Happy Tycoon

Being underground, Yang Jing couldn't figure out what was going on, what was going on, what was going on, what was going on, what was going on, what was going on, what was going on, what was going on, how to go, how to go, where to go, how to go, how to go, where to go, how to go, how to go, where to go, where to go, and where to go.

In the corner of this huge cave hall, there was an opened stone door. Yang Jing walked in holding the lamp, and was immediately attracted by the things inside.

This stone room should be a stone room that has not been used in Wu Zetian's mausoleum. It is not known whether Wu Zetian wanted to use this stone room to hold funerary objects or something else.

The size of the stone chamber is not bad, with a length and width of five meters, and a height of about two and a half meters.

In this stone room, there are no less than twenty uneven stone tablets of different sizes.

Yang Jing moved closer to one of the stone tablets, which was about 1.2 meters high and 50 centimeters wide. Taking a closer look with the help of the light, he felt his scalp start to tingle.

It wasn't that there was something scary engraved on the stone tablet, but that Yang Jing had thought about it a lot, but he really didn't expect to be able to see this tablet in this underground stone room.

The inscription on Master Meng's stele: Watching the husband and the sun at dawn, pointing to the rivers and lakes as if they are running; the huge river diverges, and it tends to be endless. Therefore, there is no end to people.

Yang Jing’s scalp doesn’t feel numb. It’s because these few lines carved on this stele are so famous. This is the beginning of Chu Suiliang’s masterpiece “Monument of Master Meng” written by one of the Four Great Masters of the early Tang Dynasty!

As one of the four great masters in the early Tang Dynasty, Yang Jing knew Chu Suiliang quite well. Yang Jing once saw the information of this masterpiece handed down from some materials about famous ancient calligraphers given by his second master Xiao Lao.

The full name of Master Meng's Stele is The Stele of Master Meng, Master of Zhide Temple in the Capital, inscribed in the official script of the Tang Dynasty, written by Tang Cen, and written by Chu Suiliang. It was carved in the 16th year of Zhenguan, and the stele was lost. .”

This is introduced in the materials, which means that Li Shimin, who loves calligraphy, ordered Cen Wenwen to write an article on Monument of Master Meng, and then asked Chu Suiliang to write it, and finally carved it on the stone tablet. However, that stele has long been lost, and what remains now is only the Tang Dynasty rubbings of Li Zonghan in the Qing Dynasty.

Just this rubbings of the Tang Dynasty preserved by Li Zonghan is already a national treasure, not to mention the original inscription of Monument of Master Meng. If that thing can be found, it will definitely be one of the most precious cultural relics.

And what the hell is this stele in front of me? Is this inscription really the original inscription of Master Meng Stele?

Yang Jing has never seen Li Zonghan's Tang Dynasty rubbings, but from this inscription, Yang Jing can clearly feel a burst of atmosphere. The front and back sides of the stele are engraved with dense handwriting, but even people who don't know calligraphy can find these handwriting very comfortable. This is definitely a stele inscription by a famous master.

If this inscription is real, it is very important.

Without further ado, with a flick of his left hand, the holy ring immediately gave the answer Yang Jing wanted.

The Stele of Master Meng, Master of Zhide Temple in the Capital, Chu Suiliang, Cen Wenwen, Zhao Dashi, 642.

Sure enough, it is the authentic product of Monument of Master Meng!

Yang Jing couldn't help but smile. The answer given by Shengjie is impossible to be wrong. The Monument of Master Meng itself is a masterpiece handed down by Cen Wen and Chu Suiliang. As for that Zhao Dashi, he is probably a stone carver. And the year of 642 coincides with the year of this inscription.

National treasure! Yang Jing happily reached out and flicked it again, and the stele was immediately put into the storage space.

The first inscription is such a good treasure, Yang Jing can't help but look forward to the remaining twenty or so inscriptions.

The second stele continued to make Yang Jing's heart beat wildly, because this stele turned out to be an inscription by Ouyang Xun, the head of the Four Great Masters in the early Tang Dynasty, and this stele has no historical records. sensational.

Ouyang Xun is Chu Suiliang's calligraphy teacher! That reputation is not ordinary.

Although the third inscription is not big, with only more than a hundred characters on it, it is also incomparable. It turned out to be the authentic inscription of Changfeng Tie by Liu Gongquan, the sage of calligraphy written by Wang Xizhi.

The appraisal result of the fourth inscription almost caused Yang Jing's heart to stop, because the handwriting on this inscription was actually written by Zhong Yao, and it was Zhong Yao's lower case!

Who is Zhong Yao? It is estimated that there is no one who studies calligraphy in China who does not know the name of this great master.

Zhong Yao was a famous calligrapher and politician of Cao Wei in the Three Kingdoms period. He was good at seal script, official script, real script, script script and cursive script. The originator of regular script.

Calligraphy sage Wang Xizhi's calligraphy enlightenment teacher was Wei Shuo, a famous calligrapher in the Jin Dynasty, also known as Mrs. Wei, and Wei Shuozheng's teacher was Zhong Yao. Therefore, in terms of seniority, Wang Xizhi is Zhong Yao's disciple.

Zhong Yao has a very high status in the calligraphy world, and he is called Zhong Wang together with Wang Xizhi, and his ranking is even ahead of the calligrapher Wang Xizhi.

This stele is a bit incomplete, and a corner is missing, but the content of the stele is not missing. This inscription is Hedong Lun, which has never been recorded in history, but the answer given by Shengjie is undoubtedly Zhong Yao's work.

The value of these four inscriptions alone is inestimable, especially if this kind of inscription is written. Looking around the world, as long as it is a cultural relic with characters, its value is much higher than that of cultural relics of the same age.

And these inscriptions definitely have a huge role in promoting the study of the culture of the Tang Dynasty and before the Tang Dynasty, so the value of these inscriptions is no worse than that of the calligraphy and paintings of the same period.

In addition to these inscriptions of everyone, there are other inscriptions from the Wei, Jin, Sui and Tang Dynasties. For example, the famous calligrapher Xue Daoheng of the Sui Dynasty's Er Zhu Chang Stele and the inscription of Shanxing Fu by Wang Kuang of the Eastern Jin Dynasty. It is worth mentioning that this Wang Kuang is Wang Xizhi's biological father.

In addition, there are also the inscriptions of Xinyue Tie by Wang Huizhi, the fifth son of Wang Xizhi, the inscription of Wei Zhi Zhou's Funeral Worship by Xie An, a famous scholar in the Eastern Jin Dynasty, the inscription of Xi Hu Wen by Huan Wen, a power minister in the Eastern Jin Dynasty, and the famous seal script in the Tang Xuanzong era. Li Yangbing's inscription Three Tombs in seal script - it is worth mentioning that the remnant stele of Three Tombs that exists in the Forest of Steles in Xi'an is a re-engraved version of the Song Dynasty.

There are more than 20 inscriptions, large and small, although they are all national treasures, but after admiring so many inscriptions in a row, even though these inscriptions are precious, Yang Jing has become a little numb.

And in the middle of these inscriptions, which is the inscription that Yang Jing admired last, unexpectedly gave Yang Jing, who was a little numb, a big surprise again.

Xizhi paused his head: the extreme of mourning, the tomb first and then the torment, the pursuit is so cool, the admiration is destroyed, the pain pierces the heart and liver, the pain is do nothing! Although it is repaired, it has not been run, the grief is getting deeper, do nothing! Feeling choked with paper, I don't know what to say! Xizhi paused.

This inscription with extremely beautiful cursive script turned out to be Wang Xizhi's Sangluan Tie!

And the answer given by Shengjie also confirmed Yang Jing's guess.

The inscription of Sangluan Tie, Wang Xizhi and Hu Meng, 356 years.

Needless to say about the inscription, the author is Wang Xizhi, let alone that. As for that Hu Meng, he is probably a stone carver. And 356 AD happened to be the 12th year of Yonghe in the Eastern Jin Dynasty.

When Wang Xizhi wrote Sangluan Tie, it was because Wang Xizhi's ancestral tomb was destroyed again and again, but he couldn't run to repair the ancestral tomb, so he wrote a letter to express his helplessness and grief. Not only in the Han Dynasty, but even in the Eastern Jin Dynasty with the Shuangxiu of Li and Xuan, this was extremely painful and intolerable.

According to this situation, historians judge that the time when Wang Xizhi created Sangluan Tie should be in August of the 12th year of Yonghe in the Eastern Jin Dynasty, that is, in 356 AD.

The earliest surviving Sangluan Tie in the world is a copied version from the Tang Dynasty, but it is kept in the hands of Xiao Japan. It should be that Japan brought back Japan from the Tang Dynasty when the Tang Dynasty sent Tang envoys.

As a result, even a copy from the Tang Dynasty is now a rare treasure.

And now I have discovered the inscription of Sangluan Tie, which is obviously a hundred times higher than the Tang copy. As long as this inscription comes out, Huaxia will no longer have to worry about the copy of the Tang Dynasty.

What's so great about your little Japan? What you collect is just a facsimile of Tang Dynasty. Let's see what we have here? This is the authentic stele inscription of Sangluan Tie written by Wang Xizhi, who is serious about the Eight Classics!

These inscriptions, especially the last inscription of Sangluan Tie, are really an unexpected harvest.

Yang Jing reckoned that these inscriptions should all be given to Yue Chengzi by Li Congke, or some of them were collected by Yue Chengzi himself. After all, judging from the two stone tablets before, this Yuechengzi still liked the inscriptions very much, and he even explained his funeral through the inscriptions.

A Taoist who likes inscriptions so much, under the circumstance that he won the trust of Li Congke, the emperor of the late Tang Dynasty, will inevitably collect some inscriptions wantonly.

Historically, there are almost no inscriptions from the Wei, Jin, Sui and Tang Dynasties that have been completely preserved, and even the incomplete steles are extremely rare. However, because Yuechengzi left these precious inscriptions in this mausoleum, they have been preserved intact for more than a thousand years!

As the saying goes, There is God's will in the dark, every grass and tree has its own destiny, and every drink and peck is free. If Yue Chengzi didn't like inscriptions so much, and if he didn't keep all the inscriptions in his collection with him for burial, it is estimated that these inscriptions would have disappeared in the long river of history, and the inheritance of the Chinese ancestors would be missing a very exciting part.

Yang Jing suddenly felt that this Yuechengzi was really the noble person he was destined for. Not only did he get the legendary Jade Seal, but he also gained so many precious inscriptions. Could it be that this Yuechengzi owed himself a lot in his previous life when he was alive? money? That's why he repaid himself in this way after a thousand years?

I can't tolerate Yang Jing not thinking this way, the harvest tonight is really too great, so much that Yang Jing himself is a little suspicious.