Man in the Heavens: Rewarding the Good and Punishing the Evil

When Chen Chong said that he had learned a set of sword techniques from Zuo Lengchan, Feng Qingyang subconsciously thought that he had learned the "Songshan Sword Technique".

Although the Wuyue Sword School is famous for its swordsmanship, the styles of each school's swordsmanship are actually quite different.

For example, Huashan Mountain is famous for its dangers, and Huashan's swordsmanship is also like this; and Hengshan Mountain is located in the northeast pass, so the swordsmanship is mostly good at defense and attack.

But the Songshan swordsmanship has a majestic atmosphere, known for its majesty and majesty, and its moves are like thousands of troops rushing towards it, quite like long spears and big halberds, and the style of yellow sand thousands of miles away.

Of course, this is a euphemistic way of saying it. To put it bluntly, it is that the Songshan sword technique is relatively simple.

How simple is it, so simple that the other four sects all think this sword technique is simple.

Of course, this kind of "simpleness" is just not so simple that it can be grasped at a glance compared to other sword techniques.

Under the circumstance that the opponent is Zuo Lengchan, if someone really has learned the "Songshan Sword Art" through several fights, then the aptitude is really great.

If it wasn't so, Feng Qingyang would not have expected it, and wanted to see how much Chen Chong had learned.

Chen Chong didn't hide his clumsiness, he simply said hello, picked up the handleless Ziwei soft sword, and retreated to the center of the dilapidated house.

With a flick of his soft sword, he slowly forced his true energy into the sword, and then the slightly curved blade gradually became branched.

Seeing that Chen Chong hadn't moved yet, Feng Qingyang thought he was remembering, so he narrowed his eyes, waiting for the sword move.

Every set of swordsmanship has a starting move, but the starting move does not mean a move, it is more of a courtesy move.

To talk about the main function, it is roughly equivalent to reminding the opponent: You have to be careful, I am going to make a move.

Just like the Huashan swordsmanship, the first move is "Welcome the guests with green pine", with elegant posture, polite movements, and a kind of majestic atmosphere in it.

It stands to reason that the Songshan School's swordsmanship should also have a starting move.

However, just as Feng Qingyang guessed how long the kid in front of him would remember, Chen Chong suddenly moved.

When Chen Chong retreated to the center of the room, he was holding the sword in his right hand, but now he put the sword in his left hand.

He clamped the blade of the sword with two fingers and fixed it at his waist, as if the sword was hanging obliquely at his waist.

This--

Feng Qingyang frowned, feeling a little puzzled, because this action was so strange.

Before he could react, Chen Chong's right hand suddenly grabbed the hilt of the sword like lightning, and swung his backhand upwards.

Hearing the sound of "Shut", the sharp blade of the sword cut through the air, drawing an orange half moon, and Chen Chong also moved accordingly.

In an instant, the wind of the sword rustled in the room, and the fire light reflected on the sharp blade, shining a beautiful and dangerous light.

When he saw Chen Chong's first move, Feng Qingyang was startled for a moment, secretly thinking about what kind of sword technique it was, and then became angry, scolding Zuo Lengchan for being despicable and dirty.

Why do you say that?

Because that backhand slap is almost the same as drawing a knife and slashing, it is completely a violent and murderous move.

If you don't even say hello, you are going to put someone to death. Isn't that what no Wude is?

This sword technique was learned by Chen Chong from Zuo Lengchan, and Zuo put this move 'Backhand Draw Sword Slash' first, so it's not hard to guess why it's pictured.

It is nothing more than to deceive and sneak attack.

After getting over the initial anger, Feng Qingyang immediately cheered up and began to watch seriously.

But seeing this made his heart tighten.

This set of swordsmanship moves is fierce, without any superfluous things, it is completely for the purpose of killing and hurting others.

Judging from the moves, there are no cunning or false moves, and the attacks are all tricky angles. It can be said that they use everything to the extreme, almost in the same way as "The Three Immortal Swords".

What's even more frightening is that although this set of sword techniques is exquisite, it doesn't look advanced.

Exquisiteness and profoundness are not contradictory existences, neither subtlety nor profoundness is scary.

Because advanced means it is difficult to learn, it cannot be mastered by a large number of disciples, and it does not affect the general trend of the sect.

What Chen Chong plundered was "Seventeen Swords of Fast and Slow". Since it has this name, naturally there will not be many sword moves.

At this time, there is no enemy, and there is no need to worry about someone's sneak attack. With all his strength, he has completed the rehearsal of the seventeen ways of swordsmanship in less than half a cup of tea.

Chen Chong put away his sword and sat back beside the fire, and asked with a smile: ""

In today's martial arts, although there is a saying that "fist comes out of Shaolin, sword returns to Huashan", but the reputation of Huashan School comes from the sword energy.

In terms of exquisite sword moves alone, the "Seventeen Fast and Slow Swordsmanship" by Zuo Lengchan is not only the most brilliant swordsmanship of Songshan School, but also the most profound swordsmanship of Wuyue Sword School.

When Chen Chong said that he had learned a set of sword techniques from Zuo Lengchan, Feng Qingyang subconsciously thought that he had learned the "Songshan Sword Technique".

Although the Wuyue Sword School is famous for its swordsmanship, the styles of each school's swordsmanship are actually quite different.

For example, Huashan Mountain is famous for its dangers, and Huashan's swordsmanship is also like this; and Hengshan Mountain is located in the northeast pass, so the swordsmanship is mostly good at defense and attack.

But the Songshan swordsmanship has a majestic atmosphere, known for its majesty and majesty, and its moves are like thousands of troops rushing towards it, quite like long spears and big halberds, and the style of yellow sand thousands of miles away.

Of course, this is a euphemistic way of saying it. To put it bluntly, it is that the Songshan sword technique is relatively simple.

How simple is it, so simple that the other four sects all think this sword technique is simple.

Of course, this kind of "simpleness" is just not so simple that it can be grasped at a glance compared to other sword techniques.

Under the circumstance that the opponent is Zuo Lengchan, if someone really has learned the "Songshan Sword Art" through several fights, then the aptitude is really great.

If it wasn't so, Feng Qingyang would not have expected it, and wanted to see how much Chen Chong had learned.

Chen Chong didn't hide his clumsiness, he simply said hello, picked up the handleless Ziwei soft sword, and retreated to the center of the dilapidated house.

With a flick of his soft sword, he slowly forced his true energy into the sword, and then the slightly curved blade gradually became branched.

Seeing that Chen Chong hadn't moved yet, Feng Qingyang thought he was remembering, so he narrowed his eyes, waiting for the sword move.

Every set of swordsmanship has a starting move, but the starting move does not mean a move, it is more of a courtesy move.

To talk about the main function, it is roughly equivalent to reminding the opponent: You have to be careful, I am going to make a move.

Just like the Huashan swordsmanship, the first move is "Welcome the guests with green pine", with elegant posture, polite movements, and a kind of majestic atmosphere in it.

It stands to reason that the Songshan School's swordsmanship should also have a starting move.

However, just as Feng Qingyang guessed how long the kid in front of him would remember, Chen Chong suddenly moved.

When Chen Chong retreated to the center of the room, he was holding the sword in his right hand, but now he put the sword in his left hand.