The Golden Age of China Entertainment

After Yu Hui finished speaking, she stared fixedly at Chen Hong with both eyes, and felt flustered when she saw Chen Hong.

"It's nothing, don't think about it, I... I'm going to sleep!"

After speaking, he took out the basin and towel from under the bed, and trotted all the way to the water room.

Yu Hui watched from behind, feeling that something was really wrong!

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Chapter 823 Copyright

Flying back to the capital from Shanghai, it happened to be noon when I walked out of the airport. Now the food on the civil aviation plane is simply not edible. Yi Qing is already hungry, and he groped around when he came out. Looking for something to eat.

In the past, there was not even a small restaurant near the airport. Over the years, the state has encouraged individuals to run their own businesses, and major passenger distribution centers like the airport have gradually developed.

"Boss! Add two eggs to a bowl of noodles, and a plate of beef!"

Through the door curtain, Yi Qing heard a promise from someone in the back kitchen, so Yi Qing found a place to sit down, but as soon as he turned around, he met an acquaintance.

"Why are you here!?"

The two sitting in the corner turned out to be Wang Shuo and Feng Pants, who hadn't seen each other for a long time.

The last time Yi Qing saw them was because of the script of "People from the Capital in New York". Now that drama has been aired on Beijing TV, their Haima Culture Company is cooperating with Beijing Film Studio to shoot "Big Sabbath" recently.

Wang Shuo was eating noodles. He loves spicy food. There is a layer of red oil floating on the beef soup. He was sweating profusely after eating in the cold weather. He raised his head and glanced at Yi Qing: "Hey! I can meet you here, what's the matter? Came back from abroad?"

Yi Qing agreed, pulled the chair over and sat at their table.

"Xiao Yi! I'm gone!"

Feng Trousers felt a little embarrassed when he saw Yi Qing. Both of them had pimples in their hearts about what happened at the beginning. Although they were still the same as before when they met, they both knew that they would definitely not be able to go back to the past.

"Brother Feng! I heard from Lao Zhao that the book you wrote was requested by Beijing Film Studio."

Yi Qing had seen the first draft of "The Great Sabbath" written by Feng Kuan before, which was basically similar to the movies he had seen in his previous life.

Although this film was not directed by Feng Trousers, it is also habitually included in the ranks of Feng's films. Unlike Feng Trousers' other works, this is a rare drama.

The whole rhythm looks a bit boring, but it truly reflects a series of problems caused by the current "going abroad craze".

Some lines in the play, even after ten or twenty years, are still out of date.

"I know, you're going to be meat buns beating foreign dogs."

"What do you think of our Chinese husband? Our Chinese husband is a training class for people going abroad."

"If the foreign consulate refuses your visa again, you should teach them a foreign language: When your grandparents followed the Eight-Power Allied Forces to invade China, who asked them for a visa?!"

These classic lines all come from this "Big Sabbath". Yi Qing has always believed that this is an absolute classic domestic film, not only leaving a lot of wonderful lines, but also a true restoration of the end of the 80s , The social phenomenon of going abroad in the early 90s.

Although the domestic films from the late 80s to the mid-90s were in a period of transition and hit a low ebb, there are still many works with a very high standard, a lot of them, and a lot of high-quality goods, and many of them are true reflections. some social phenomena.

At that time, most of the actors were not successful, they performed diligently and down-to-earth, and the audience did not follow the stars very much. They did not have high and blind expectations. It seems that when a "star" is mentioned, it should be the work of the people in Hong Kong and Taiwan.

Movies in mainland China are made by actors, and even future big names like Ge You are confused with the general public, but this does not affect the quality of the films at all. On the contrary, the depth and connotation of these films are better than the later Feng-style New Year's films.

Feng Pants's later New Year's film is indeed full of witty words, almost every sentence is brilliant.

But it seems that this is the essence. Every time I rewatch it, I focus on those few words, unlike old movies such as "Stubborn Lord" and "Big Sabbath", where I can feel the past every time I watch it. In a certain era or a certain period, find some shadows of yourself or the familiar people around you.

At the same time, the humanistic care contained in these films with some Wang Shuo-style ridicule should be more direct and life-like, not as appropriate and contrived as Lunar New Year comedies, which make people feel that they are not very real.

The story of "Big Sabbath" is mainly about Gu Yan sending off his wife to study in Canada at the airport, met Lin Zhouyun who also sent her husband abroad, and sent her to the hospital when she was unwell.

After returning home, he felt that the warm life had been lost, and he often hung out with friends' houses, and even his best friend began to criticize him.

A year passed in a blink of an eye, Gu Yan met Lin Zhouyun at the subway station, Lin Zhouyun excitedly told Gu Yan that her husband abroad helped her complete the procedures for going abroad, and she was going abroad to reunite with her husband.

In the blink of an eye, it was New Year's Eve again, and Gu Yan proposed to Lin Zhouyun that during the five-day vacation, two people who lost their family life could simulate the fun of family life together. For some reason, Lin Zhouyun actually agreed to Gu Yan's proposal. Obviously a bit of a rogue proposal.

During the five-day vacation, they cared, comforted and understood each other, and sometimes quarreled.

When it came time to break up, the two felt lost.

Soon, Lin Zhouyun's visa was completed, and Gu Yan cooked at home for Lin Zhouyun's farewell, just like he did when he bid farewell to his wife.

At the airport, Lin Zhouyun expected Gu Yan to ask her to stay, but Gu Yan tried his best to conceal herself, and in the end, Lin Zhouyun reluctantly walked to the boarding gate.

The story ends here.

People at this time seem to be very eager to go abroad to experience it, just like Wang Qiming in "The People of the Capital in New York", confidently believing that as long as they go abroad, they will immediately become famous and make a lot of money.

Blind and impulsive.

People regard going abroad as the beginning of a better life. This was originally a wave of "going abroad craze" set off by studying abroad, and it even developed to the point where some people sharpen their heads and squeeze to go abroad at all costs.

Although the perspective of the story of "The Great Sabbath" is different from that of "The People of the Capital in New York", it is not told, but left behind, but through their reluctance when they left, almost no letters, no phone calls, let The divorce agreement sent by others, etc., all show that no matter how they live, they have given up everything before.

This is how similar to many people who work from the countryside to the city in the future. They are all leading the fantasies to leave, go to a strange and longing place, choose to stay with no choice or return, and make a clean break with the past.

For this kind of choice, no one can and has no right to make an evaluation of whether it is correct or not, and can only comment on it from a moral perspective.

The tone of the whole story looks cold, but what the story itself tries to give is a little bit of warmth and warmth.

This kind of warmth and warmth comes from Wang Shuozhong's game attitude, which is a sincere desire for love, but it is no longer expressed in a traditional form, but a mocking truth.

What the story completes is an imaginary return. In the game, love gets real life, warm comfort and recognition of helplessness.

Just like the man and woman in the story, in a quasi-marriage game, they escaped the loneliness of separation.

The male protagonist Gu Yan is a little person who lives an ordinary life by relying on his skills. He is honest, not bluffing, understanding, and practical with a little humor.

But unlike others, his reality is to consider others.

Just such a slight difference brings people a dawn of sadness, a dawn of beautiful humanity.

Yi Qing liked this story very much. When he first saw the script that Feng Trousers had written, he thought that as long as he started to pull a team to work alone, he would definitely support Feng Trousers to make this story.

It's a pity that Feng Pants chose Wang Shuo in the end, and Yi Qing could only express helplessness about this.

Now that "Big Sabbath" has been approved, I don't know when it will start, but Feng Pants can only play a supporting role in the crew, with the crew as the screenwriter and executive director.

Hearing Yi Qing mention the script of "Big Sabbath", Feng Kuo also felt awkward in his heart. He really planned to use this script to kill for the director's position, but people didn't believe him, and even Wang Shuo didn't help him speak, This made him very disappointed.

"It's okay! The project has been approved, just wait for the actor to be in place, and then we will start the machine!"

correct!