The Golden Age of China Entertainment

Hu Yajie knew that Yi Qing was a rich man, and when filming, he usually bought delicious food for the actors and staff of the crew, so he said bluntly: "No!"

"It's just right, let's have a meal together. By the way, let me tell you about this play. By the way, you are familiar with Sun Song in your class, right? Invite him too. There just happens to be a role that suits him!"

Hearing this, Hu Yajie quickly agreed, turned around and ran towards the school. After about half an hour, Hu Yajie came back, and Sun Song came with him.

Sun Song is naturally no stranger to Yi Qing. When he was filming "Desire", Yi Qing occasionally went to see the crew. Sun Song knew that the screenwriter of "Desire" that made him famous overnight was Yi Qing.

"Screenwriter Yi! Director Zhao! Brother Feng!"

Sun Song is only 22 years old now, with collagen all over his face, and a pure creamy niche. After "Desire", he became a hit and became synonymous with heartless people in film and television dramas. Once it is popular, it doesn't matter how popular it is.

When they came, Yi Qing had already found a place, and the five of them walked into a halal restaurant together. After ordering good food, Feng Pants blatantly asked for a drink, but Yi Qing hurriedly stopped him.

Drinking in a halal restaurant, this grandson probably hasn't been swiped by the master chef with a frying spoon.

When the dishes were all served, everyone made a base first, and Yi Qing explained his intentions.

"This play is set in the late Qing Dynasty and the early Republic of China. It tells the story of Shandong people breaking through the Guandong. Sun Song, do any relatives in your family break through the Guandong?"

Sun Song is from Shandong. Hearing this, he nodded quickly: "I have an uncle who is over there now."

Hu Yajie also said: "Our family also went to the Northeast through the Guandong!"

Yi Qing nodded, and then said: "I'm looking for you this time. I want you to play two roles. The main line of the story is the three generations of the Zhu family. Sun Song plays the eldest son of the Zhu family, Zhu Chuanwen, and Hu Yajie plays Zhu Chuanwen. Zhu Chuanjie, the youngest son of the family, this is the script, please read it first!"

Seeing that Yi Qing even brought the script, both of them didn't care about eating, so they quickly took it and started to read it.

Hu Yajie watched it very quickly, focusing on Zhu Chuanjie's parts. Although there were not many roles and he was no longer the leading actor, the drama was big enough to make him very excited.

As for Sun Song, he read it very carefully. The beginning of the story was Zhu Chuanwen's wedding reception. After reading it for a while, he frowned.

Yi Qing also noticed: "What's wrong? Are you not satisfied with the character?"

Sun Song looked up at Yi Qing, hesitated for a while, and then said: "Screenwriter Yi, Director Zhao, I~~~~~~~ I don't really want to play such a wimpy, uninspired character anymore! "

Sun Song would say that, although Yi Qing felt surprised, it was actually expected. The reason for the surprise was that he didn't expect Sun Song to refuse. He said it was expected because Yi Qing knew that he would definitely raise objections to Zhu Chuanwen's role.

Because of Wang Husheng, Sun Songhong was at the pinnacle when she debuted, but her development was also restricted by the role of Wang Husheng.

Yi Qing remembers that after Sun Song finished "Desire", he continued to play the role of a little boy, a heartless man, or a mother boy in many plays.

After a long time, the audience got tired of watching it. Gradually, fewer and fewer people came to him to act, and the most serious thing gradually became silent.

The last play of Sun Song that Yi Qing watched in his previous life was the documentary TV series "Migrant Workers of Survival" made by Guan Hu. In the play, Sun Song played a migrant worker Wang Jiacai. At that time, he had lost a little The appearance of a creamy niche, the whole is a rough guy.

It can be said that it took more than ten years for Sun Song to complete the transformation.

It's a pity that in the fast-changing film and television industry, there is no audience who is really infatuated, waiting for an actor for more than ten years, just to see him complete the transformation and be reborn from the ashes.

Want to eat fart!

But Sun Song is indeed ruthless enough, he can hardly be said to be a transformation, his plastic surgery is almost the same, a Wang Husheng, a Wang Jiacai, a youthful and tender cream boy, and a rough-faced and dark-skinned middle-aged uncle.

Now it seems that Sun Song has long been aware of this problem. The debut role is too classic and completely restrained, so that the later roles are too single and there is no breakthrough at all.

The audience is tired of watching, and he is also tired of acting.

Hu Yajie finally called them out today, saying that Yi Qing wanted to find them to act in a play. Sun Song was very excited. He was looking forward to another script like "Longing". Of course, the premise is that the role cannot be Wang Husheng.

After reading a few episodes of the script, Sun Song was disappointed. A filial and sensible farmer's eldest son, he has no responsibility and is timid. Even his younger brother dared to rush up to fight the bandits, but he could only squat on the ground Forgive me, he is the one who married his daughter-in-law, but because he lost the dowry, he dared not go to the door of his father-in-law's house, and asked his mother-in-law to take her there.

This is too stupid!

He didn't want to act, but he was worried that his refusal would be too straightforward and make Yi Qing unhappy. After all, it was Yi Qing's script that made him popular all over the country.

But he was reluctant to take on this role, and he was really conflicted.

Yi Qing looked at Sun Song, heard him mumble even a word of refusal, and couldn't help laughing: "You really only think that Zhu Chuanwen is a wimpy person who has no opinions?"

Zhu Kaishan's three sons, in the process of plot development, the focus is indeed on the second son's passing on martial arts, but the most interesting and contradictory one is undoubtedly the eldest son's passing on the text.

To put it simply, Zhu Chuanwen is a very typical image of a feudal good man. He is hard-working and very diligent. He is also the only one among the brothers who walked to the Kanto step by step. So among the three brothers, he is also very able to endure hardships.

At the same time, he is also a very pragmatic person. If there is no Zhu Chuanwen in the entire Zhu family, then the business of Shandong restaurants cannot be so good, because it is under the operation of Zhu Chuanwen's various methods that they have mastered dishes such as sauced beef and Lu Signature dishes like Weihuo Phoenix make the whole restaurant more and more prosperous.

But as a very traditional man, Zhu Chuanwen also has a very big personality flaw. Although he is not afraid of hard work, his vision is still too narrow, and he can't always accept some new affairs very well.

In other words, he was so conventional that he seemed pedantic.Just like when the Qing Dynasty fell, he refused to cut his braids. In the end, his two younger brothers helped him.

Also, when he left Yuanbao Town, he kept his eyes on farming, not daring to have the courage to venture outside.

So in general, Chuanwen is a person who can rely on his own hard work to make the Zhu family very rich, but that's all. His short-sightedness determines his lack of courage, so he once took refuge in Zhu's family. The Japanese, and his reason for turning to the Japanese is also very simple, he just wants to keep his family, but in that kind of war environment, their fate is never in his hands, the Japanese It's just that Zhu Chuanwen still has value to use, and it's impossible to fulfill the promise to him.

Sure enough, after seeing his younger brother beaten to death by the Japanese, Zhu Chuanwen finally realized that those superficial promises were just illusions in the Japanese population, so Chuanwen, who had completely awakened, finally chose to return to his family. He also shot that hateful Japanese, which was regarded as revenge for his second brother.

So in general, although Zhu Chuanwen, the eldest son of the Zhu family, is a relatively controversial figure, he also has the advantages of the ancient Chinese working people, and at the same time has some human weaknesses.

If, like Sun Song, he simply thinks that Zhu Chuanwen is a wimp and a person who has no idea, it is obviously too arbitrary. Can a person who has no idea lie to the daughter-in-law who is about to split up and lock her in the house alone?

After Yi Qing analyzed Zhu Chuanwen's character traits, Sun Song was dumbfounded. After listening to Yi Qing's analysis, he suddenly felt that just like what Yi Qing said, Zhu Chuanwen's character is really interesting.

It seems that I still don't understand it properly!

Seeing that Sun Song had stopped talking, Yi Qing put away the script and put it on her lap, knowing that Zhu Chuanwen also had a role to play, and the second son of the old Zhu's family, Zhu Chuanwu, was still missing.

Just like Zhu Kaishan's preference for his second son in the play, when the original author Mr. Gao created this character, he could see his preference for Chuanwu everywhere.

He has a temperament and personality that is obviously different from others. At first glance, this character is impulsive and reckless, but it is this kind of youthful nature that makes him seem desperate no matter what he does.

And this kind of trait is precisely what "Crossing the Guandong" emphasizes, the "breaking" energy and fighting spirit in the face of difficulties.

The touching part of Zhu Chuanwu's role lies in his unyielding and challenge to fate, whether it is in emotion or in attitude towards life.

When the whole family fled to Kanto to find his father, the weak Zhu Chuanwen saw Xianer chasing him, but stood and yelled helplessly, while Zhu Chuanwu kicked him into the sea neatly, the fifteen or sixteen-year-old Zhu Chuanwu made people feel more like a man.

His reckless nature is more reflected in his love for Xian'er. Many people have vigorous love when they are young. The love of young people is pure and persistent, because when they were young, they had nothing and had simple experiences, so they were not afraid of giving. There is an unswerving energy in love.And with the growth of age, it is very difficult to have pure and persistent love.Because with the growth of age and the increase of experience, people's mentality gradually becomes complicated, and it is almost difficult to reproduce that kind of pure and persistent love.

But Zhu Chuanwu did it, and he interpreted that kind of persistent love with his whole life.It is precisely because of Zhu Chuanwu's dedication and devotion to Xian'er's love that he took Xian'er away from home.

It's a pity that fate has set too many obstacles and tribulations for the love between him and Xian'er, but Chuanwu did not give in based on his sincere love. People are moved by it, maybe this is also the reason why many people can't understand it, and call it "evil nature".

Emotionally reflects the indomitable persistence, Zhu Chuanwu's life development track is also a road to challenge the fate.It is in the struggle against fate that Zhu Chuanwu has gone step by step from impulsive and reckless in his youth to a steady weapon in his adulthood, and from a stubborn boy to a man of indomitable spirit step by step.

When the Japanese attacked, the young marshal ordered to retreat, and Zhu Chuanwu's principle was fully demonstrated. He led his troops to fight bloody battles with the Japanese army, and used his flesh and blood to blow up the Japanese armored vehicles.

Just as Zhu Kaishan said when he saw Zhu Chuanwu's body, "Don't cry, Chuanwu is the pride of our family!"

Indeed, sacrificing his life for the country and dying heroically on the battlefield is the most perfect curtain call for Zhu Chuanwu's life.