My system is not decent

Jingzhen's research on ancient porcelain is really professional.

What is the use of studying various signs and characteristics?

Is it just pure appreciation of power, to find out the unique beauty above antiques?

Chen Wenzhe didn't believe this. The characteristics of ancient porcelain that Jingzhen had noticed must have been imitated.

Seeing Chen Wenzhe's pensive face, the two old men laughed. This was the effect they wanted.

At this time, Lao Li also said an interesting thing, of course it was also about making old skills.

He was talking about the smell of earth, which means that the ancient porcelain has been underground for several years. The porcelain absorbs the smell of the earth, and when the water is warm, it emits.

Due to the different underground environments, the aroma of the earth is also different. It can be smelled even if it has been born for a hundred years.

As soon as Lao Li finished speaking, Lao Zhou spoke again.

People know a lot. Since there is an earthy aroma, does it have the aroma of wine?

This is to say that the aroma of roasting wine is generally produced in wine vessels. After this kind of ancient wine vessel is unearthed, it is wet with water and baked with a slow fire. The aroma of wine can be heard in the aroma of the earth, especially pottery.

The dry or rotten pits have another smell.

Different smells can tell the general environment when unearthed.

This is an auxiliary feature for judging ancient porcelain, which requires people with a keen sense of smell to perceive it easily.

For this aspect of knowledge, Chen Wenzhe must have been involved, such as the smell of earth, but there is more than just the smell of earth on porcelain.

As for the earthy aroma, he really didn't know what kind of environment would produce the so-called aroma.

As for the aroma of the wine, this is easy to understand, but he didn't pay attention to this kind of detail before.

Chen Wenzhe sighed very much, this is a professional!

Even when it comes to the precious light above the porcelain, there are many theories.

As mentioned before, Chen Wenzhe knows that there are many lights, but he really doesn't know much about Yaguang.

It turned out that Chen Wenzhe focused on clam light, but now he knows that besides clam light, there are other lights under subdivision.

Such as hazy light, this phenomenon can now be explained by the principle of thermoluminescence.

People with keen eyesight in ancient times scalded ancient porcelain with boiling water in a dark place, and they could see white, blurred, and light slightly larger than ancient porcelain, but new porcelain did not.

In addition to hazy light, there is also matt light, which is a mild and dim light produced by the aging of the glaze.

Also known as a piece of light, the longer the year, the milder it is.

After being out of the kiln for more than ten years, the crystals on the glaze surface disintegrate and disintegrate, and countless gaps that cannot be observed by the naked eye begin to appear between the lattice structures, which increase with age, so that the light cannot be directed directly, and scattered light is produced. So what I saw was Yaguang.

Matte is definitely an important feature for judging ancient porcelain.

Chen Wenzhe definitely doesn't know about this subdivided Baoguang, and he has never heard that it can be imitated.

In addition to matt, there is also ghee light, which is similar to matt, but oily, and is often found in Guan﹑Ge kiln.

This makes it even more difficult to see and imitate, even if there are very few three-point images.

Because for Guan﹑Ge Kiln, people haven't been able to figure out the production process of the ancients.

Hearing this statement, if Chen Wenzhe realized something, he had the craftsmanship of his younger brother's kiln, and he could even derive the technology of his younger brother's kiln.

In addition, he now also knows some treasure firing techniques, all these add up, can you think about it for Ru Kiln Porcelain?

In fact, he has mostly touched on what the two old men said, but he has not studied it in such detail and thoroughly.

This time, the two old men really vomited dry things. Chen Wenzhe didn't pay attention to it, or he noticed it, but he didn't have a way to understand the deeper knowledge. The two old men said something.

谷逩

For example, the previous ox hair pattern, that is, the scratches caused by various external factors due to the long existence of porcelain.

In addition to hard scratches, there are also soft scars.

The fine items in ancient porcelain are generally cherished by people, or they are not practical and are placed in remote places.

There are also some that have been carefully protected after purchase, and no one has even touched them.

Porcelain with such careful protection is not unavailable in the market, this is as old as new!

This kind of porcelain has very few flaws. If it is to be imitated, the imitator will not know where to go, and pretend to have hard flaws, that is a flaw.

There are also some porcelains unearthed not long ago, most of which have no scars on the glaze.

Such porcelain also needs to be paid attention to in imitation.

Unearthed porcelain and surviving porcelain will leave more or less traces after a long time.

In addition to the above mentioned, the two old men also said something before, such as the crab claw pattern.

It's just that this kind of feature often appears on Ru porcelain. It is the cracks on the glaze surface, and many small air bubbles are strewn on the cracks, which are then polluted into black, so it is called crab claw pattern vividly.

There are also fish roe patterns, lobes shaped like fish roe, with small pieces, large gaps, black color, characteristics of ancient porcelain, and difficult to imitate.

Finally, there are tortoise cracks, such as lobes and large pieces of tortoise shell.

The tortoise cracks in ancient porcelain are large and black in color, especially on Ru porcelain.

The seam color is formed after leaving the kiln, and there must be signs of tubular sheet seams formed thousands of years ago.

At present, no one can imitate it, and not many people know this feature.

Not to mention that there are no works discussing that most of the porcelain that came out in the past hundred years is colorless, and there is not much difference from modern imitations.

In addition to some characteristics of ancient porcelain that Chen Wenzhe knew, there are many details on the real ancient porcelain.

Only then did Chen Wenzhe realize that making old clothes is really a great subject.

Just like the Yuan Qinghua he knew before, if you want to make it, you can find out dozens of characteristics, you need to cover it all, do it well one by one, and set the standard before you can make a high imitation.

Therefore, the high imitation of Yuan blue and white has always been expensive in the market.

Only then did he realize that other antique ceramics are easy to imitate?

It's just that the price is different, and the degree of imitation is different.

If you want to make a truly top-notch high imitation, you still need to grasp some details.

It turns out that Chen Wenzhe copied the works, but he just knew what they were and didn't know why.

Based on the skills he inherited, he was able to make porcelain that was very similar to ancient porcelain, and even looked exactly the same in appearance, but he couldn't grasp many details accurately.

And this is the important reason why he was unable to imitate high ancient porcelain. Up to now, the porcelain that Chen Wenzhe can imitate is at most designed in the late Ming and early Qing Dynasties.

For example, Kangxi and Qianlong couldn't even make some porcelain at the peak of the Ming Dynasty.

It turned out that he didn't imitate fine Ming Dynasty porcelain simply because he didn't have hemp warehouse soil. Now that he thought about it, even if he was given hemp warehouse soil, he seemed unable to make such high-quality imitations of the Qing Dynasty.

The old saying is good, live and learn, this saying is absolutely true.

By this time, Chen Wenzhe could no longer respond to some profound things people said.

It's just that Chen Wenzhe couldn't just listen to what others said was useful.

Fortunately, he is also very knowledgeable and memorized. Besides, we can't talk about ancient porcelain, and we can't talk about ancient tombs?

If the ruler is long and the inch is short, and the knowledge is short, use your own profession to make up for it!