I'm not a theatre god

Finally, I have finished writing about the Red Dust Realm~

The second volume is much longer than the first, mainly because this chapter contains too much information. From the time archives revealing the origin of the Nine Lords, introducing the Emperor God Dao; to entering the ancient treasures of the Drama Dao, meeting the master and several senior brothers and sisters; to learning several major secrets; to entering the Red Dust for the third time; to restarting the Jinghong Tower; to the Jiangtian Sect and the Realm War...

Not to mention anything else, the Realm War alone has more than a hundred chapters. After all, it involves so many demigods and so many characters. Even if Sanjiu (crossed out) Erjiu has simplified the story line as much as possible, it still took a long time to write.

If the Aurora Realm in the first volume is the starting point of this story, then the second volume is to expand the entire world view of the story. There are too many things to write. The good news is that the subsequent volumes should not be so long (should! Should!!). If there are, just ignore what I said. After all, once I start writing, I can't control some things... Who would have thought that Li Qingshan and Kong Baosheng, who I was ready to kill, actually survived?

Regarding the theme of the second volume and some things I want to express, it seems that there is no need to write them out deliberately... In short, everyone should be able to feel that the core of the second volume is different from that of the first volume. Compared with the second volume, the first volume will be more desperate, and in the Red Dust Realm, it actually expresses more of the power, family affection, love, and friendship of human beings in despair... In fact, the introduction of this book can distinguish the difference between the two volumes:

Volume 1: In this era, human beings are as small as dust. Volume 2: In this era, human beings are as bright as stars.

Sanjiu does not write in detail here, not because she is in a hurry to write the next chapter, and not because she is worried about being scolded for not updating enough or late tonight...

On the other hand, it is about the experience of integrating intangible cultural heritage such as Peking Opera, Suzhou embroidery, and lion dance (to be written soon) into the story. Sanjiu is actually the first time to try this, and other works on the market rarely involve this aspect. It is actually a very fulfilling thing to be able to integrate traditional culture into the story and let more readers know, be curious, and love it. Some other intangible cultural heritage will appear in the future, but it will not affect the overall reading experience, please rest assured~~

OK, then quickly give a simple preview of the next volume.

In the third volume, some "familiar people" will return (the familiar people here may have several meanings~), Chen Ling will also master some new "plays", and there may be new progress about who Chen Ling is...

The first volume actually mainly introduces the Dusk Society, and the second volume introduces the Dusk Society's top leaders, that is, the ancient Tibetan master of Xidao... Then in the third volume, it's time for the protagonists to appear. In short, everyone can look forward to it~

Being able to read this and finish the second volume shows that you still have some recognition of the God of Play. In order to write a good God of Play, Sanjiu has also spent a lot of effort... When summarizing at the end of the last volume, Sanjiu also said that the story threshold of the God of Play would be higher, but judging from the results, the God of Play is actually not inferior to the God of Killing, which is actually very remarkable... But Sanjiu is still thinking, maybe it can go further?

If possible, I hope everyone can also help promote the God of Play more, and it's OK to play some memes. Sanjiu thanks you here~~

Then, everyone, see you in the next volume~~~