Crown Tang emperor

While washing up, Li Tong noticed that the palace people were in a different state, and each of them moved briskly, seeming to be secretly delighted.Especially when Zheng Jin walked out from the opposite room, he was already wearing makeup and makeup, which made Li Tong even more curious, so he asked, "Auntie, what is the happy event?"

"The businessman in the palace has attracted a voice man, doesn't Ah Lang know?"

Zheng Jin stepped forward with a smile, and said incredulously in front of Li Tong, "Is there something wrong with Alang watching my manner?"

"It's so beautiful, like the [-]th Chinese New Year!"

Li Tong complimented casually, looked at the slightly shy Zheng Jin and asked curiously: "Sound person?"

"That's right! I came to visit the day before yesterday. The concubine's side, Liu Yu, mentioned that there was no entertainment in the courtyard. I didn't want to send the musicians from the inner church today. The concubine has already informed all the rooms that we will have fun in the hall today..."

Hearing Zheng Jin's answer, Li Tong recalled the content of his second brother's exasperation just now, but he was still a little puzzled, but it was just some actors and musicians, and it was worth the joy of all the people in the courtyard, as if it was a festival?

Although he has tried his best to integrate into this era as soon as possible, Li Tong is not a native of Tang after all, and it is normal to have gaps in many concepts.Ritual and music definitely played a large role in the daily life of Tang people.

For example, Fang's family education starts with teaching Erlang's ritual scriptures, and then the customs and etiquette. This is the category that best reflects a family's family traditions and family education.As for dance music, it was an indispensable part of the nobles' daily life.Even in the countryside, every new year's festival and social day, they often gather to celebrate with songs, dances and Nuo opera.

But even if Li Tong couldn't understand the significance of dance and music in the lives of Tang people, it didn't prevent him from interpreting this matter from his own perspective.Recently, the family situation has been improving day by day. If it was said that the survival needs of food and clothing were only met before, it has now risen to the satisfaction of spiritual needs, which is definitely a big improvement.

Li Tong himself is also curious about the entertainment of this era, curious about what the so-called voice man looks like, and seeing that everyone in the courtyard, including Zheng Jin, can no longer hold back, he simply waved his hand and allowed them to go with him to his aunt Fang's family. place.

When Li Tong and others arrived at the main courtyard, the place was already full of people shaking and bustling.In addition to Li Tong's family and the old people in the Renzhiyuan, when they first moved here, there were more than a hundred palace officials and servants who cleaned and cleaned here, but after completing these tasks, most of them were removed, leaving only There are basically a dozen people.

However, in the recent period, the number of palace servants in Renzhiyuan has doubled again, reaching nearly a hundred people.It's not just because the family's situation has improved, but also because there are too many idlers in the big family.

The Emperor Li Dan's family also lived in another palace. Even if the Empress Dowager Wu Zetian raised the noodles, it was not easy to blatantly support them. She was also worried that the release of the palace people would make many palaces private and spread among the people, so a large number of palace people were only detained in this area. nothing to do.

Li Tong came to the scene, and after a rough look, he found that there were already dozens of eunuchs and maidservants gathered here, all of them beaming with joy, looking up at the main hall.It can be seen that life in the forbidden zone is boring, and it is not just Li Tong's own feelings.

Seeing this scene, Li Tong couldn't help feeling emotional again.The progress of the times has brought about great changes in people's lives. In future generations, even the most ordinary people can enjoy entertainment methods and daily information impacts that far exceed those of the top dignitaries in ancient times.

Even Wu Zetian, fighting with the sky and people, is far less busy than the keyboard players of later generations. One moment, she cares about the environment and people's livelihood, and the next moment she expresses her views on the international political ecology. She is extremely busy.

With so many people gathered together, even if they didn't deliberately make noise, the scene was messy.Mrs. Zhangzhi Xu has already confirmed that he will be the director of the lamp Dianzhi, but because the new Zhangzhi has not been sent yet, he still stays in the Renzhiyuan. At this moment, he is standing on the porch in front of the hall, training people with his hands on his hips, very majestic.

Seeing King Yongan Xinglai, Xu's face was immediately filled with a smile, and the middle-aged figure who was slightly fat and bloated became light and agile, and he stepped forward to greet the king.The other palace people also made way out of the way wisely at this moment, but they still lingered and refused to leave.

"Xunnu, come quickly, come quickly!"

Li Shouli jumped and waved his hands in the hall, beckoning Li Tong to enter the hall as soon as possible, and beside him stood the little girl Li Youniang who also looked ecstatic, wrapped in a large fur with a deep red lapel, making her look even more petite and cute.

Li Tong stepped into the room and greeted his aunt Fang Shi first, only to find that Zhang Liangyuan, who had always lived in isolation and was out of tune with the family, was also present at the table, so he turned around to greet him.

"Sanlang, sit down and get some hot soup to drive away the cold!"

Fang Shi also had a reserved look of joy on his face, seeing his youngest son's demeanor become more gentle and gratified.

Bang, bang!

Li Tong hadn't settled down when he heard the sound of drums, and turned his head to see that Li Shouli had walked restlessly into the corner, squatting beside a horizontal Jiegu drum and patting the drum surface with his hands.

Jiegu is skinned on both sides, with a big head and a thin waist, which is the opposite of the waist drum, and it is bigger.Li Tong saw that the drum was lying on the skeleton, about one meter long, with snow-white skin covering both ends, and exquisite lacquer paintings on the waist.Out of curiosity, he also walked over.

There are a lot of musical instruments here, besides the Jiegu that Li Shouli is playing with, there are two kinds of drums, small harp, big and small pipa, zither, long and piccolo flute, shengxiao and so on. Nearly twenty categories.

"Mi Baizhu, the head of the Ministry of Education of Xiali Middle School in the low-level job workshop, pay homage to the king!"

Li Tong was still looking at the musical instruments when a figure flashed behind the curtain on the side of the hall. He was wearing a round collar and variegated robe. He was a middle-aged man with a beard and deep eyes.

Li Tong turned his head and looked, only to find that besides this middle-aged man, there were more than a dozen men and women standing behind the tent, and they were all bowing down to him under the leadership of the middle-aged man Mi Baizhu who claimed to be the head of the Ministry of Education. Ren should be the voice of the inner teaching workshop that made the courtyard boil.

"Excuse me."

Li Tong waved his hand, first nodded to his elder brother Li Guangshun who was standing on the other side of the screen, and then turned his attention to these new musicians.

After saluting, these people bowed their heads respectfully and stood at the side of the hall. There were 15 people in total, ten of them were women, and five were men.The youngest actress was probably only in her teens, her thin hair couldn't even be tied into a bun, and it was barely combed to the side of her head, which looked a little funny, hidden behind everyone, and was timidly looking at Li Tong.

The rest of the people were mostly in their 30s and [-]s. Except for the official Mi Baizhu, the remaining four men were all white-faced and beardless, so they should be eunuchs.The women's music is faintly headed by two exquisite Ruqun women. These two people can be said to have beautiful faces, and their makeup is more gorgeous than the others. They probably have the identity of dancers in addition to their duties as voice actors.

Among them, the one who interested Li Tong the most was the middle-aged man Mi Baizhu who claimed to be a bibi.Although he had never heard of this official position, he could guess that he was probably the leader of this voice.

The middle-aged man has a curly beard, a high nose and deep eyes. He has obvious Hu blood, and his surname is quite distinctive.If Li Tong guessed correctly, this Mi Baizhu should belong to the Sogdian with the nine surnames of Zhaowu.

The nine surnames of Zhaowu did not have a weak sense of presence in the Tang Dynasty. For example, An Lushan and Shi Siming, the two leaders of the Anshi Rebellion, belonged to this category.An Lushan's original Kang surname is also one of the nine Zhaowu surnames.

In addition to joining the Tang Dynasty as a foreign mercenary, Zhaowu's nine surnames also have a more distinctive label, that is, businessmen on the Silk Road business route.But what really allowed them to have close contacts with the top dignitaries of the Tang Dynasty was their outstanding talent in dancing and music.

For example, An Jinzang, a musician who proved the innocence of the emperor's heir Li Dan by his death in the Wu Zhou period, belonged to the An family who belonged to the nine surnames of Zhaowu.Previously, due to his work, Li Tong had also learned about some related materials about Jiaofang and Liyuan in the prosperous Tang Dynasty. There are a large number of actors and officials such as An, Kang, Mi, and He in the classics. of a label.

Originally, the concept of nouns only existed in classics, but now it appears alive in front of Li Tong, which also makes Li Tong feel quite novel, so he can't help but look at this part a few more times.

"What songs do you know?"

Li Shouli fiddled with the instrument for a while, and peeked at Li Tong who seemed to have forgotten to check his homework, then stepped forward and asked the volume Mi Baizhu impatiently.

Chapter 0041

Although Mi Baizhu's appearance and appearance are still strong in Hu Feng, her speech and behavior are not a little different from Tang people.

With a humble and polite expression, he bowed before saying anything. He took out a book and presented it respectfully in front of Li Shouli with both hands, and bowed his head: "I wait for this voice. In the rehearsal, there are many ditties and miscellaneous tunes, which are listed in the list, please read them, Your Majesty."

Li Tong was listening to Mi Baizhu's answer, and probably already had some understanding of the level of the voice actors in this film.

The court music and dance of the Tang Dynasty was originally formed on the basis of the "Nine Music" at the end of the Sui Dynasty to form the "Ten Music", such as "Gaoli Ji" and "Kang Guo Ji", which are divided from the origins of dance and music.

Neijiaofang was founded in the later period of Tang Gaozu Wude, and its main function in the early stage was to learn "Qing Shang" and other elegant music.The completeness of rites and music is a symbol of the establishment of a country's political power. For example, Yang Jian, Emperor Wen of the Sui Dynasty, was annoyed a few years after the establishment of the Sui Dynasty, "I have been mandated by heaven for seven years, and the Yuefu still sings the merits of the previous generation"!

After the establishment of a dynasty, the corresponding rites and music must be gradually established.This is a very solemn political event, not just talking about the Xuanwumen Incident, Li Yuan set up the Inner Teaching Workshop just to have fun and pass the time out of depression.

As the country gradually came under the rule and the national power flourished day by day, the division of "Ten Bu Le" according to the origin of dance and music is no longer rigorous and appropriate in implementation, because they are also intermingling and influencing each other, and there is no clear distinction between them.Therefore, on the basis of "Shibuyue", Libuji and Zabuji were derived, which are divided according to the form of performance rather than the origin genre of dance music.

Against this background, the original intention of Neijiaofang to learn Gagaku music is no longer obvious, and the teaching content spread from the original "Qing Shang" to other music.For example, among the musical instruments brought by the sound artist, Jiegu is an obvious imported product, and such musical instrument performance will never appear in Qingshang Daqu.

It is precisely because of this inclusive and mutually integrated contact that Yanyue Daqu matured in the heyday of the Tang Dynasty, and a famous work handed down from generation to generation such as "Neon Clothes and Feather Clothes Song" was born.

Although this Daqu is often associated with the Anshi Rebellion and the turmoil in the middle Tang Dynasty, and became a symbol of Tang Xuanzong's extravagant desire, the millennium time is painful and difficult to catch up. To a certain extent, it allows future generations to have a glimpse of the peak style of the prosperous Tang Dynasty, and has become a cultural symbol of national self-confidence.

The content of dancing and music practiced by musicians in Neijiaofang is enriched, and the level of musicians is naturally divided into grades and grades.This point was most obvious in the prosperous Tang Dynasty, but it was difficult to study in the Empress Wu period due to the scarcity of historical materials.

However, based on what he knew, Li Tong could also hear some clues in the self-report of the first Mi Baizhu: the musicians in this part are not qualified to play the whole Daqu, and what they only learned is the prologue of a part of the Daqu. Compared with Daqu, it is naturally much easier to perform vulgar music such as ditty and miscellaneous tunes. If the corresponding musicians stop here, their status in the inner teaching workshop must not be considered very high.

But even so, when Li Shouli opened the booklet presented by Mi Baizhu, Li Tong glanced out of the corner of his eye and saw that it was still full of repertoires that could be performed, which showed that the skills were quite rich.

But before Li Shouli could choose the repertoire to watch the performance, there was a scolding voice from his aunt Fang in the main hall, saying that no one would wake up in the morning to enjoy singing and dancing, let their brothers eat obediently first, and give food to these voices, so that They can recharge their batteries and stay in shape.

The family ate breakfast in the living room. During the meal, Li Shouli was restless. He frequently looked at the musical instruments placed in the corner, and asked Li Tong from time to time if he remembered enjoying dance music when they were young.

How could Li Tong remember these things.Not to mention the timing of his coming to this world, even if it was the original boy Li Shouyi, his family suffered disaster when he was five or six years old. Even if he grew up later, who in the family would be so big-hearted at home? No memory of this.

In fact, Li Shouli was not the only one who showed detachment, and other family members were also rarely calm.Even the always dignified and serious concubine Fang Shi smiled at the corner of her mouth during the meal, and whispered to the side seat Zhang Liangyuan from time to time, as if recalling some old things in the Eastern Palace.

The arrival of this voice actor disturbed the mood of everyone in the courtyard.Even though Fang could still hold back and didn't want to cause criticism by singing and dancing early in the morning, everyone was distracted after that, consciously or unintentionally circling around which voice person, including Li Tong of course.

Unlike several elders who have played it before, Li Tong opened his eyes and came to this world as a precarious emperor's grandson, and there are really few good memories in his mind.

In addition, as a person of later generations, he was curious about the life style of the previous generation, so he was not in a hurry to go back to the room after breakfast, squatting with Li Shouli and playing with various musical instruments, occasionally making some slightly The sound of the melody made me overjoyed, and I didn't realize that it was funny that I hadn't seen the world.

It was finally noon, and seeing the clear winter, everyone was thinking about it, and Mrs. Fang did not want to go too far against everyone's wishes, so he ordered to set up a curtained music platform in front of the courtyard under the corridor, so that the palace people in the courtyard could have a chance to appreciate it. dance music.

It's just that when choosing the repertoire, Fang Shi casually ordered a few, and Mi Baizhu said in embarrassment that he would not do it. This made Fang's face turn a little gloomy, and he waved his hand and asked them to pick up the best repertoire and perform it first.

The musicians each took their instruments and distributed them in an orderly manner in front of the court.

Li Tong couldn't help but smile knowingly when he saw Mi Baizhu, the head of the department, pick up the drumstick wrapped in red silk and walk to the Jiegu.Jiegu is a very important musical instrument in Yan Yue. Emperor Xuanzong Li Longji of the Tang Dynasty was proficient in this instrument, and he was named Chief Octave.

Li Guinian, a musician in the prosperous Tang Dynasty, was also good at this skill, and said that he discounted [-] drumsticks to practice his skills, while Tang Xuanzong laughed and said that his discounted drumsticks could fill several cabinets.

Right now, Li Xiaosan is just a three or four-year-old doll, far from the glory of the prosperous Tang Minghuang later.However, Li Tong believed in these words. As the grandson of the emperor in distress, he also deeply felt the boring life in the forbidden zone. It was also a good pastime to learn a musical skill that cultivated one's sentiments and enjoy oneself.

When Li Tong was thinking about it, a melodious and loud drum sound pierced his ears, which lifted his spirits.Li Shouli, who was sitting next to him, clapped his hands and applauded loudly, already excited.

Li Tong really felt ashamed to associate with that unseen appearance.But soon, he was also attracted by the gradually increasing drumbeat, and had no time to complain about Li Shouli.

The method of Jiegu music in later generations has long been lost, so we can only catch up with it from the pile of old papers.Now that Li Tong has heard it with his own ears, he has to feel that there is truth to his reputation. Although it is just a simple percussion instrument, the timbre of Jiegu is transparent and pure. Under the fluctuating rhythm of the musicians, the sound of the drum Quick and changeable, it quickly mobilizes people's emotions.

For the convenience of playing, the musician Mi Baizhu has already taken off his slightly thick outer robe. At this time, he holds the mallet in both hands, and his movements are steady and powerful. When he is in a hurry, his arms shake so that it is difficult for the naked eye to catch its trajectory. Suddenly, his face quickly became flushed, his chest began to heave violently, his eyes widened and his expression was a bit ferocious.

Seeing this scene, even if Li Tong has never heard other people's performances, he can probably understand that Mi Baizhu's Jiegu skills should not be high.

Song Jing, a famous prime minister in the prosperous Tang Dynasty, was also good at drumming skills. He commented that "the head is like a green mountain peak, and the hands are like white raindrops". The rain and the wind must have a clear rhythm at the same time, and the drumbeat cannot be blurred because of the rush, making it impossible for people to distinguish the interval between the front and the back.

To do this, skills are equally important in addition to strength.And the part in front of me, Mi Baizhu, barely managed to achieve a rapid, changeable and clear rhythm, but she lost her manners. It can be seen that she is still dominated by brute force, lacking in skills, and unrefined.

But besides the sound of drums, Li Tong thought of more.After coming to this world, he was troubled by his frail body. He was afraid that if there were no unexpected disasters, he would be taken away by illness just like his predecessor.

Even without considering his own physique, his great-grandfather Li Shimin and his grandfather Li Zhi both suffered from wind disease when they were alive, so there should be certain genetic hidden dangers that prevent them from living a long life.

Li Tong absolutely didn't want to survive the political turmoil but fall under the ravages of illness, so exercising his body was also placed in a very important position by him.

Previously, he played a cross-cutting game with Li Shouli, and this kid's strikes were neither serious nor heavy. Li Tong, who was often beaten, was in so much pain that he had to assign extra homework in order to retaliate, which made Li Shouli afraid to practice duel with him again.

His current body is still not suitable for too intense exercise, and military scenes such as corner fighting are too sensitive.Now it seems that learning Jiegu is a good way to exercise.

As soon as this idea popped up, Li Tong couldn't help thinking, Li Xiaosan from his fourth uncle's family was keen on learning drums, did he also have the same idea?Only by exercising well can he outdo his grandma?

Moreover, an instrument like Jiegu requires arm strength.In addition to cultivating sentiment, with enough arm strength, switching to bow and knife will naturally get twice the result with half the effort.

At the same time, he is not sensitive about this matter. Even if someone wants to sue him, he can't say that he wants to beat his grandma to death with a drum stick?

Of course, it's not impossible if conditions permit. Yuwen Yong of the Northern Zhou Dynasty can take down his cousin Yuwenhu with a wat board.So at the critical moment, you still have to let go of your thinking. As long as the opportunity is ripe, why not?

Learn, must learn!

Li Tong just made up his mind here, the music in the field changed again, the Jie drums stopped abruptly at the most rapid rhythm, and the emotions accumulated by the mobilization of everyone were about to collapse, suddenly there was a string sound, and the pipa music followed.

Chapter 0042 Can You Play "Wu Meiniang"?

As the pipa sounded, other musical instruments joined in one after another, and the music suddenly became richer.

Life in the Forbidden Palace is depressing, and although the music is soothing to the ears, Li Tong is more interested in the way these different instruments are played and the coordination with each other than in appreciating the melody itself.

After the sound of the Jiegu drum paused for a while, Butou Mi Baizhu took the opportunity to adjust her state, but she did not stop playing, but the frequency of beating the Jiegu drum slowed down significantly, but every time the drum sounded, it meant that the melody was happening again. new changes.

Jiegu's unique and pure timbre allows it to be clearly perceived in a group of musical instruments, control the rhythm, find palaces and set the tone, and can effectively control the performance of the entire piece of music. No wonder it is called the eight-tone leader.

It can be seen that if you want to master Jiegu proficiently, it is not just as simple as tapping, but also requires the player to have superb music theory attainments to be able to lead the normal performance of the entire movement.

The sound of the pipa is dense and gentle, and it is the main sound of a movement. The performance of other instruments is obviously coordinated around this instrument.Although Li Tong does not have very advanced knowledge of music theory, after listening for a while, he can also feel that among the musicians, the level of the pipa player will directly affect the performance of the music.

As the chord, there are two wind instruments, 筚篥 and Hujia.Both of these are vertical wind instruments, and there are many overlaps in timbre and range. Even the 筚篥 is also called the 笳guan, but there are subtle differences.

The sound range of 筚篥 is wider, more varied, and mostly has a clear sound.Relatively speaking, Hu Jia is a little dull, thick and deep, and it can be used in music to gather the sound, so that the syllables will not jump out of chaos, and set a slightly melancholy and sad tone.

In addition, there are instruments such as Fangxiang and Tanban.

Fangxiang is made of sixteen pieces of iron plates of different sizes and thicknesses hanging on a wooden frame. When hammered, it can be regarded as a simple bell and chime. It has a slight overlap with Jiegu in the application of music theory. It is an important instrument in Qing Shang music, and now it is also incorporated into popular music. It can be seen that the current music has blended to a large extent, and the boundaries between refined and popular are no longer clear.

The sandalwood board is made of superimposed sandalwood sheets, and when the player swings it, there will be a crackling sound like a shower, which is like a plastic clapper for children's toys that is commonly seen in later generations.This is also the easiest instrument to play that Li Tong has seen, but he doesn't really understand whether it is easy to learn but difficult to master.

The unvoiced performance of the musical instrument lasted for about 10 minutes. Although it can be said that the timbre is rich and the tune is mellow, Li Tong thinks it is generally the same. It is fresh.

Perhaps it is because of the limited level of the voice of this film, it is difficult to play the sound of nature, and of course it is also because there is still a gap between his literary and artistic aesthetics compared with the real ancients.But looking at other people around, they are all listening carefully, and I feel quite intoxicated, probably because of the long-term lack of such entertainment.

The tone of the music in the field changed again, the sound of the pipa became soothing, the melodious sound of the pipa harmonized with it, and all the remaining sounds stopped.Dancers in yellow skirts step onto the stage, rising and falling with their steps, and accompanied by snare drums. The state seems to be a tage, but the dancer's posture and movements are much more complicated than that of a tage.

"Ta Yao Niang? This is Ta Yao Niang!"

During the banquet, Li Shouli slapped the table and shouted loudly, causing Li Tong to look over curiously.It had been several months since he came to this world, and it was the first time that he was surpassed by Li Shouli, a native, in terms of knowledge.When the senior concubine Fang and Zhang Liangyuan heard Li Shouli's yelling, they also looked at him curiously for a moment. They didn't expect this kid to be very knowledgeable.

As if in response to Li Shouli's yelling, the dancers on the stage shook their bodies, and opened their mouths to sing: "The bridal chamber is deep and wide, and the girl is empty..."

As soon as the libretto was uttered, the faces of Fang Shi and Zhang Liangyuan at the table turned dark, but Li Shouli became more excited, accompanied by the dancer's body turning around, clapping the table and saying "hey, hey", very appreciative.

Li Tong was overjoyed when he saw this, and knew that this kid must be in trouble.He doesn't have a comprehensive understanding of Tang operas, and this "Ta Yao Niang" just happened to know it. This is an out-and-out vulgar tune. Wife, the wife cried to the neighbors and there was a fight between husband and wife.

Such a down-to-earth story naturally does not belong to the category of Qingshang Dali and court Yanle. It is normal for the concubine and Liangyuan not to have heard of it.But Li Shouli has heard of it before, which is a bit abnormal. Where did he hear it?

This song, the speech is a boudoir grievance song, the dance is a show of poses, especially when the couple is entangled, there are many obscene movements of the boudoir secret, it is a sweet and vulgar song, the style is really not high.It can be seen that the Neijiaofang in this period has long since lost its origin in the early Tang Dynasty, Qing Dynasty and Shang Dynasty, and was deeply influenced by popular music.

But after reading it again, Li Tong found that this should be a refurbished song. A lot of the original vulgarity and beauty have been deleted, and it is generally within the standard.After all, it was performed in the Forbidden Palace, and the scale was not good to let it go too openly.But it also shows that the level of musicians in the teaching workshop in this movie is really not high. Fang asked them to choose their own special repertoire, and they actually performed this kind of drama.

In fact, it is not interesting to listen to the lyrics carefully without those fragrant elements.The woman's singing is melodious and sad, and the lyrics are simple and easy to understand. She is nothing more than complaining about her husband's vulgarity and incompetence, and the discord in family life, which can satisfy people's desire for voyeurism.

Everyone has a gossip mentality. Even with the development of information in later generations, people are very interested in the so-called scandals of celebrities and palace fights between rich and powerful families. The same is true for the ancients.For example, at this moment, the concubine Fang and the others at the banquet, although they were a little displeased at first, they were actually attracted by the dancer crying about the family affairs as they listened.

As for Li Shouli, his eyes widened, his face flushed, he even raised his hands and rubbed his eyes, gnashing his teeth from time to time, "The evil husband is annoying" and "My lady, don't be sad", but he still didn't forget to pat the desk and slap "hey, hey" !

This kid is hopeless!

Li Tong gave him a white look, and kicked him twice to signal him to restrain himself, the two elder women at the table were also glaring at him frequently except for listening to the play.Li Shouli turned his head to look at Li Tong in a daze, then turned back suddenly to shoot the table, "Hey".

Li Tong was not very interested in those girls singing in private, so he simply picked up the repertoire volume that Li Shouli had placed on the case and began to read it.The first thing you see is Daqu, "Shengshoule", "Shui Tune", etc. In addition to the title of the repertoire, it is also marked with the part of the sound person's case study, such as the prologue, song head, entry and so on.

The movements of Tang Daqu are very long, ranging from as short as 10 minutes to as long as several hours.With such a long performance time, it is naturally impossible for fixed personnel to perform from beginning to end, so it requires the participation of multiple personnel to complete it.