However, the way Ning Hao expressed it is too different. If he didn't say that it was adapted from a rural teacher, Li Qian really didn't think about it.

"You're buried deep enough. Most of the audience probably wouldn't have thought of this aspect. Those who have read the original work will definitely be scolded." Li Qian shook his head and said.

Ning Hao said, "I just changed the method and arranged for him to be a comedy, which is more entertaining."

Indeed, it's just a different way, replaced by Huang Bo, a monkey-player who is out of touch with the times, and a philistine who has blended into the real society, and they are also two representative types of little people.

"By the way, you made such a useless picture of the Milikans, and the irony is too obvious." Li Qian said again.

"How can saving the world be without the number one country in the world? Aren't they saving the world every day in their films? I also asked them to join the team of saving the world in our films."

Ning Hao smiled narrowly, "Not to mention, I drank some wine at the time and let my mind wander."

Can't tell, Ning Hao is also a bit angry.

The desire to express is too strong, which is normal. People who have the ability to express their voices are like this, and they all want to convey their thoughts to the outside world.

Another director with a strong desire to express, Ma Xiaogang's new film will be released on Friday.

Lao Paoer's box office is very good, but Ma Xiaogang's appeal is still very strong. With the support of the three major platforms and film distributors, Fanghua handed over a high box office of 1.4 million on the first day.

For a story about a syndicate far away from young people, this first-day box office is already high.

4.4 million in three days in the first weekend, creating Ma Xiaogang's personal best.

Moreover, the word-of-mouth of the film is also very good. After many years, Ma Xiaogang once again made a film that was well-received and well-received.

However, the movie is not a comedy. The "live" Liu Feng was ruined because he embraced the female artist soldier he had admired for a long time, and was sent to the logging company. In the end, he lost many dear comrades in arms on the battlefield, as well as his own arm.

He Xiaoping, whose father died on a labor reform farm in the "anti-song life", was bullied in the labor union. Seeing the kind man Liu Feng being punished, he went to the field hospital in despair. He saw too much blood dripping on the Vietnam battlefield. Mental disorder.

The protagonists of the two stories are the two worst characters, because of their personalities, and because one of their fathers is a carpenter, and the other died in a labor camp.

This involves class. There is a line in the movie "Jiang Shan was shot down by our family, what happened to splashing water on you, what happened?"

Splash water on your body, these four words can be replaced at will.

On the contrary, the high-ranking children who bullied He Xiaoping in the labor union back then wore jeans and sunglasses and listened to Teresa Teng's songs in the tide of opening up, and were the first to marry abroad. Real estate developers are busy acquiring land for real estate in Hainan.

The carpenter's son has done many meritorious service and is a fighting hero. After changing jobs, his wife ran away with the truck driver, and his car was confiscated by the joint defense office to extort money for his small business.

However, the unknown 17-year-old soldier was burnt all over his body, and he hadn't even eaten the fruitan skin.

It's too obvious, you can regard this as Ma Xiaogang's vicious attack and retaliation against the children of the big courtyard.

However, it cannot be denied that all of that happened before and is still happening today.

Therefore, even if the time is so far away and young audiences are not familiar with it, they will still be moved, because many things happen around them.

Politics, history, war, nation, system, youth, absurdity, human nature, class, youth...

Li Qian hates Ma Xiaogang very much, but his talent cannot be denied.

At the same time, Ma Xiaogang also ridiculed a wave of directors of the same generation. People like Cheng Kaige don't know what to say all day long, but he, a layman, is making such a meaningful movie.

Just like in the movie, Liu Feng, who had never touched a gun since childhood, was fighting on the battlefield, not the second-generation members of the industrial group who had been playing with their elders since they were young.

Ma Xiaogang's desire to express is too strong. Mobile Phone 2 said that he wanted to explore the issue of whether people are the masters of technology or machines, or whether technology and machines are the masters of human beings.

This has raised it to a higher level, and if you go up to the next level, you should be talking about it, becoming a god stick and a philosopher.

Youth continues to sell well. Although it can't shake the box office of Detective Chinatown 2, it is well-received and well-received, and Ma Xiaogang has stole the limelight.

Next week, Cheng Kaige's new film The Legend of the Demon Cat will also be released.

Like Fanghua, the three major platforms and distributors have also invested a huge amount of ticket subsidies for the film.

However, the box office appeal of Velic Songs is far worse than that of Ma Xiaogang.

With the blessing of a huge ticket subsidy, only 8000 million was received on the first day.

How to say the movie, according to what Cheng Kaige said at the Cannes Film Festival, "Amazing, I think I did this, this is a great work"

On the one hand, The Legend of the Demon Cat is indeed breathtaking, it is simply too magical and beautiful.

In terms of the picture, the so-called gorgeous and beautiful little era is not enough to look at before the legend of the demon cat. This is called beauty.

As for other things, all audiences must think clearly before watching Cheng Kaige's movies. For Cheng Kaige, movies are never just about telling stories. He uses movies to express deep philosophy and realize self-worth.

In ancient times, this was called using poetry to express ambition.

Cheng Kaige is a director who expresses philosophy. For him, storytelling is incidental. Audiences who go for this will definitely be disappointed.

So the word-of-mouth is polarized, but this time there is a complete story anyway, and the filming is really beautiful, and there are not many people who are divided in the wrong direction.

A director who doesn't tell stories but only talks about philosophy is destined to lose most of the ordinary audience. Therefore, with the support of a large amount of ticket subsidies and a good reputation, the box office of Yaomao Legend cannot be strong.

8000 million on the first day, only 2500 million in the first three days of the weekend.

The Lunar New Year file finally ended with Detective Chinatown with a super high box office of 34 billion.

The philosophical legend of the demon cat only got 5.5 million box office.

However, at the end of December, the originally inconspicuous predecessor 12: Goodbye to the predecessor became a super dark horse in the Lunar New Year file.

The box office hit 8000 million on the first day, 3 billion in the first three days, and the New Year's Day holiday in the second week. It won 10 billion box office in a single week, which stunned the eyes.

As the third part of the series, the previous second part only had a box office of more than 2 million yuan, which was beyond everyone's expectations.

As a result, Maoyan and Huayang Media, which are the publishers, did not expect that Chen Wu was even more regretful and beat his chest.

Fanghua and Yaomao Chuan invested a lot of ticket subsidies, the subsidy amount is much higher than that of Li Qian's future movies, and it also increased some users.

However, it did not play a decisive role.

But the predecessor 3, Chen Wu didn't take it seriously at the beginning, even if it sold 8000 million on the first day, he just regarded it as those early-stage movies.

But I didn't expect that since New Year's Day, it would be out of control. At this time, it would be too late to invest a lot of ticket subsidies to grab users.

A 20 billion-level movie, and the audience is all young people. If it is properly prepared, it will definitely win over a large number of users, but this opportunity has been missed in vain.

In this Lunar New Year stall, so much money has been invested, and there is no need to buy tickets

It's a phenomenon-level blockbuster movie, and with so much capital, Li Qian can't play with it, which makes Chen Wu more eager to realize the expected closed-loop industry, and minimize Li Qian's advantage of high-quality blockbuster movies.

However, there is no phenomenon-level blockbuster movie, and the market for future movies cannot be squeezed, so there is always a hidden danger in the control and review process.

Moreover, what made Chen Wu even more distressed was that the trainee idol program was over.

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