my time as a director

I just came to see the later stage of the nightclub. After all, I participated in the whole process of this movie. I didn't expect to see the role of a movie actor.

When did the male lead in a movie become the same as a Chinese cabbage? You can see it everywhere and deliver it to your door.

Chapter 173 A Billionaire!

"Director Li, this script is very good. It's not easy for that studio to be able to write this kind of script."

After reading the script word by word, Xu Zheng's eyes were a little moved. He was really optimistic about the script.

"If they hadn't read the script half a year ago, I would have wondered if they had read If You Are the One for inspiration."

Li Qian said with a smile, "Indeed, the scriptwriters in that studio are very good. The script type of Ren Zai Tuo has never been done in the mainland before. It is completely a groundbreaking comedy script."

It's not just a new genre of road comedy, it's just a different genre, and it's not really a creation.

What's more core is that people's embarrassing journey, creative concept and expression technique are brand new, at least in China.

In the past, there were actually two types of comedies in the Mainland.

A jumbled-together comedy of sorts, exemplified by Destiny Call Transfer.

The other is Beijing-style comedy, and Ma Xiaogang is one of the best, and he can even fully represent this genre.

Last year, the band Huaer, which was popular all over the country, was still very popular after experiencing the plagiarism storm, and completely established its own position in the music scene.

So they came up with the idea of ​​film and television dramas and wanted to enter the film and television industry. When they were interviewed, they said that they wanted to act in comedy and cooperate with Ma Xiaogang. They also said that Ma Xiaogang was very Beijing-like in both conversation and spit. Your child will be like him in 20 years.

Even spitting has a Beijing flavor, and there is no one to flatter.

However, at least it can be seen that Ma Xiaogang's previous comedies are full of Beijing flavor.

This is the most typical type of domestic comedy films in the past ten years.

Combining comedy, secularism, and civilians, with humor and ridicule from the perspective of civilians, it tells the stories of little people in a playful way, and expresses the understanding and attitude of little people towards life in laughter and cursing.

There are too many comedies of this type, and then Ning Hao suddenly rose up. The unique black comedy added a new type to the domestic comedy market.

Yang Qing's nightclub, as well as the stubborn radish starring Huang Bo before, were all influenced by Crazy Stone.

By the way, Li Qian almost forgot about Stubborn Carrot, it hasn't been released yet.

This movie is mediocre, and Berner is in charge of controlling it. Li Qian just helped to make up for the lack of investment.

Anyway, even if you don’t make money, you won’t lose money. If you can help, it’s really hard for an unknown director.

Go back and ask Huang Bo, at least he invested 200 million.

In addition to vulgar comedies, Beijing-style comedies, and black comedies, If You Are the One is Ma Xiaogang's breakthrough.

The three types of people on Journey are completely different, starting from returning home during the Spring Festival, ending at home reunion, and the stories that happened along the way are the main framework.

It combines many social phenomenon factors such as migrant workers asking for salary, scalpers, cheating and begging, etc., and it has similarities with If You Are the One's keeping up with current events.

For film and television dramas, the sense of substitution is very important, and some social phenomena are also familiar to the audience, so it is easier to substitute into them.

From the inside to the outside, it is mixed with a lot of social status quo, but the overall plot is not at all procrastinated. Every social phenomenon is basically to the point. The only thing that runs through the whole plot is the urgency on the road and the desire to go home. desire.

First of all, it must be a road comedy, with a different type, and its core is completely different from the other three comedies.

The story is straightforward, has nothing to do with black humor, and has nothing to do with bad comedy.

Beijing-style comedy tells stories from the perspective of small characters, focusing on people, while People in Lost Road is based on plots. This is the most fundamental gap.

After chatting, Xu Zheng liked the character of Li Chenggong very much, although it was still tacky as always: a successful middle-aged man who lost his way, was influenced by another simple and optimistic low-level person on the road, and finally got out of his way.

Ordinary roles, well played will be extraordinary.

Xu Zheng readily agreed to take the role, thought for a while and then asked, "Well, Director Li, I would venture to ask, who is the director?"

"I haven't found a suitable director yet, but it is tentatively scheduled to be released in the Spring Festival next year. There is still plenty of time." Li Qian told the truth.

"Is that so..."

Xu Zheng in reality, especially when talking about serious matters with unfamiliar people, is very different from that in the movie. He speaks very slowly, does not try to be funny, and is a little deep.

He hesitated for a while before he spoke again, "Director Li, if possible, can I be the director, and I will direct and act?"

"Oh?"

Li Qian became interested, "Brother Zheng wants to be a director?"

Seeing that Li Qian didn't show any displeasure, Xu Zheng breathed a sigh of relief, and continued, "Actually, I started watching dramas relatively early. I started watching dramas in the freshman year of high school. I watched them since I was a child, so don't be interested in them. After graduating from the academy, I often act in dramas, and even directed a few films myself, but I still want to try to be a film director. I have also studied all the courses of the directing department by myself in the past few years. I hope Director Li can give me a chance. "

Li Qian pondered for a moment, why is this so strange, obviously he was looking for an actor, but the actor wanted to be the director.

It doesn't matter to be a director, Li Qian has no objection, and even if he is really capable, he doesn't mind helping him.

But can he do it well?

It could be seen that Li Qian was hesitating, and Xu Zheng, who had rarely encountered a good opportunity, felt a little anxious.

In fact, if he changed to another company, Xu Zheng would not even say that he wanted to be a director.

But Li Qian successively supported his two assistants to become directors and filmed his career debut, which made Xu Zheng say such a presumptuous idea.

"Director Li, I know I don't have directing experience, but I can learn. Su Lun is preparing her own movie. If your next movie lacks an executive director or assistant director, I want to try."

Ok?

Li Qian frowned. It was no secret that Su Lun was the executive director of Yue Yue, but the only people who knew that he was preparing a new movie were the studio.

"How did brother Zheng know that Su Lun was going to make his own movie?" Li Qian asked indifferently.

Xu Zheng was a little anxious, and didn't pay attention to Li Qian's tone, so he said truthfully, "I also know Su Lun. A few years ago, when she was drifting north, she shared a house with my agent. Later, my agent introduced her. I helped my wife and I shoot two advertisements, and I was in the studio the day before yesterday, and I saw her burying her head in the storyboard, so I guessed it."

It turns out that the capital is so small, and there are people I know everywhere.

Now that we know each other, the noodle maker Lao Hai Hai who played a guest role in Cohabitation in Time and Space has been found, so we can just find Xu Zheng.

It's no coincidence that Su Lun was asked to shoot this film, and it happened that a very brilliant cameo role happened, and the original actor was someone Su Lun knew.

You said it was a coincidence.

In this case, Li Qian also readily agreed, "That's fine, I'll leave it to Brother Zheng to direct and act when I'm on Journey. As for the script of my new film, I can also be the assistant director. There should be no conflict in time."

"Thank you very much Director Li." Xu Zheng said quickly.

"Brother Zheng, you're welcome, but my movie is still early, and it should be later. I'll call you when it's almost time."