be easier to imitate it.

It's a pity, how rare is a piece of Ru kiln?Only true antique lovers will know.

"Let's not talk about the azure color, let's talk about other features first. If you want to imitate Ru Kiln, you must first imitate the simple features!" Lao Li still worked hard, and the more he talked, the more excited he became.

Of course, Chen Wenzhe did not give up too much.

He just got a little excited when he thought about it for a while, he seems to have cleared the level?

Besides the azure color, how difficult is it for him to imitate the Ru kiln?

Face Ruyu?Is this easy to imitate?

The glaze surface is moist and soft, pure as jade, and is praised as "juicy and lustrous, watery and ready to drip, glaze is like cream, fat melts but does not flow, its glaze is thick and the sound is like a chime, bright but not dazzling".

This is the glazed feature of Ru kiln porcelain, but this feature is really not difficult to imitate as long as the material is right.

Because when Chen Wenzhe studied Longquan glaze before, he studied the firing of this kind of Song Dynasty celadon.

The glaze of Longquan celadon has obvious characteristics, because it is very special in the use of glaze.

Generally speaking, lime glaze was used in the Northern Song Dynasty, and lime alkali glaze was used in the Southern Song Dynasty. The glaze applied by the former is thin, while that of the latter is thick.

The latter is the powder green glaze, which can achieve a jade-like effect.

This point is also reflected in the Ru kiln. For example, the glaze surface is caressed like silk, warm and simple, bright and shiny, the glaze is like a pile of fat, quiet and elegant, and it is regarded as the emerald color of green peaks. Better than jade" reputation.

The glaze melts like cream and does not flow, and the glaze is thick and sounds like a chime, which shows that it is definitely not a thin glaze. This is special in the Northern Song Dynasty.

After all, the celadon works of the Northern Song Dynasty are generally thin-glazed, and only in the Southern Song Dynasty will they become thin-bodied and thick-glazed.

Chen Wenzhe has studied these very thoroughly, especially for the change of glaze, he has studied in depth.

Chen Wenzhe can make a lot of porcelain, if you want to find the best one, it must be celadon!

The glaze color is azure, and the enamel is like jade, which is the most accurate feature he has grasped.

With this kind of technology, it is really not difficult to reproduce the glaze texture and glaze color changes of Ru kiln porcelain in the Northern Song Dynasty.

The second is "Morning Stars Sparse", which means that there are few air bubbles in the glaze like morning stars. The glaze of Ru kiln is thick, and there are a few air bubbles in the glaze when it is illuminated.

As mentioned earlier, if the glaze is too thick, when making porcelain and drying in the shade, the water under the glaze layer will not evaporate easily.

Even when it is fired in the kiln, too thick glaze will prevent water from evaporating. At this time, water vapor will stay under the glaze layer or in the glaze layer, forming air bubbles.

This feature, Chen Wenzhe has long been able to create, naturally it is not difficult.

Let's talk about the "incense ash body", that is to say, the body color of Ru kiln porcelain is incense gray, similar to the color of incense ash after burning, and the texture is relatively pure and delicate.

Needless to say, it must be related to purple gold soil. When researching Longquan kiln, Chen Wenzhe also studied it clearly.

He has a good idea of ​​the fetal soil used for Ru kiln porcelain.

In this way, how difficult is it to fire Ru Kiln?Sesame nails?

谷嘌

Generally, coarse porcelain needs to be stacked when fired, and the feet cannot be glazed, so there is a rough circle at the bottom.

Ru kiln is naturally different, "sesame nails are satisfied with glaze", this is the characteristic of Ru kiln sesame nails, that is, the feet are covered with glaze, and the soles of the feet are supported by nails as small as sesame seeds for firing.

This didn't bother Chen Wenzhe, he would have already!

And at the end, it is the "cicada wing pattern", which means that there are fine pieces in the enamel texture.

The cracking generally presents small cracks like cicada's wings. This cracking phenomenon is caused by the difference in expansion coefficient between the porcelain body and the enamel.

He can also do it, but when it is fired, what kind of effect it will produce depends on God's will.

With such a swipe, Chen Wenzhe discovered that he could do it all?

It turns out that the most rare thing is Qingrutian, and he has a clue today.

The face like jade, cicada wing patterns, air bubbles, incense ash tires, and sesame nails in the back, he can do them all!

Celadon is like jade, Chen Wenzhe has long been able to do this, and he has done it very well.

Qing Rutian found out just now, and the incense ash body is made of porcelain clay, so it should be no problem to use purple gold clay.

Chen Wenzhe has long studied the fact that the morning star is thin because of the moisture content of the glaze.

He had learned sesame nails before, but today, because of the generous teaching of the two elders, he has gone a step further and has greater confidence in the success of firing.

In this way, what is the difficulty for him to imitate Ru kiln?

Seems like it's just a matter of fine flakes in the enamel texture!

If you think about it carefully, the most difficult thing is to start the film, because this factor is uncontrollable.

Now that the problem was found, it was necessary to solve the problem, so Chen Wenzhe introduced the focus of communication into the opening of porcelain with a little guidance.

Chen Wenzhe gave some guidance, but unexpectedly the two old men really understood it very well.

After listening to the explanation, Chen Wenzhe understood that Jingzhen has a long history of inheritance. Even after the firing of Ru kiln porcelain was lost, they also imitated it in later dynasties.

Of course, even if it is not a special copy of Ru kiln, there are many other kilns who have learned the technology of Ru kiln, and there are kilns such as Ge kiln, which also have spread the technology of cutting.

Cracking is a natural cracking phenomenon on the glazed surface of porcelain. There are two reasons for its formation.

One is that the mud mud extends along a certain direction during molding, which affects the arrangement of molecules;

The second is that the expansion coefficients of the blank and the glaze are different, and the shrinkage rate of the glaze layer is large when it is cooled after firing, so cracking is originally a shortcoming in the firing of porcelain;

Since the Northern Song Dynasty, the artisans of the major kiln mouths mastered the law of cracking, and the cracked glaze (that is, cracked glaze) produced thus became a special decoration of porcelain.

Ru, Guan and Ge kilns in the Song Dynasty all had this kind of product.

Ge kiln products of the Song Dynasty are the most famous. Chen Wenzhe also fired Ge kilns, but he had never fired them.

If it is really counted, he knows more about the brother kiln, because he has received this inheritance.

If we talk about film opening, then the most classic film opening is the ice crack.

According to the color, there are eel blood, gold wire and iron wire, and light yellow caviar pattern.

According to the shape, there are net pattern, plum pattern, fine grain and so on.

Porcelain with lines on its surface is called "open piece".

It is divided into "big opening film" and "small opening film".

Small pieces are finely divided, called "caviar pattern";

The large and sparse ones are called "ox hair pattern", "willow leaf pattern" and "crab claw pattern", all of which describe their shape.