"Dad came home with half a catty of fat at night, and he watched me eat. Under the oil lamp, Dad looked a bit tired, but he smiled and said to me, what's wrong with being a dog."
"When a poor man has no food to eat, but a dog can eat meat, do you want to be a dog or a poor man?"
"I thought about it and asked Dad: Can a dog bite a person?"
"I saw my father's eye circles were red, he touched my head and said: It's not good to be an ordinary dog, you have to be a vicious dog."
"The year my father died, I was 14 years old, and I started guarding the door for Mr. Huang."
"Looked at the iron door for four years."
"In order to show my loyalty to Mr. Huang, I changed my name."
"Hu Jiafang, sounds like Huang. I am guarding the door for Mr. Huang, and I am not worthy of the surname Huang. Therefore, I changed my surname to Hu. Mr. Huang is very happy to hear that."
"He said it was a bit wasteful for me to watch the door, and asked me if I would help him bite people."
"I thought of the group of people who laughed at my father, and I asked Mr. Huang: What if I bite him to death?"
"Master Huang thinks I'm stupid."
"He said that if a person beats a person to death, he will pay for his life, but if a dog kills a person, it can only be said that the person provoked the dog."
"He asked me if I understood the reasoning behind it."
"I seem to understand."
"So, I started to learn to bite people."
"At first, when I bit people, people would still resist. Later, there was a lot of blood in my mouth, and people started to be afraid of me."
"Sometimes I don't even need to open my mouth, people will offer me favors."
"It was only then that I understood what Dad said."
"He is so honest that he can only watch the door, but I am different."
Su Chen wrote here, feeling a little emotional.
Such things as character biography are actually just to increase the actor's sense of faith.
Why do you have to write it yourself? It is to increase your own impression.
What Su Chen wrote above is equivalent to Hu Wan's memory.
Because this character is original, Jiang Wen's script only has lines, but when the actor is speaking the lines, what mood should the actor be in?
Then this biography of the characters is needed for support.
Every line in the play, the starting point, is Hu Wan's life.
A character's experience and past determine what the character says now, as well as his expression and mood when he speaks.
For half the night, Su Chen finished writing Hu Wan's biography, and kept staring at the biography.
He needs to keep these contents in mind over and over again.
Until twelve o'clock in the morning.
Su Chen was interrupted by the system reward in his mind.
"Today's system rating: B-"
"Life attribute reward: font +2, character observation skill +2.
"Acting skill rewards: inner drama +2, villain acting +1."
Chapter 101. There are unclean things in the crew!
Hearing the voice in his mind, Su Chen was slightly taken aback.
In fact, after the little person's heartache reached the full level, he settled very few acting rewards every day.
Life attribute rewards have been increasing.
His Observe Character skill currently has an attribute point of 79.
Because Su Chen incorporated the content of the acting class of observing characters into her life almost every day.
So during this period of time, the growth of observed character attributes is very stable.
Needless to say how important this attribute is to actors.
It is the foundation of the foundation, the key of the key. After reaching the full level, there may not be any obvious improvement in acting skills.
However, it will be a huge boost for Su Chen in all the roles she plays in the future.
According to the current rhythm, at most half a month, it is estimated that it will become the third full-level attribute after [Little People's Sadness] and [Physical Quality].
But today, two new acting attributes that had never appeared before suddenly appeared in the acting rewards.
One is inner drama, and the other is villain acting.
"It seems that with the different roles in the future, the content of the acting that can be unlocked will also be different."
Su Chen recorded these two new acting attributes on her mobile phone, and began to reflect on herself.
Recent progress has been a bit slow.
Because he didn't specifically aim to improve, and through the chat with Jiang Wen a few days ago, Su Chen also decided that after the end of the play, he should hurry up and improve the attributes that actors often encounter, such as horse riding and boxing. brush.
At present, there are several attributes with relatively high values.
Scumbag attribute 73.
Love drama 30.
The bed scene was originally 9, but because Su Chen and Zhao Qingren studied this attribute carefully before starting the machine, it has now reached 13.
Fortunately, this item is not stacked according to the number of times.
Unfortunately, this means that if Su Chen wants to increase the sex scene to the full level, he needs to spend more blood.
As for the kiss scene, it's the same, after having Sister Qing, the kiss scene has now reached 15.
What Su Chen wasn't sure about was that there was something wrong with the nature of this kiss scene.
Now he is not sure which mouth to kiss Qingren's sister, the growth will be faster...
"It's only been a few days since I saw a woman, how can my thoughts diverge so quickly."
Su Chen forced her thoughts to focus on "inner drama" and "villain acting skills".
Not to mention villain acting skills, it only applies to villains, while inner drama is applicable to all characters.
The inner drama sounds absurd.
In acting, this is a way of expression that only top actors can possess.
If ordinary actors have nothing to do on the set, the director will slap him when he comes over, "Read the lines, what are you thinking!"
But top actors can show the inner fluctuations of the characters through their eyes, body, or tone of voice.
It can be said that it is the most important acting nirvana on the road to the actor.
Moreover, Su Chen thought about it carefully, and it was very difficult to increase this attribute, because it would only increase after Su Chen settled into the character's heart.
In other words, if Su Chen doesn't act, then the growth of this attribute will stagnate.
If Su Chen kept on acting, the growth rate of this attribute would be very fast.
"Take your time, it's faster."
Su Chen took a long breath and pushed open the hotel window.
Outside, the moon was bright and the stars were sparse, and the cool night wind was blowing into the room accompanied by a unique smell of Peking.
A thick stack of biography title pages on the table was gently blown by the night wind, shaking the corners.
……
On the third day after arriving at the shooting location in Guangzhou, it was finally Su Chen's turn.
Early in the morning, he changed into Hu Wan's attire again, with an emerald green vest outside and a small emerald wrench on his hand.
Su Chen specifically talked to Jiang Wen.
He felt that Hu Wan was born as a poor man, so now that he has gained power, he must have everything he should have.
He saw Zhou Runfa wearing a big jade finger ring in his outfit.
So I went to the prop master and asked for a small wrench, specifying that I want an emerald wrench, which should be one size smaller.
Hu Wankuang is crazy, but he will never allow himself to surpass Huang Silang in battle.
When Liu Ye was forced to die for a bowl of noodles, Hu Wan sat on the grand teacher's chair, and gently pulled the little finger on the thumb with his index finger, that was the show.
"Makes sense."
Jiang Wen nodded slowly: "So, you have to imitate Huang Silang?"
"Yes, director."
Su Chen said: "Think about it, people like Hu Wan grew up in Goose City, and his dream is Huang Silang, so when Huang Silang is around, he is a dog, but when Huang Silang is not around, he is like a dog." It's Huang Silang."
Jiang Wenwei thought about it like this, and the more he thought about it, the more taste he got.
"Okay!"
"Act as you want, I'll take a look first."
Today is Su Chen's first scene, and it is also the climax scene.
Zhang Guoli's son, Zhang Mo, had only one scene with him, because after Zhang Mo's scene was over, he was going back to Beiping to film a TV series, so he had to shoot this climax scene first, before filming other scenes.
This scene was filmed in the tea lecture hall.
The Tea Talking Hall is actually not a place to settle cases. The courts are in charge of solving cases. However, the law is the law, and the truth is the truth.
People in the past did not understand the law, so it is unfair for the yamen to settle cases.
That's why the local gentry came up with a tea lecture hall.
Here, instead of teaching the Fa, what is being taught is a principle.
The tea lecture hall does not move the killing stick, but the words.
The actors have already arrived.
There was no Fa Ge in this scene, but Fa Ge stayed by the monitor to watch.
After all, he was also very curious about Su Chen's acting skills.
As for Su Chen's "fan" scene where Liu Ye was forced to death, the opponents were Zhang Mo and Jiang Wu. After a continuous scene, Liao Fan, Jiang Wen, and Ge You appeared on the scene.
It can be said to be a big show.
When everyone was talking, there were only four camera positions.
And Su Chen, Zhang Mo and others also cooperated with the cameraman and walked their positions on the scene four times.
Because everything is filmed with a film camera, if the actor's position is wrong, the characters shot in the screen will be virtual, so we have to start all over again.
About half an hour later, on the ground of the tea lecture hall that the audience couldn't see, there were all threads pulled out of tape and stuck to the stone floor.
As long as the actor follows this path and controls the amount of body shaking, this can reduce the chance of reshoots.
Su Chen didn't have a script in his hand.
Because all the lines have long been memorized in his mind, it has always been his lines, even the opponent's lines, he remembers them clearly.
The tea lecture hall was full of extras in ancient costumes, they didn’t show their faces, they just showed their clothes, so there were not only extras, but also many field workers who also changed into clothes and were pulled over to join the crowd.
Su Chen was surrounded by the crowd, and standing opposite him was the Sixth Master of the Bandit!
Jiang Wu, on the other hand, was wearing a wig, sitting at the wooden table in the lecture hall, staring at the six sons intently.
Su Chen sat on the grand teacher's chair, and he began to gradually enter the state.
The cameraman focused the screen on Su Chen's face.
Surrounded by the crowd, Su Chen's face was clear and handsome, but there was a strange feeling in his eyes.
Two beams of sunlight penetrated the shoulders of the crowd from outside and shone on Su Chen's face.
He looked up at Master Six.
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