The Golden Age of China Entertainment

It's just... what a pity!

Forget about the story of "Party A and Party B". He really doesn't care much about a comedy, but he really likes the story of "Red River Valley".

My eyes turned to the script on the table again, no, I can't read it anymore.

"Besides helping you to submit for trial, is there anything else I can do for you?"

What Yi Qing was waiting for was this sentence: "Equipment and so on, I will definitely have the support from the factory when the time comes."

He also wanted to directly import new equipment from abroad, but he was busy all the time, so he always ignored this matter. Before leaving Xiangjiang this time, he had already told Chen Yangzheng to import several sets of equipment from Japan and Germany.

"This is fine, is there anything else?"

"I also want you to introduce Feng Xiaoning, the director of Children's Film Studio."

Feng Xiaoning! ?

Meng Shi frowned when he heard this, and thought about it for a while, but he didn't think of this person.

"You said he is from the Children's Film Studio? You don't plan to let him be the director, do you?"

"That's right, I just want him to be the director of "Red River Valley"."

"are you crazy!"

Although Meng Shi hasn't read the script of "Red River Valley" in its entirety, he just listened to Yi Qing's brief introduction. However, for such a big film, Yi Qing should at least look for a great director like Xie Jin. You also need to find someone reliable.

Who is Feng Xiaoning?

The director of Children's Film Studio, what works has he had?What awards have you won?

Give him "Red River Valley", what if the filming fails?

Although Beijing Film Studio does not take up any investment in this film, the name of Beijing Film Studio is ultimately listed. If the filming is completed, the results will be considered as Beijing Film Studio's. Meng Shi can't be careless.

"Xiao Yi! Are you too unreliable!?"

Not reliable?

Yi Qing smiled: "Boss Meng, when did you see me do something unreliable!?"

Such a sentence really stunned Meng Shi from asking. In his memory, it seemed that every time Yi Qing made a decision, he was skeptical, but the final result proved that Yi Qing was right every time.

Chapter 827 Feng Xiaoning

While Meng Shi questioned Yi Qing's unreliable choice, he couldn't help but help him. The day after the script was handed in, Meng Shi called and Feng Xiaoning had already been found by him.

In Meng Shi's office, Yi Qing met Feng Xiaoning for the first time. Later, many people suspected that Feng Xiaoning and Feng Pants were brothers. In fact, it could be judged from their appearance. That kind of statement was completely nonsense.

Feng's trousers have been worn down to the extreme, Feng Xiaoning can at least see through it.

"Director Feng!"

Yi Qing took the initiative to go over to say hello. Feng Xiaoning was reading the script of "Red River Valley". He heard someone talking to him. He was a little upset when he was interrupted. After Meng Shi introduced him, he realized it and got up quickly. .

"Boss Yi! Hello, hello!"

The person in front of him is his bole!

He has been working since 82. He was assigned to Children's Film Studio as an artist at the beginning. Last year, he directed a film and television drama independently for the first time. He filmed a two-episode TV series "Virus·Gold Medal·Sunday" and won this year's Feitian Award best director.

But in the circle, who knows him!

Some time ago, he took a script and went to the director of the factory for several days, but he didn't even get a dime of investment. He was disheartened, but he was notified yesterday that he was seconded to Beijing Film Studio.

If it's distribution, it's understandable. After all, he is the one who is suitable to go to the third line to support in the children's film studio in terms of seniority.

But what kind of operation is it to be seconded to Beijing Film Studio?

He came over early this morning to report to Meng Shi, and after a few chats, Meng Shi handed him a script.

"Red River Valley"

Seeing that the script was signed by Yi Qing, Feng Xiaoning became interested. The most famous screenwriter in the circle in the past two years is this Yi Qing. Starting from the TV series "Desire", one good work after another, Feng Xiaoning only has envy.

But he never expected that one day it would be his turn.

Immediately afterwards, Meng Shi also confirmed that it was Yi Qing who pointed out that he was to be the director of "Red River Valley". ?

Looking at the excited Feng Xiaoning, Yi Qing was also very emotional. This is the first director in the Chinese film and television industry to give commerciality to the main theme film in the true sense!

If there was no Yi Qing's intervention in this world, Feng Xiaoning would not have been wasted. In his previous life, he started working hard in 1990 and gradually became a big director in the domestic film and television industry.

In 1990, Feng Xiaoning directed two controversial films "War Meridian" and "Atmosphere Disappearance".

In "The Subline of War", Feng Xiaoning dared to boldly play the role of film expression methods. When describing the lives of children in war tense, he used realistic techniques, and used romantic techniques when inserting multiple "flash-forward" pictures in the middle. , break the tradition, dare to express one's own thoughts strongly, and this kind of idea is very individual, expressing with the help of children's arduous fighting life in the war.

No director dared to try this before, because in the hearts of current film and television practitioners, the main theme of the film should be solemn, without the slightest deviation.

But Feng Xiaoning dared to break the rules and use different methods to interpret the cruel proposition of war from different perspectives.

At this point, Feng Xiaoning is enough to occupy a vital position in the history of Chinese film.

It can be said that it is precisely because of his attempt that he provided a brand-new idea for countless directors later.

In addition, Feng Xiaoning also has unique features in terms of camera performance and screen structure. His vision is very broad, and some scenes are very distinctive. Some experts even pointed out that "Meridian of War" is a bit like a writer's film, and spoke highly of Feng Xiaoning's rich film imagination and innovative character.

"Atmosphere Lost" is a disaster film with a completely different style, which aims to emphasize the increasingly serious environmental pollution problems faced by human beings.

Without speaking out, without some leaders worrying about the country and the people, Feng Xiaoning used a very ingenious opportunity as an introduction to a very serious environmental pollution problem, and told a story that is highly ornamental and has a sci-fi flavor.

In the previous life, after this movie was released, there was a lot of shock, and in the No. 11 Golden Rooster Awards selection, Feng Xiaoning deservedly won the Director's Special Award for his two films "War Meridian" and "Atmosphere Disappearance".

Through the accumulation of these two films, Feng Xiaoning's director level has become increasingly pure, and then there is a more far-reaching "War and Peace Trilogy".

Speaking of Feng Xiaoning's "War and Peace Trilogy", Yi Qing first read "Purple Sun" and remembered the anti-war core in it, and then watched "The Yellow River" and was very impressed with the Hukou Waterfall in it. And the sunset on the top of the mountain is still fresh in my memory.

On the contrary, I have always lacked impressions of "Red River Valley". Yi Qing was in the army when he first watched "Red River Valley".

Later, when I had free time, I accidentally saw this movie on the Internet. After watching it again, I realized that "Red River Valley" is actually more brilliant than "The Yellow River" and "Purple Sun".

The first half of the story is about the blissful time when the British and the Tibetan people lived together peacefully, and the second half is about the horror when heaven suddenly turned into hell after the British invaded the snow-covered plateau.

The combined effect of the camera cuts, character dialogue and background music is enough to shock people's hearts.

Especially in the scene when the war was about to end, Gesang embraced the dead Cher, took out the lighter that the British officer Rockman had given him, with tears in his eyes, a bitter smile, and sparks.

Then the camera suddenly switched to the original clips one by one: Gesang rescued Rockman, Rockman gave him a lighter, the joy of the British and Tibetan people living together, Rockman ordered, a gun The shot that blows everything up.