tokyo writer

These successive criticisms made Haruki Murakami very uncomfortable, and even laughed at himself as "I am an outcast in the neon literature world, I am an ugly duckling, and I will never become a swan."

There are many reasons for the boycott.

However, there is a relatively unified opinion that he has read too many foreign reasoning works, so that the style of his works is incompatible with traditional neon literature, full of a lot of magical realism and surrealism.

In the neon traditional literary world of "closing the country behind closed doors", such works are naturally unpopular.

Having said that, what should I do?

Akihara Yuto frowned and thought about it, could he be like Haruki Murakami and turn a blind eye to these things?Or continue to go back and write reasoning?

No!

I can't just admit defeat like this!

He stood up and took two steps back and forth, and finally made a decision.

Now the rejection of him by the traditional literary world is nothing more than his identity as a reasoner and his rejection of Yuichiro Yoshikawa's invitation.

Then if I can come up with a long traditional literature that is regarded as a masterpiece instead of a short one like before, it will definitely attract the attention of these people.

Once it proves that this work can prove that my literary skills are not inferior to Yuichiro Yoshikawa, it is estimated that many book reviewers will change their views and even stand on their side.

So, what kind of works should we produce?

Hiroto Akihara took out a pen and paper, and began to recall the identity of Yuichiro Yoshikawa, the representative of aestheticism literature.

So if I want to prove that I am not weaker than the other party, I must come up with a work that can represent aestheticism.

At this moment, a name popped into his mind - Yasunari Kawabata.

Kawabata Yasunari, a "dean" figure in the neon literary world, won the Nobel Prize in Literature in 1968 for his three books, "Snow Country", "Thousand Cranes" and "The Ancient Capital".

In his creative career, he has always adhered to the direction of aestheticism literature, but his "aesthetics" has taken a different path from ordinary people.

The general aestheticist writers believe that the mission of art is to provide human beings with sensory pleasure, not to convey some kind of moral or emotional message.

Therefore, they pursue the "beauty" of art, believe that "beauty" is the essence of art, and advocate that life should imitate art.

But Kawabata Yasunari's aestheticism often shows the beauty in "adversity".

He is often good at describing young women at the bottom of society (such as dancers, geisha, female entertainers, waitresses, etc.), and most of the content expresses their tragic life experiences and their pursuit of love and art.

By truly showing the contradictions and entanglements in the lives and emotions of the bottom-level people, they express their inner pain and struggle, and express deep sympathy and pity for their fate.

Therefore, his aestheticism can be said to be a unique work, or a breakthrough to the previous Japanese aestheticism literature!

So which one should I write?

Hiroto Akihara hesitated for a while, then suddenly remembered the heavy snow that fell last year, and immediately began to write.

"Through the long tunnel at the county boundary, there is Snow Country. The night sky is white. The train stopped in front of the signal station."

"A girl stood up from the seat opposite and opened the glass window in front of Shimamura's seat. A gust of cold air swept in. The girl leaned out of the window and shouted as if calling to a distant place..."

[Chapter 267.266 This is a fraud to the readers]

The work that Hiroto Akihara is writing now is "Snow Country" by Yasunari Kawabata.

This article mainly tells about a dance art researcher named Shimamura in Tokyo who went to a hot spring hotel in Snow Country three times, and had emotional entanglements with a local geisha named Komako and a girl Ye Zi who met by chance.

Shimamura is a middle-aged man with a wife, family and children. He lives on his inheritance and has nothing to do. He occasionally researches and comments on Western dance through photos and written materials.

He came to the hot spring hotel in Snow Country, met Komako, a geisha, and was attracted by her beauty and simplicity, and even felt that her "every toe bend is very clean".

As a geisha, Komako was actually a humble waitress.

In order to repay her mentor, she got engaged to a male who was suffering from an incurable disease, and was forced to become a geisha in order to treat the male.

Juzi is very painful about her environment and status, but she still pursues her love. Knowing that her love with Shimamura is fruitless, she is still like a moth to a flame, and she is willing

But when he visited Juzi for the second time, Shimamura fell in love with the "girl" Ye Zi next to Juzi, and had a desire for her beauty.

But at the end of the story, Shimamura, as a married man, did not take "Yeko" to Tokyo with her, and Yeko fell to his death in the fire.

The deep meaning in this work will not be mentioned for the time being, but many sentences are very beautiful.

For example, "the vast Milky Way hangs in front of you, as if it wants to embrace the vast night land with its naked body."

Another example is "human feelings are not as good as the most fragile crepe. Because those silks and satins can be preserved for at least 50 years, and human attachment is much shorter than this."

These sentences remind people of the cold weather in the article, the distant snow-capped mountains, the rural hotels, and the dead moths on the tatami.

These scenes are very unforgettable!

"Snow Country" has almost 8 words, so Hiroto Akihara spent more than a week writing it.

After finishing writing, he immediately contacted Anjiu Bookstore, planning to publish it immediately.

Anjiu Bookstore.

"Mr. Akihara, how about the first edition of about 3 copies?" Ajitsu asked in a hesitant tone.

"So little?!" Hiroto Akihara asked back.

"After all, this is traditional literature."

An Jiujin said helplessly.

He didn't know that Yuuto Akihara wanted to prove himself in traditional literature, he just felt that he was out of his mind, and instead of writing in a wild reasoning, he wrote some traditional literature instead.

How many people still watch that thing now! ?

Akihara Yuto frowned, finally shook his head, and said: "The first edition is 5 copies, if all the unsold copies are kept in the warehouse, I can use them for other purposes."

In his opinion, the plate-making and printing costs of tens of thousands more copies and tens of thousands less are nothing, but the first edition of 3 copies is still too low in his opinion.

In fact, he plans to send a batch to some cultural institutions and book reviewers after it is printed.

He doesn't believe in the books delivered to his door, and these book reviewers can turn a blind eye? !

Moreover, the book "Snow Country" is a work that has won the Nobel Prize for Literature, which is more in line with Neon's traditional thinking of "things mourning".

So he doesn't think those book reviewers can find anything wrong.

In fact, he was going to look for the address of Yuichiro Yoshikawa's house and send a copy to the other party, hoping that he would make a few comments.

He didn't believe it anymore. After watching "Snow Country", how could the other party have the confidence to accept him as a disciple! ?

As soon as Ajitsu saw Akihara Hiroto's resolute expression, he had no choice but to accept it.