During this period of time, although Chen Wenzhe did not make porcelain by hand, he pondered in his heart and experienced the immersive experience in his dream, but he never stopped.

It's just that he has adapted to the learning method of immersive experience and has become less burdensome than before, so it is as normal as eating and drinking.

However, after such an immersive experience for a long time, his progress is too obvious.

Especially recently, he has also studied how to make old porcelain, and the porcelain he makes now is even more difficult to distinguish between authenticity and falsehood!

If he didn't know his own craftsmanship, if he didn't know what he did, if he accidentally came across porcelain this time, it would be hard to say that he would be able to recognize it.

This is the danger of being old, and it is really possible to confuse the real with the fake.

The workmanship of this batch of porcelain is so good that the real ones can really be confused with the real ones, mainly due to Chen Wenzhe's seriousness in making them.

Regarding these porcelains, even though he knew they were imitations, Chen Wenzhe was very happy to see them.

This batch of porcelain must be preserved, because if he continues to make it in the future, he will be doing repetitive work, and he must not have put his heart into it this time.

If you don't burn it with care, don't make it old with care, the final effect will definitely not be as good as this time.

After seeing these high-quality goods, Chen Wenzhe came to another studio, where the main old products are large plates.

Many of them are for sale, but there are also some boutiques.

These porcelains are often the random works of Chen Wenzhe.

This can also be regarded as one of his shortcomings. Originally imitating some porcelain in a satisfactory manner, he had a whim and had other ideas.

At this time, he can't help but create some special shaped porcelain.

If there is no way to change the shape of the plate, then change the decoration, such as the fine imitation of the Qing Qianlong Doucai Kuifeng pattern plate in front of you.

Now Chen Wenzhe's imitation Doucai has also become very powerful, and he is no longer as cautious as before.

So this time the imitation bucket color market looks really good.

The original product of this large plate is a classic variety of doucai porcelain in the official kiln of the Qing Dynasty.

And Chen Wenzhe's imitations are generally classics.

As for the fighting colors, the Ming Chenghua fighting colors imitated during the Kangxi period of the Qing Dynasty are already very powerful.

In particular, some special color materials have been made no worse than Chenghua Doucai.

Of course, there are still differences. After all, many colored materials from the Ming Dynasty could not be found in the Qing Dynasty.

However, the more frequent exchanges between countries in the world in the Qing Dynasty, coupled with the heyday of national power during the Qianlong period, gave them more choices.

Therefore, not to mention imitation, but to talk about artistic achievements, the fighting colors of Qianlong in the Qing Dynasty were not much worse than the fighting colors of the Ming Dynasty.

Just like the big bucket dish selected by Chen Wenzhe, it is a classic among them.

Picking it up carefully, I saw that the outer wall and the center of this large plate were all painted with Kuifeng patterns in bucket color.

Three phoenixes surround the lotus in the center of the plate, and four phoenixes on the outer wall of the plate walk among the surrounding flower branches.

The shape of the Kui phoenix is ​​sinuous and beautiful, and its figure is graceful like a flower branch. The Kui phoenix and the twining flowers are mixed together, dense but not chaotic.

The six-character three-line vertical seal script inscription "Qianlong Years of the Great Qing Dynasty" on the inner bottom of the circle foot.

The shape of the whole plate is regular, the texture of the fetus is fine and white, and the glaze surface is shiny and lustrous, showing the atmosphere of royal wealth.

Kuifeng is a variation of Phoenix, the king of all birds, and its song is like the sound of flute.

The Kui Phoenix does not eat live insects, does not gather live grass, does not live in groups, does not fly randomly, does not fall unless it is a phoenix tree, and does not drink unless it is a Liquan.

谷鵚

The plate is based on the phoenix, which shows the prosperity and prosperity of the Qianlong Dynasty, and is a typical artifact of the Qianlong official kiln.

Chen Wenzhe held the plate, and the more he looked at it, the more satisfied he became.

He used to make the most objects with dragon patterns, but not many made phoenix patterns. It can't be said that this one is not bad for the first one.

He felt that compared to dragon patterns, the phoenix patterns, especially the famille rose, are more gorgeous.

In the prosperous age of a great country, it should be decorated with this kind of costume.

So the bucket color he made must not be the only one, since he has prepared enough bucket color glaze, naturally he can't just make one.

Now that it is a fighting color, it must be imitated as a fighting color.

However, what he did was not a real success, but an imitation of an official.

That is, the imitation of the fighting color of the Qing Dynasty, but this kind of fighting color of the Qing Dynasty is the imitation of the Chenghua fighting color.

What Chen Wenzhe made was a folded waist dish with Ruyi cloud pattern in bucket color, with a diameter of 14.6 cm.

The center of the pan is painted with doucai rings with Ruyi cloud head patterns, and the outer wall is painted with seven groups of ganoderma lucidum patterns in blue and white doucai, which are respectively applied in red, green and blue.

Doucai is a technique of porcelain glaze decoration. First, the outline is outlined with underglaze blue and white, and then the corresponding color is filled in the outline, and then fired in a kiln at low temperature.

Ming Chenghua Doucai crafts are outstanding and popular, and later generations admire and imitate them.

The shape and decoration of this bucket color plate are similar to Chenghua bucket color, and the overall composition is clear and orderly.

The texture of the glaze layer is smooth, the hair color is calm, the color is pure, and the painting is neat.

The most important thing is that the patina is handed down from generation to generation, and those who don't know it must think it is the authentic product from the Chenghua period of the Ming Dynasty.

This kind of porcelain is rare in the market, and only those who know how to do it can recognize it.

Chen Wenzhe made a cover-in-the-box, and what he saw was the genuine Chenghua product. Experts would think it was an old imitation from the Qing Dynasty.

In any case, seeing this kind of work, no one should think it is a modern work of art.

In fact, there is a large plate of this level, made by Emperor Qianlong, with exquisite shape, fine texture, moist glaze, and bright colors. Even if it is a modern work of art, even if it is not made by Chen Wenzhe, just sell such a plate, and the price of the whole product is estimated It costs 6000 yuan.

This is the value of art, beautiful things, even if there are no other additional things, such as the author's reputation, the cultural inheritance of antiques, etc., the price of this level of porcelain will not be too low.

Chen Wenzhe imitated this piece of porcelain very well, but if he can be said to be comparable to Chenghua Doucai, it must be impossible.

Chenghua's world-famous bucket color is characterized by the harmonious fusion of underglaze blue and white and overglaze color, which is extremely colorful and elegant, and can be called a treasure in ceramic art.

The "Chachai" product among the colors is even more unique, which can be described as a symbol of the Chenghua generation.

During the Chenghua period, the carcass was fine and pure, most of the carcass was light and thin, and the carcass was neatly repaired.

Those with a thick fetus are as beautiful as jade;

Those with thin fetuses are exquisite and penetrating.

At the same time, under the light perspective, the carcass is mostly fleshy red.

This is a common feature of the carcass of the Ming Dynasty, and it is also a feature that cannot be ignored when distinguishing between Chenghua and Qing imitation porcelain.

To imitate Huacai, the main thing is poor materials.

If you give him the materials used in the Chenghua period, even ore, Chen Wenzhe can have the confidence to imitate the peak fighting color porcelain of the Chenghua period.

The porcelain in front of me is actually very easy to identify, because it has strong Qianlong characteristics.

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