I am a primitive

After making the classification, spend time training every day.

After everyone in the tribe can use these two weapons proficiently, relying on the hedgehog-like fence built by Han Cheng, the tribe can be firmly guarded without too many people.

When the time comes, Han Chengcheng can safely and boldly lead people to do some things.

Han Cheng told Wu Youyou about his thoughts, and the two of them naturally nodded in agreement with Han Cheng's proposal.

The witch stretched out his hand like a tree root, groping back and forth on the bow and arrow and the sling, with longing and piety on his face.

He expressed to Han Cheng that he wanted to sacrifice to the gods and thank the gods for protecting the tribe.

In fact, he already had this idea after seeing the power of bows and arrows yesterday, but before he could say it, Han Chengcheng came up with a sling, a weapon that is not inferior to bows and arrows.

Such weapons, having one is enough to keep the tribe strong, and their tribe, because of the Son of God, has two at once!

How can such a thing be done without telling the gods?Even the severe cold of winter couldn't stop Wu's fiery heart.

The second forty-one chapters add drama to the sacrifice - the drum

About how to sacrifice this time, Wu is seeking Han Cheng's opinion.

In the past, Wu would never ask others about it, even if Han Cheng was the son of God.

But things are different now, because the totem pole has been transferred from the inner cave to the house under the assurance of Han Cheng, and the environment is different from before, so Wu is a little uncertain.

After some conversation, Han Cheng figured out what Wu meant.

He wanted to move the totem pole back to the inner cave again, still perform sacrifices in the cave, and wait until the sacrifice was over, and then get the totem pole back into the house.

Because the place inside the room is too small, it is not a suitable place for worship.

But he had never done this before. He was worried that moving the totem pole back and forth would bump into the gods, so he couldn't make up his mind.

If Han Cheng was a real Son of God, he might consider this matter carefully, but he is just a transmigrator wearing the skin of a Son of God, so he is naturally fearless, whatever is convenient.

After getting an affirmative answer from Han Cheng, Wu suddenly became energetic.

While having the cave cleaned up, he was about to have the totem pole removed, but was stopped by Han Cheng.

Han Cheng told Wu that the totem pole cannot be moved so easily, it needs to be coordinated with other things.

Wu has never experienced such a situation before, and the previous Wu did not leave a solution for related matters, so it is only Han Cheng's order to obey.

At the same time, I was also curious about what the Son of God said that needs to be used to cooperate.

What Han Cheng said is a very common thing in later generations, that is, drums.

Adding drama to the totem pole was actually thought of by Han Cheng on the spur of the moment.

First, when the heavy snow fell, people's movements were restricted, and there were not many things to do. Second, he felt that the sacrifices of the Qingque Tribe still lacked a sense of ritual, so he wanted to do something, so he told the drum logically. out.

After saying it, Han Chengcheng regretted it a little, because it was extremely difficult to make a drum at this time because of the lack of tools and materials.

Even if you don't use wood to make the drum body, you can't use pottery instead, because it's freezing cold at this time, and the mud embryo is easily damaged by freezing, and there is no way to fire it.

Han Cheng thought for a while, and found that there was no good solution. He couldn't help sniffling, and scolded himself for being troubled with a wry smile. He could have easily dealt with the past, but now he shot himself in the foot. ...

Han Cheng walked slowly with his hands behind his back, and the cloak made of old sheepskin hung down, moving slowly as he walked.

On his slightly tense face, his eyes turned from time to time, sweeping towards the sides, with prudence in his eyes.

It has the air of an emperor examining his courtiers, or a big man presiding over a court draft.

Of course, the premise is to replace the large and small clay pots, pots, pots, etc. on the left and right sides with courtiers, or cautious and beautiful women...

Han Cheng stopped in his footsteps, and his eyes fell on a small vat that was standing there.

This jar is [-] centimeters high and low, and the diameter of the mouth is about [-] centimeters. It is thicker in the middle and thinner at both ends.

"That's it."

Han Cheng said to Wu and Hei Wa who were following him.

Hei Wa heard the words and stepped forward to take out the jar.

Then according to Han Cheng's instructions, turn the jar upside down, and use a relatively thin and rough stone to rub it back and forth along the bottom of the jar.

After rubbing like this for a while, a not-deep line came out.

This is a very tiring job, Han Chenggong asked Mu Mu to take over Hei Wa's job.

He is better at things like grinding stone tools.

You guessed it right, Han Chengcheng is going to use this vat as the drum body, but the premise is that the bottom of the small vat needs to be removed.

While the wood was dealing with the small vat, Han Cheng went to rummage in the pile of tanned furs stored by the Qingque tribe.

It took a while to find a piece of leather that was not very hairy.

Then let the lame find a wooden stick and beat the leather on the flat wood, which can make the leather softer.

Then let him use a well-crafted stone knife to scrape the leather over and over again to remove the remaining hair, and try to thin some areas that are too thick. This is an extremely time-consuming task.

The bottom of the small vat was not removed until the next day. The craftsmanship of the wood is very good, the bottom of the vat was removed very clean, and the vat was not damaged.

Han Cheng again marked two circles of dots on the wall of the small vat near both ends of the small vat.

Then let Heiwa replace the wood, and carefully drill holes at these points with relatively sharp stones. Be careful not to damage the tank.

These things were not completely settled until three days later.

The leather that has been carefully polished and still has a big gap with later generations was split in two from the middle, and holes were pierced around the leather with bone needles, and a relatively thin rope was tied to these holes at this time .

Han Cheng covered the mouth of the small vat with the leather, passed the rope through the drilled hole, and tied it tightly.

He just demonstrated this matter, and it was done by two lame woods.

The main reason is that it takes a lot of strength and skill to stretch the drum surface, otherwise the stretched drum surface will be loose and the sound of the drum will not be loud.

Drums, gongs, cymbals, cymbals, etc. Han Cheng is no stranger to these things. Many villages there have a set of such things. Every year when the new year is approaching, these bronze utensils will be brought out and beaten.

These bronze wares are all matched with dragon dance, lion dance, spider dance, etc. It's a pity that Murakami's dragon has already been broken...

Of course, these are the scenes of almost 20 years ago. As people went out to make a living one after another and the pace of life became faster and faster, few people touched these things anymore. They have always been in the house of a family in the village dusty...

In order to achieve a better effect, after the drum surface was stretched, Han Cheng took someone out to a place not far from the Qingque tribe to get some pine resin, put it in a small earthen pot to heat and melt it, and picked it up with a twig. At the same time, plug the holes through the rope one by one, and seal the edge of the leather attached to the cylinder wall.

After doing this, a drum is completely completed.