rising director

"Wan Dao, you are Tangren's big boss?"

"Mr. Cai is the boss, and I am the minority shareholder."

Cai Yinong has a good relationship with the actors, and said with a smile: "Director Wan came to visit the filming, you all have to behave well, maybe Director Wan will invite you to make a movie."

After saying hello, Wan Xiaohu called out to Song Hye Kyo who was standing aside and didn't come over: "Song Hye Kyo, Aniha Sai (hello)."

Apart from watching how to make a TV series, his other purpose is to meet Song Hye Kyo.

One of the goddesses of the previous track, naturally you have to take a closer look.

"Aniha Sai, director Wan Xiaohu, I like your film "My Sassy Girl" very much." Song Hye Kyo couldn't speak, but there was an interpreter beside her.

In fact, others don't know that Wan Xiaohu's Korean is already able to master basic conversations, and this is all thanks to Jun Ji-hyun.Speak Korean to Wan Xiaohu when there is nothing to do.

"I also like you very much. Your performance in "Blue Life and Death" is very good-looking. Of course, you are also very good-looking."

"Thank you, I dare not take it."

Immediately, Wan Xiaohu chatted with Song Hye Kyo to show off his Korean proficiency.

This surprised Song Hye Kyo very much, and so did the actors next to her.

"Wan Dao, you can actually speak Korean?" Song Hye Kyo asked in Korean in surprise.Her height is not too high, about one meter, because she needs to be filming, she doesn't wear much, and her body proportions are very well-proportioned, especially this face.Simply flawless.

What Wan Xiaohu admires are all women with natural beauty. Needless to say, Jun Ji-hyun is completely natural, and Song Hye-kyo is also a natural beauty.

"It's normal for me to speak Korean. I worked with Jun Ji-hyun, and she often scolded me in Korean. So I strengthened my Korean learning. Basically, I can understand most of the daily conversations."

The two sang together in Korean, and the people next to them were dumbfounded because they don't know Korean.The translator also came from South Korea, so I was so lazy that I didn't do translation at all.

"I'm very envious of Jun Ji-hyun, who was able to cooperate with Director Wan, excluding such a wonderful movie as "My Sassy Girlfriend". Up to now, this movie is still the box office champion of Korean comedy movies. Many people imitate Sassy Girlfriend Song Mingxi."

"Is the movie still popular now?"

"Yes, it's just me. I watched it three times and cried three times. I'm so sorry."

"Haha, women love to cry. I understand that."

"The main reason is that the movie is very touching."

Wan Xiaohu scratched his hair triumphantly, and suddenly thought of something.Question: "Hehe, is there anyone following "Infernal Affairs" in Korea?"

"Infernal Affairs" itself doesn't make much money at the box office, that is, the mainland and Hong Kong do more, and overseas is not very strong.The total box office was only 2.6 million yuan, and "My Sassy Girlfriend" won 2 million yuan in South Korea alone.

It is very strange that although the overseas box office is not good.However, there is indeed a lot of praise and praise for "Infernal Affairs". The whole of Asia has been affected by ghosts, which makes Wan Xiaohu confused, whether the movie is good or bad.

Song Hye Kyo's answer gave Wan Xiaohu a reassurance: ""Infernal Affairs" is very well received in South Korea. Many people praise you as an outstanding generation of Chinese films. Many media people in our country also sadly said that South Korea Movies used to be suppressed by Hong Kong movies, but now they will be suppressed by mainland movies, they are afraid of you and worship you again."

"Really?" Wan Xiaohu scratched his hair again, "Korean movies are developing very well now."

Chatting with the goddess, soon, half an hour passed, Song Hye Kyo returned to filming, Wan Xiaohu and Cai Yinong sat aside, and continued to watch other people filming.

"Xiaohu, I had a great time chatting with Song Hye Kyo." Cai Yinong teased.

"It's always fun to chat with beautiful women, just like chatting with sister Cai, I am also very happy."

"I found that your mouth is very sweet. You said that there is no one around you. I doubt it."

"Haha, really not."

Wan Xiaohu swears that he is telling lies.

I spent the whole afternoon visiting and filming, and then invited Wu Jinyuan and several leading actors to have dinner together in the evening.At night, Wan Xiaohu and Song Hye Kyo became friends and exchanged mobile phone numbers.

"Song Hye Kyo, I am very optimistic about you, and I will definitely cooperate with you in a movie if I have the opportunity."

"I look forward to the director's call."

"Okay, I'll ask you out for tea when I have time."

"Ah."

At this point, Wan Xiaohu's two-day itinerary in the magic capital is over, and "Bright Sword" has started to operate, so he boarded the return plane and returned to the capital.Continue to live a peaceful life.

However, this life seems to be getting more and more uneasy as "Hero" continues to refresh the box office.

On New Year's Day, the domestic box office of "Hero" broke 12 million yuan. On the 16000th, the box office of "Hero" broke 2002 million yuan, surpassing "Infernal Affairs" to become the 25 domestic box office champion. On the 2.5th, the box office of "Hero" broke through [-] million yuan.Until the end of the new year, the film was released in the mainland, and a total of [-] million yuan was made at the super box office.

It is second only to the Hollywood blockbuster "Titanic" in 98, and has the second highest box office in mainland film history, stepping on Wan Xiaohu's "Infernal Affairs".

"Wan Dao, "Hero" is 2.5 million yuan, and it is being released overseas one after another. The box office is very good. It has created the box office records of Chinese films in many countries and regions. Do you think there is any gap between you and Zhang Yimou?"

"Wan Dao, "Infernal Affairs" came second, are you convinced?"

"Someone said before that you are a business master of Chinese-language films, do you still think of yourself as a business master now?"

"Wan Dao, compared with the real master, where do you think you have lost?"

After the New Year, when Wan Xiaohu returned to the capital, he was often plagued by such problems.When "Infernal Affairs" was released, these reporters flattered them without integrity. Only half a year later, they made "Infernal Affairs" and his Wan Xiaohu the object of ridicule.

"Turning your face is faster than flipping a book!"

With a gloomy face, Wan Xiaohu lost all the good mood for the New Year.

He knew that he was too popular before and offended many people, but because he couldn't find an excuse and didn't speak out, it only showed that everyone was flattering him.But now, this group of jealous people finally found an opportunity, jumped out, and were about to hit Wan Xiaohu in the face.

but.

"Is the old face so easy to hit!"

ps: The third update, please ask for a monthly pass!

0203【The Hope of Chinese Movies】

"I represent a kind of hope!"

"Since the market restructuring of Chinese films in 94, the fourth-generation directors have handed over the right to speak to the fifth-generation directors. In terms of art and people, the fifth generation of directors has conquered domestic films, as well as international awards."

"It is undeniable that the current Chinese film is dominated by the fifth generation of directors. Zhang Yimou and Chen Kaige shoulder the expectations of a whole nation. They shoot stories and condense the background of the times into the four-square screen. They win awards. , they get attention and everything they achieve is taken for granted."

"In 2000, I, Wan Xiaohu, came to invest in my first film, which seemed to be a national director. Someone saw me and said that this was the first generation director, so I turned around and looked for the recognition of the first generation director. In the end, I did not No sense of identity was found."

"The first-generation directors are a more independent group than the fifth-generation directors. They have not experienced ten years of catastrophe, but they have gradually grown up in the major changes of reform and opening up. At a time when the old system is collapsing and old concepts are gradually melting away , the collision and establishment of various new trends of thought, the pain and passion of reform accompanied the growth of the first generation of directors."

"I tried to attribute myself to the first generation of directors, but failed in the end. They were either extremely pursuing the ontology of images, or were paranoid about realism, focused on grassroots people, or firmly followed the commercial route. They changed the country's economy. Little by little changes have been integrated into the bone.”

"In terms of theme selection, they pay attention to the current urban and marginal characters, such marginal people as thieves, destitute girls, and unemployed youths frequently appear in the film; in terms of narrative strategy, they often integrate their own experiences into the characters in the play, more or less Autobiographical; in terms of video style, they emphasize real light, color and sound. Extensive use of long shots forms a documentary style."