God Descends the Second Element

"The **** master teacher is really humorous, but please don't joke casually during the meeting."

Uematsu Minako said with a reluctant smile, Wang Hao shrugged his shoulders indifferently, with a helpless expression on his face: "I'm not kidding. Anyway, please read this document first before we discuss it. Thing."

"Well, please wait a moment for the **** master teacher. If this script is really excellent, then I am willing to give the script creation job to the **** master teacher.

Although I think that the role of screenwriter is more suitable for you than me, because you are the original author of this work, I believe no one is more familiar with this work than you. "

The man who was talking was a slightly thin man with a shiny 37-point hair, and he looked like about 27 or so. During the speech, he gently pushed the black spectacle frame, matching the stubbornness of his chin and his face. The serious and indifferent expression makes people feel like a programmer who has worked overtime for three days and nights. At this time, his face has lost his smile.

Wang Hao remembers that the other party’s name is Seiichi Kubo, who is responsible for the script creation and some other tasks of this project, as well as the responsibilities of the screenwriter.

The name Seiichi Kubo is very well-known in the industry. Even Wang Hao had heard of it before he came. The other party completely relied on his own strength to create many excellent scripts. At present, he is regarded as one of the gold medal screenwriters in the industry. One.

The role of the screenwriter is to concretize the requirements of the producer, director, and script coordinator into words that can be interpreted. It is very difficult to achieve this. It can be said that the script of a work is the most important part of the work. Over.

Scripting can be said to be the foundation of the work, and painting is the soul of the work. At present, many bad films are saved by relying on scripts, but painting cannot do this.

And there are a lot of things involved in the animation script.

Simply put, after the text is written, it must be drawn into a picture, but it is not a real animation artwork. It is just a series of small pictures, which draws the characters, story locations, camera angles, and dialogues that appear in each picture in detail. The content, the timing of the screen, what actions were done, etc... Then there are a lot of things to be done next.

It can be said to be troublesome and troublesome. Most people don't have the confidence to take over script creation, not to mention Wang Hao, who has no experience.

But Makoto Kubo just said that Wang Hao is more suitable, and he has his own unique reasoning, and Wang Hao also knows this.

Why did Xu Yuanxuan, Ma Zhijun, Maruto Fumiaki, and Xin Haicheng look so good as screenwriters in the previous life?

Because before the "screenwriter", they have a title called "original", that's all.

That's right, as Seiichi Kubo said just now, Wang Hao is the person who is most familiar with Second Five in this world, no matter how it looks.

When most authors create their works, they have already regarded their works as their own children. How can normal parents have children who are not familiar with them?

What's more, before Wang Hao wrote the second five, the ancient book in his mind has taken him to the world of five centimeters per second and experienced it deeply. Although the time passing by the outside world may only be a short second or two, he is true. Spent a long time in another world, this is not to be done.

Wang Hao guessed that his ability to gradually become so mature is absolutely inseparable from the magical function of ancient books. Otherwise, no matter how strong his adaptability is, it is impossible for him to undergo a radical change in his personality in a short period of time.

Of course, it’s not just ancient books that drove changes in one’s personality. There are also reasons why the memory of oneself and the predecessor began to assimilate. The surrounding environment is also very important.

The script prepared by Wang Hao this time is a text script, which he took the time to work hard to complete recently, and the weight is also very large. Everyone has a thick stack of them. This is only a text script.

After confirming that the text script is approved, Wang Hao will start to change the text script into a picture.

The atmosphere in the conference hall was very quiet, and nearly forty minutes passed. While everyone was reading the script, Wang Hao, who was idle and had nothing to do, was also responsible for serving the thirsty people with tea and water.

An animated meeting is generally normal for about four or five hours of conversation, and some even talk and discuss for most of the day. Wang Hao is also a temperamental person, and of course he has no complaints about this.

After a few more minutes, everyone put down the files in their hands one after another, and looked at each other, they could see the shock in each other's eyes.

Makoto Kubo rubbed his eyebrows lightly, and then slowly raised his head to look at Wang Hao who was drinking tea leisurely. Finally, there was a rare wry smile on his staid and serious face: "This time the second five screenwriter's duty It seems that I don't need to worry about it."

"Wait! Kubo-san, are you kidding?"

Shinnosuke Kawaguchi looked at Seiichi Kubo~www.NovelMTL.com with a stunned look, but he couldn't believe it, but Yuichiro Takami next to him grinned bitterly: "Actually, I think I saw the character design of the **** master teacher. In the future, I may not have to worry about the role of art supervisor..."

Hearing the words of Makoto Kubo and Yuichiro Takami almost surrendering, Michiko Yoshida couldn't sit still on the bench and frowned slightly and said: "I admit that the script creation and character design of the master teacher are very good, but Screenwriters and art supervisors have to do more than just these. For example, creating storyboards, art boards, etc. are indispensable. Isn’t it a bit too sloppy for you to give up so easily? If you really don’t want to, you yourself ask for a change like the above People do too."

"Yoshida-san, are you questioning me and Takami-san?"

Hearing that, Makoto Kubo showed a sneer on his face anyway, before waiting for the other person to answer, he continued taunting: "Women are really big-chested and brainless, with long hair and short-sightedness. It seems that the ancients don't deceive me.

If I just read this script and character design, I would naturally not hand over the role of screenwriter easily, but you should know that the recent comic book called "Dragon Ball" in the weekly jump was also from the hands of the **** master teacher?

Let’s not discuss the plot content of "Dragon Ball", but "Dragon Ball" is really excellent in terms of storyboarding. Even I am ashamed of this.

In addition, the second five manga version was also written by Shiina Mashiro, and the **** master teacher was responsible for providing the script. Finally, the two people completed it together, and the matter was so popular that it appeared on the international news.

There is no doubt that the painting skills of the **** master teacher have reached the point of perfection! Do you still think the reason I gave is sloppy? "

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