tokyo writer

"Have all the students from the Department of Literature come?" Hiroto Akihara asked slightly surprised.

"This is only a small part, but because there are too many applicants, we can only arrange for the senior group."

Shuichi Toyama explained embarrassingly, "At that time, I didn't expect that so many people wanted to listen to your lecture, so it was too late to apply for a larger auditorium."

Hiroto Akihara nodded. After all, it was the first time for him to give such an academic lecture, so he didn't really mind how many people there were.

At this moment, another middle-aged man in a suit and leather shoes came over and greeted Hiroto Akihara with a smile.

Under the introduction of Shuichi Toyama, Hiroto Akihara learned that the other party was Yamato Sugimoto, the director of the Literature Department.

Sugimoto Yamato said in an apologetic voice: "Mr. Akihara, I'm sorry for the lack of preparation for this lecture. But please don't hesitate to enlighten me and tell me more about your point of view."

Hiroto Akihara responded politely: "I will definitely do my best."

He looked at the clock hanging on the back wall of the classroom and found that it was almost time, so he stepped onto the podium.

He took a cursory glance and found that the audience below were not only students, but even some middle-aged people who looked older.Not surprisingly, these people are also professors of the Department of Literature at Kyoto University.

Although he was sure, after seeing this scene, he couldn't help feeling a little nervous.

If I want to further my reputation in the academic circle, then I have to convince these people in the audience, otherwise, I may even become a laughing stock.

He clenched his fists, took a deep breath, and prepared to speak.

Let yourself use the theories you learned in your previous life to convince this audience!

[187. The "threat" to the audience in chapter 86 of the first white]

"Good morning, everyone," Hiroto Akihara stood on the podium and bowed to the audience.

"I am Hiroto Akihara, an ordinary literary creator. I am very honored to be invited by Professor Toyama to give lectures at Kyoto University. At the same time, I also feel panic."

"To be honest, I only have a high school education, so everyone here today has a much higher education than mine."

Although Akihara Hiroto said "self-effacing", the expression on his face was very confident. The neon society has always been strong in the envelope, and he has already made achievements.So even if the academic qualifications are a little lower, he is not worried that the audience will think otherwise.

In the audience, many students who were preparing to take notes were surprised when they heard Hiroto Akihara talking about his education.

Before today's lecture, many people only knew that Hiroto Akihara was a talented writer praised by book critics, but they really didn't know anything about his education background.

But many people have other ideas in their hearts, and they can make their debut and write so many works after graduating from high school.

The talent of this Akihara teacher is far beyond normal people!

Hiroto Akihara glanced at the audience, and then got to the point: "Since the 20th century, various literary schools and theories have emerged in the Western literary circles. But in my opinion, no matter what the literary theory is, after all, It is inseparable from the carrier of the story. The most important thing about the description of the story is the narrative technique."

Hiroto Akihara took a pen and wrote the words "Multiple Narratives" on the board in front of the podium, and the students and teachers in the audience also became serious.

Multiple narration is an important research direction of narratology theory, and it has been valued and studied by many scholars since the 80s.

And all the audience present are from the Department of Literature. Just looking at these few words, one can tell that Mr. Akihara is definitely not the kind of gifted writer who knows nothing about literary theory.

For a while, most people started to write.

Akihara Hiroto glanced at Toyama Shuichi from a distance, and then said again.

"Professor Yuanshan published a special paper on my "Invisible Guest", pointing out that my article adopts a 'reminiscence narrative technique', which makes the development of the story constantly reversed. I personally feel very Granted. But I would add that in terms of angles, I'm taking a hybrid between the God angle and the specific character angle."

Many audience members subconsciously glanced at Shuichi Toyama, who smiled politely.

"In the multiple narratives of this work, I adopted the following aspects." Hiroto Akihara picked up a pen and wrote down the four words "secret room", "identity" and "humanity" on the board.

Hiroto Akihara pointed to the word "secret room".

"The narrative about the murder in the secret room appears four times in total. The first time is the self-report of the client, Nobuyuki Sugo, who constructed a "non-existent murderer" and murder in the secret room, making readers really think that he was wronged And sympathized with him. At the second and third times, it was lawyer Watanabe early season who pushed everything on the victim's father Ryu Yamazaki in order to get rid of the crime. At the fourth time, lawyer Watanabe early season revealed the truth. Let me talk about the role of this perspective change first..."

Hiroto Akihara first analyzed from the reader's point of view, pointing out that because of the conversion of different perspectives, the reader's psychological emotions have undergone tremendous changes, and the emotional identity of the characters has been established.And due to the constant conflicts of interlaced perspectives, the readers themselves fall into confusion and thinking.

After talking about the transformation of perspective in the narrative of the secret room, Hiroto Akihara talked about the transformation of identities in different narratives.

"In this work, the deceased Makiko was never present. Readers can only learn about her from the conversation between Nobuyuki Sugo and early season Watanabe. According to Sugo for the first time, her identity is The mastermind is a person who does whatever it takes to achieve his goals. But in the end, he turned into a victim who was killed for justice."

"The vicious image deliberately buried in the early stage has undergone a huge reversal after being narrated by different characters. These reversals and suspense make readers have to concentrate on continuously studying the development of the storyline and waiting for the end of the story. Unraveling the mystery."

"When the mystery was revealed, all readers breathed a sigh of relief, their emotions were finally released, and they got spiritual satisfaction!"

When Hiroto Akihara finished speaking this part, both the classroom and the students in the audience showed shocking expressions.

Before this lecture started, basically everyone had already seen the work "The Invisible Guest", but no one could have imagined that Hiroto Akihara conceived the work from this perspective.

What's even more unbelievable is that while reversing, Hiroto Akihara is constantly guiding readers' emotions, allowing their mentality and emotions to change with the development of the story.

"Clap clap clap!"

Everyone applauded one after another, and the entire lecture theater was filled with warm applause.

Hiroto Akihara put down his pen, and after the applause ended, he pointed to the word "human nature" on the board and continued talking.

"In this story, everyone is actually lying, and the boundary between lies and truth is also blurred because of morality and human nature. But is all this different from the status quo of the neon society?"

"For the sake of honor, assets and even status, the wealthy class can sacrifice the lives of others to clear the way for themselves. But ordinary people, if they don't have the courage and wisdom of the Yamazaki couple, can only be reduced to the point where they are slaughtered."

"So when I write this work, I also want all readers to think deeply and consider the problems between people."

Hiroto Akihara put down the pen in his hand, clapped his hands on the table of the podium, and looked around the crowd with scrutiny.

"All the students on the field today will be elites in society in the future, and some of them may even be more successful in their careers than Nobuyuki Sugo."

"But no matter what, I hope everyone can keep it in mind. Although there are differences in wealth and status among people, in terms of personality and dignity, people are equal after all!"

"So I hope that all students will not trample on others at will for their own benefit."

"Otherwise, the ending that Nobuyuki Sugo faces is the future that you will face!"

After hearing these words, everyone, including students and professors, were stunned.

No one could have imagined that Hiroto Akihara actually made such a "threat" at the end of the lecture.

But what Akihara Hiroto said actually had his own thoughts.

In neon society, although there has always been public opinion that the strong should care for the weak.But in fact, all kinds of bullying and trampling on the interests of others are often not uncommon.

Among them, various prestigious schools have also become a very bad "hardest hit area".

In the previous life, Keio University, known as the number one private institution in Asia, was exposed to collective assault on girls, and even took photos of the process with a mobile phone.

In addition, students from many prestigious schools, led by Waseda University, became a society called super free, and violated more than 400 women.