The Great Wilderness Helping His Wife

Wu Daoren glanced at everyone, and quickly recovered his composure, as if he had already entered the state.

After only a quarter of an hour, he stopped his brush and looked at the painting in front of him quietly.

Examined for a long time.

He finally nodded slightly, barely satisfied.

Immediately put away the paintbrush, stood up and stepped towards the direction of the bamboo forest.

Behind, only a few words echoed.

"The painting is finished!"

"These things are left to you!"

"Whoosh!"

After speaking, he flew up into the sky and disappeared into the sky.

Zhao Hao: "..."

Jiang Zhiyu: "..."

The young couple looked at each other.

Zhao Hao grinned: "Grandpa, you, an old friend, feel something is wrong."

The black-faced man slapped his thigh, and echoed: "Compared to last time, the condition seems to be worse!"

Zhao Hao asked curiously, "Father, do you know the origin of this senior?"

The black-faced man spread his hands: "I don't know! I've only met these two times in total. I didn't dare to talk to him last time, and I didn't dare to talk to him this time."

On the side, Bai Xiu also nodded in agreement.

The whole family looked at the old man curiously.

The old man shook his head slightly, and looked at Zhao Hao: "Do you know the magic of Danqing?"

"Know!"

Zhao Hao nodded. This thing was recorded in grandma's notes, and it was a remnant left by grandma's sect. It is said that all the characters in the painting can come true even if the person's soul has returned to Jiuyou. It can also be called back into the painting and return to the world.

At the end, grandma added a sentence: I can't practice it, so I gave it to a poor man.

This poor man should be Wu Daoren, and he didn't know who he was going crazy to resurrect.

The old man explained the matter to everyone, and finally shook his head: "Take a look at the portrait!"

"Ok!"

Only then did the family walk up to the portrait.

really!

Another top-notch painting, almost indistinguishable from a real person.

The moment Zhao Hao saw the portrait, he felt his eyes cool for a while, and then there seemed to be a stream of clear water flowing from his eyes and blending into the eyes of the portrait.

And his portrait in the painting is a lot more animated out of thin air, and the same is true for other portraits.

"This……"

"The mist grass is awesome" almost wants to come out.

But soon, something even more amazing happened.

In the upper right corner of this painting, there was originally a mess of paint. After many portraits on the painting came to life, this paint also changed wonderfully.

I don't know if there is something pulling it, or if they want to move by themselves, anyway, they slowly converge towards the center of the scene along the paper.

Finally, beside the old man, a portrait was formed.

The hair is white, but the face is not old.

First, he gave the black-faced man a doting look, then smiled at Bai Xiu, and then set his eyes on Zhao Hao and Jiang Zhiyu, with a hint of curiosity and caution in his eyes.

Finally, a big smile appeared on his face.

This portrait is none other than grandma Xiao Jianqiu.

When the portrait of grandma appeared, the portrait of the old man fell into a short-term absent-minded state just like in reality, and he unconsciously took a step towards her.

But grandma pulled away quickly, and her lips moved slightly.

No sound.

But what she said could barely be discerned from the shape of her lips.

Zhao Hao reproduced one by one: "You... and... Jiang... Zheng... pass... go...!"

Old man: "..."

Everyone: "..."

The old man sighed, his expression filled with endless loneliness.

He lowered his eyes slightly, and saw a small cloth bag at the bottom of the drawing board. When he opened it, it was a red knot.

But the red is no longer bright, it was made by Xiao Jianqiu himself when he got married.

Inside the cloth bag, there is also a note, which should be Wu Daoren's handwriting: This knot was deposited by Xiao Xia on the day when she left the barrenness, and this thing is returned to the original owner, and her god is painted to mourn the old man.

The old man's eyes were a little red, and his expression was extremely sad.

Zhao Hao also felt grandma's strong resentment.

But I still feel that there seems to be some problems. According to Huang He, there is a high probability that grandma is not dead.

Moreover, Wu Daoren's painting style is extremely realistic. In this portrait, everyone's degree of restoration is extremely high, except for the unreasonable grandma.

Therefore, the image in the portrait should be the last time Wu Daoren saw his grandma.

But here, although grandma's hair is whiter, her face is younger than the previous portrait.

Wu Daoren, I've definitely seen grandma recently.

And the scene that just happened in the portrait was definitely arranged by grandma.