I’m Almost Losing to a Muggle

Lin Dong did not personally invite Zhang Zhijian to join Kleist, but encouraged Wu Tie and Li Jianyi to speak.

He is a young man, and the words he speaks are the faces of capital.

In case someone has a literati backbone, he really can't hold back his face and nod.

The older generation is like this, and they are not completely interested in their own interests.

If it's between other people's old actors, it's called supporting each other.

Zhang Zhijian didn't immediately agree, and he acted in several scenes intermittently, which was greatly appreciated by director Li Lu and screenwriter Zhou Meilin.

Especially Zhou Meilin, said that Zhang Zhijian's performance was better than he imagined.

This character was not created by Zhou Meilin, but by Zhang Zhijian.

Others also looked at this not-so-famous old actor with admiration. They knew that he was powerful, but they didn't know that he could be so powerful.

Zhang Zhijian's acting skills are very good. He has debuted for decades, and his face is not unfamiliar to the audience. Logically speaking, it should not be difficult to be a national first-class actor.

It's a pity that he has acted all his life, portrayed Yan Shifan in The Ming Dynasty 1566, and also played Dong Jianchang in The Righteous Way in the World Is Vicissitudes, but he is still a three-level actor.

Li Jianyi is first class.

Even if netizens take stock of old drama bones, they can rarely take stock of him.

The main reason is that I was so focused on acting that I ignored everything for the sake of acting, and even offended others without knowing it.

It's like buying clothes and glasses out of your own pocket, which is actually quite embarrassing.

In addition, there are few works and being too picky is another reason.

Just like when he joined the crew of Heaven Bureau, he was picky about the trash props of the crew, so he was even more strict about picking the script than the props.

After starring in The Righteous Way in the World Is the Vicissitudes of Life, he was approached with more than a dozen scripts with good quality in one year. He read them one by one and rejected them one by one. The reason is very simple, all the kings and generals, but none can surpass Dong Jianchang.

After acting for a few days, Wu Tie approached him again.

Only then did he agree.

According to Wu Tie, these are all routines.

It was a little too much to visit the thatched cottage three times, so the second invitation was a sign of his self-esteem, and it was too casual to agree in a hurry when he asked.

He did a few plays before agreeing, and that play was for Kleist's people.

It's too hasty to invite me without seeing me acting live. If you continue to invite me after I perform, it means that I got in with my own ability.

As for what to do if you screw up?

In fact, these actors with drama backgrounds don't care much, they don't have to join any brokerage company.

Otherwise, when he starred in 1942, he should have joined Zhongyou Media.

At that time Ma Da had invited him.

But he was only invited once, and I don't know if he misunderstood Zhang Zhijian's lack of interest in Zhongyou Media, or he felt that such a person who has been acting for decades and hasn't made it to the top is not worthy of him speaking twice.

Anyway, Zhang Zhijian was satisfied this time.

Wu Tie invited him twice, and he also recognized Wu Tie's acting skills very much.

It's a pity for each other.

Joining Kleist is good, but not worth the fanfare.

Qian Na came over to talk to him in person and signed the contract. Others didn't know much about it, and no one on the production team knew that this kind of thing happened.

Such an old drama player of the acting school is naturally a 19% share.

Kleist only takes 10%, and will help Zhang Zhijian form and manage his team in the future, and strive for suitable resources such as variety shows and endorsements for him.

Not all variety shows have to be joking.

Now that there are so many old actors in the company, Zhang Jincheng is considering whether to create a new variety show with acting as the core.

Lin Dong asked him to think about it and plan it.

He feels that this kind of program is mainly for actors, and the core is acting, which is something that ordinary people don't understand, so it's unlikely that there are still audiences who like to watch it.

Of course, in terms of starting point, the show definitely makes sense.

Under the banner of rectifying the name of the actor profession, you can tell the public what acting is all about, what is good acting, and how to be good at acting.

Through this program, young people in the circle can also correctly understand their careers, the mission of actors, how to become evergreens, and finally become veteran actors.

So that the acting career will not be faulted like the Xiangjiang entertainment circle.

It also allows those who always feel wronged by being said that their acting skills are bad, to have a platform to appeal.

It's a mule or a horse, just pull it out and you'll know.

Ordinary film and television companies, and even smaller TV stations can't produce such programs, and they don't have that appeal.

Kleist is totally fine.

For example, the judges, if you want actors, I can come up with a bunch of old drama bones with different styles.

Our own company has them, and we can invite others as we please.

If you want a director, it's easy, just call your name, which director you want, Cao Baoguang, or Wang Yingjun, even if you want Zhang Lue and Ma Da, we can invite you.

They will definitely give this face.

If you want academic teachers, Nortel can pick them at will, and there is no pressure to go to the theater or the Chinese opera.

Nortel is Lin Dong's alma mater. He has invested in many projects of Nortel teachers and alumni, but it is not limited to Nortel, and there are also a lot of cooperations with China and Shanghai Opera.

There is also Shen Yu's school.

Another advantage of Kleist is that they cast a large number of movies every year.

Those who participated in the show and were recognized for their acting skills could get roles in the films invested by Kleist, and even directly let the project director come to the guest show and choose people to play on the spot.

You always talk about unspoken rules, we open the audition, let the director personally comment, so that the audience can see it clearly.

In this case, there will be no worries about no one attending the show.

Once again, Zhang Sanpang reached an agreement with Lin Dong, and both felt that this show could be done, although the starting point was different.

Lin Dong thinks he will lose money, and Zhang Sanpang thinks there is a future.

Of course, it's hard to say when the show will be produced.

The three fat brothers will not be able to spare time for a while.

Zhang Zhijian was not the last person to join Kleist. Most of the more than forty well-known actors in Heavenly Bureau were acting school, but very few of them were really invited by Secretary Dakang.

Some acting skills are particularly good, but they are not invited.

Because Lin Dong didn't hint at Wu Tie.

Wu Tie is not a scout, and he is not responsible for helping to find actors in Kleist, so he will only act when Lin Dong gives a hint.

This person who actually intended to join, but did not receive an invitation in the end, and was declined even though he took the initiative to talk about this topic, was Hou Gan.

To be reasonable, Lin Dong had a scene with him, which was really an eye-opener.

No matter whether he looks down on this person or not, he must admit that his acting skills are very great, no worse than those of Zhang Zhijian, Li Jianyi, and Wu Tie.

Of course, in that scene, Hou Gan also tried his best to show Kleist's people what acting is.

Don't you guys want me, then accept my acting skills being trampled on.