Super Smuggling System

With a wave of his hand, the things in the independent space appeared in front of Li Mu's eyes.

Looking at the 260 catties of gold that appeared in front of my feet, there are 24 sets of landscape calligraphy and paintings, and there are some blue and white porcelains from the Tang Dynasty.

Li Mu shook his head and squatted down.

Pick up a celadon vase and look at it like new Yue kiln porcelain.

Li Mu is very helpless, no matter how you look at it, it looks like a modern imitation, at most it is a modern high imitation.

However, Li Mu saw that Yue kiln porcelain had a thinner fetal bone, evenly glazed, green and lustrous glaze color.Even if it's not an antique.

Li Mu also likes to keep it in the villa as a work of art.

In fact, the purpose of Li Mu bringing back some porcelain, calligraphy and painting is to add some cultural atmosphere to his villa.

Although these porcelains have no historical background or the sense of vicissitudes of time, they are after all the craftsmanship of the ancients and were fired by themselves.

Just like those 24 sets of landscape calligraphy and paintings, although they can't see the taste of history, they are really famous masters.

Li Mu put them on various booths in the villa, and hung them on the wall, which is also very good, and it is much better than those painted by modern artists.

Just as Li Mu was comforting himself, the system suddenly prompted.

Chapter 68 Unread Newsletters

"Drip, warm reminder: The system has detected that the host is carrying cultural items from the Tang Dynasty plane, but it has not been checked. The items carried have historical details and vicissitudes of time. Do you need: antiquity service. mianhuatang.la"

Li Mu, who was holding a celadon vase, was slightly taken aback when he heard the system prompt.

Li Mu did not expect that he was holding a celadon vase from the Yuezhou kiln, where he was mourning the past and the autumn, and would hear such a prompt from the system.

He lowered his head to look at the Yuezhou kiln celadon vase in his hand, then thought again, the system's prompt.

Li Mu knew that the system had caught his attention again.

But after thinking about it, although the system will cheat money, but can get a real antique, so it is worth a try.

"System, what is an ancient service?" Li Mu felt that if he interpreted it literally, his understanding of death should be death, and the system's death should not be death.

It is a way to process the porcelain calligraphy and paintings he brought back so that they have the conditions to become antiques.

Although Li Mu doesn't know exactly what kind of method it is, but he should be able to understand it after listening to the system's explanation.

After hearing Li Mu's question, the system's cold mechanical sound started.

"The antiquity service is a kind of time acceleration service provided by the system to the host. Since the cultural items brought by the host from other planes cannot reach the level of antiques after historical precipitation, the system specially provides this service for the host."

Li Mu lowered his head and thought for a moment, then suddenly said, "What price?"

Nonsense, don't look at what the system is saying now, it sounds like it is for his sake, so the system will have this kind of service.

For Li Mu, this is all an illusion.

The real price is the real one. In case he gets hotheaded and doesn't ask the price, let the system process these antiques for him.

When the price exceeds his current system deposit, isn't everything over?

Li Mu knew that if he wanted to teleport back and forth between the two planes, he would need to pay for smuggled coins, even for recording coordinates.

Without smuggled coins, he can do nothing.

Not to mention returning to Datang.

So Li Mu thought it was better to ask about the price.

"The system prompts that the antiquity service is charged according to the difference in years between the original plane and the smuggling plane. The charging unit is: each cultural item, one year of antiquity: 1000 smuggling coins."

After listening to the price quoted by the system, Li Mu bowed his head and started counting with his fingers. He brought these things back from the ninth year of Zhenguan in the Tang Dynasty.

"The ninth year of Zhenguan is 635 BC, and now it is 2016."

Li Mu scratched his head, because the span between Tang Dynasty and modern times was 380 years.

Li Mu calculated in his mind, if it is calculated in 380 years, it would take 130 million smuggled coins to turn a piece of celadon from Yuezhou Kiln into an antique.

Although it doesn't look too expensive, after all, this is celadon from Yuezhou Kiln.

The celadon of Yuezhou Kiln ceased firing as early as the early Southern Song Dynasty.

Although I don't know the current value of the Yuezhou kiln celadon in the Tang Dynasty, it is still good if you exchange 130 million smuggled coins for such a long-standing ancient porcelain.

However, there is a problem. Li Mu currently does not have so many smuggled coins, which are used to pay for the system and turn an item into a genuine antique.

Even if he currently has so many smuggled coins, Li Mu does not intend to turn the Yuezhou kiln porcelain in his hand into a real antique.

Because he has better options.

Compared with porcelain, calligraphy and painting are more fragile in the inheritance of history, because calligraphy and painting are made of paper as the carrier of culture.

Paper is one of the most feared items that time corrodes. If it is passed on according to normal history, time will flow.

If a calligraphy and painting of more than 300 years can be handed down to the present, its value will far exceed that of a piece of Yuezhou celadon.

Not even ten pieces.

The reason why Li Mu thinks so is because he has already opened a landscape painting at this time.

Zhan Zixu.

A famous painter in the Sui and Tang Dynasties. He was good at painting figures, chariots and horses, pavilions, and landscapes, especially famous for painting landscapes.Its landscape paintings are called "far and near mountains and rivers, thousands of miles away".

What Li Mu opened was a long-axis landscape painting by Zhan Zixu.

When Li Mu slowly opened the pair of combined scrolls and saw the ink and landscape paintings inside.

Li Mu, who didn't know the charm of ink painting in time, was also impressed by this ink landscape painting that was slowly unfolding in front of him.

The artistic conception of this painting is not comparable to those modern self-proclaimed masters of traditional Chinese painting.

If an ordinary person is allowed to stand in front of the paintings of modern Chinese painting masters to appreciate and experience them, it may be for the sake of face.

So as not to make myself look so uneducated, I will pretend to understand the paintings of the masters of traditional Chinese painting, and nod over and over again.

But if this ordinary person is allowed to stand in front of Zhan Zixu's painting, even those who don't know ink painting will be attracted by this painting.

Fascinated by the mountains and rivers inside, it seems to be able to feel the charm of the mountains and rivers.

"Drip, does the host need it, the ancient service."