The Golden Age of China Entertainment

Fu Yiwei is not from the capital, so naturally he doesn't know much about Liulichang, but he also has his own concerns.

"Is there any play for me?"

Fu Yiwei probably forgot that she was a technical post in the unit.

"Yes, of course there is."

How could the script he wrote not have Fu Yiwei's share.

Yi Qing has already noticed that it is impossible to expect Fu Yiwei to withdraw from the entertainment industry in a short period of time and to be at home with her husband and children. Separation of several months happens.

Fu Yiwei immediately became interested, and asked: "The number one female?"

Yi Qing was about to answer, but stopped, thinking for a while before saying: "There are two heroines in this story, and you are one of them."

"Who is the other?"

Fu Yiwei's heart sounded the alarm again, and he didn't bother to ask what his character was like.

Yi Qing couldn't understand Fu Yiwei's careful thinking, and said with a smile: "I plan to find Deng Jie to play another role."

Fu Yiwei immediately felt at ease, Deng Jie's words, there must be no problem, the eldest aunt still has nothing to worry about.

"Stop talking, go to sleep!"

As Fu Yiwei said, he plunged into Yi Qing's arms, found the most comfortable position, and fell asleep after a while.

But Yi Qing couldn't sleep right now, her mind was full of new scripts.

In fact, the influence of the previous life is not great for this drama, and I believe not many people have watched it, but Yi Qing really likes it.

With the background of the Republic of China, it tells the life-long grievances and grievances of three men and two women that happened on Liulichang Antique Street in Beijing, and comprehensively shows the various people and stories in the antique industry in the old capital.

Although the background of the story is set from the end of the Republic of China to the beginning of liberation, it is completely different from the operation of stir-frying historical "old goods". It shows a picture of the customs of the old capital's antique industry and the various business methods of antique dealers.It can be said that this is a realist work that talks about characters, temperament, and taste.

The most attractive thing about the whole play is the all-round detail. Every actor, from Audio-Technica to Grandma Ru, Mo He, to Feng Ma, Soba, and even the wonton seller, has words but no words, every expression , Every action is convincing.

The props inside, such as huts, Sophora japonica, and antiques, are not absolutely perfect, but they will never be easily picked out.

So, it is definitely a good movie. Earlier than this movie, Yi Qing became very interested in Liulichang and the antique business for the first time, but at that time he was not very old, and the plot had long been forgotten. Cleaned up.

After reading it, Yi Qing regained his enthusiasm for antiques and plunged into it.

It would not be an exaggeration to say that Yi Qing was the first teacher of antiques.

Of course, Yi Qing decided to write this book, definitely not because of these things, because this is indeed a good drama, whether it is casting, setting, dialogue, plot, the plot is very classic, and several key characters in the drama can also stand up , is worth smacking.

For example, Fan Wuye, the old man and young man of the Manchu Qing Dynasty, acted in an authentic way.

Many viewers who have watched this drama may think that Huang Ama's bluffing is a bit exaggerated, because they don't know much about those old and young.

This type of people in that era really had that kind of virtue, they were poor and poor.

Mo He, this should be Miao Pu's famous work, the little girl has a distinctive personality and is stubborn, so she is destined not to marry Tong Fengquan in the end.

Soba and Wang Cai can only say that their performances are really good, and they make people's teeth itch when they play the terribly bad little characters.

Grandma Ru, to put it nicely, the widow of a rich family has played with money, and she doesn't care for money. She has been a widow for more than ten years. A prodigal bitch, she can play with money and take care of a little boy, but she can also find a decent one after spreading fire. She is really witty when she is fighting wits with her nephew, but she is confused when she meets an actor. It's really an old house on fire, crackling and not burning. Clean, that is indestructible.

Of course, Tong Fengquan is also indispensable. The combination is cowardly + small people + no principles + mercenary + honest people + love to make enemies. This kind of person should be a soft food, or a buddy is more suitable. As a shopkeeper, he will definitely die.

As a male lead, one doesn't have to be tall, the more so, the more real it is.

How can there be so many unrivaled heroes in life, and more of them are ordinary people living miserable lives.

When Yi Qing first heard about this play, she really didn't have any interest in watching it.

In fact, the so-called Iron Triangle has lost all his favorability in those years.

Zhang Guoli is a good actor, but it's a pity that he has been acting and talking about dramas for a few years, but apart from that, none of them have a good tone.

It was only because of Deng Jie that Yi Qing glanced at it twice, and watched the first episode with a look at it. After watching it, he immediately felt that he was biased, and the story started well.After watching the second episode, I immediately discarded the previous disgust.

This is definitely a good story, and Yi Qing even thinks it is Zhang Guoli's best work.

After that is the ups and downs of the fate of the characters on this street.

There are two big clues in the whole story: antiques and human feelings.

And these two clues are intertwined with each other, inseparable.

With Tong Fengquan as the center, points radiating from the surrounding area, Mo He and Fan Wuye are one point, Second Grandma Ru and Feng Ma are one point, Lan Yigui is one point, Wang Cai and Soba are another point, Mr. Luo is one point, Mr. He Also a little.

And the points that radiate around this area are connected and tied to each other. Second Grandma Ru and Mo He lead each other, Mo He and Wang Cai lead each other, Second Grandma Ru and Soba lead each other, Wang Cai and Lan Yi lead each other. expensive holding.

Judging from the relationship between the characters alone, the complexity of this play can be seen.

This complex network of character relationships can be said to affect the whole body, making this drama ups and downs.

After watching it, Yi Qing couldn't help admiring, it turns out that Zhang Guoli is not only good at filming those blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah.

There is also the Audio-Technica, it turns out that their acting skills are always online.

All in all, Yi Qing loves this drama because of its texture.The setting of the background of the story makes it naturally full of Beijing flavor, and because of the particularity of the antique business, its dialogue adds the wit and humor of the Beijing dialect to the elegance of the literati and the cautiousness of the businessman, and the design is concise and exquisite. Clean and neat.

In addition, the plot setting is also very reasonable. There is almost no bloody plot that passes by. It is often the first to tug at the audience's heart, then iron it out, and then do it again.

For example, Fan Shirong used his younger sister to hold Wang Cai and Tong Fengquan hostage in order to solve the problem of survival on the one hand and to show self-respect on the other hand.

In order to satisfy her long-lost need for love and belonging, Second Grandma Ru got involved with Meng Xiaolou and conceived a child, which involved Tong Fengquan and broke her relationship with Mo He.

But Tong Fengquan followed the general prejudice of the society, thinking that only the rich can marry Mo He, which made the lingering love between the two finally shattered.

At the same time, changes other than relationships are an important factor in promoting the storyline. They make this TV series more dramatic, and perhaps this is also the reason why the show has a strong sense of fate.

There are several factors that promote the plot: European Ludwig, the ruthless Soba, military officers, etc. The interesting thing about these external factors is that they all boil down to one thing: power.

Although these antique merchants are resourceful and usually have tens of thousands of things in their hands, the merchants and literati on this entire street, as well as the culture contained in the shops, are all fragile. Don't bow your head.

There is one place in the whole play that Yi Qing likes very much. After Fan Wuye was cheated, he bought a musket and went to find Lan Yigui.

This young man of the Qing Dynasty who was blasted by the Western artillery had to take up the gadgets used by foreigners to support his last dignity. No matter what a person is, he took up guns, knives, and sticks. In troubled times, he Yes, Soba is typical, and so is Ludwig.

But the fragility under this kind of power is not absolute, it is still resilient. There is a line in the line, "things that have been thousands of years old, they are alive."

There is another plot that Yi Qing likes very much.The painting of sentient beings worshiping Buddha was stolen. Tong Fengquan went to the person from the Beijing Municipal Administration of Cultural Relics. The person took a book and said, "What is a small person? A small person just drinks tea, reads newspapers, and manages his one-acre three-point land."

Tong Fengquan is a first-class little person in troubled times. Since he is a little person, he should live his own life well. Maybe he also has the righteousness of the country in his heart, but more often, these little people will still be selfish, greedy for comfort, and afraid of power. .