Disaster Artist

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"Card!"

Lu Qian, ended the filming of this scene, but the entire crew was still silent, not even trivial sounds, and everyone remained the same.

Not just Renault.

Others are no exception, no one has a fluke mentality, "it would be good if it passed this time", "the most difficult and tormenting part is finally over".

In fact, everyone is thinking about reviewing, "what needs to be adjusted in the shooting just now" and "how should I improve myself if I start over again".

and so on.

When outsiders see it, they will definitely not be able to understand the scene in front of them. Obviously, everyone has experienced so much pain and suffering, so why continue to enjoy it?

In this regard, Renault has this to say:

Because of Lu Qian.

Because Lu Qian leads by example, during the working period of the crew, he devoted himself to the creation wholeheartedly, and the average sleep time is only two or three hours a day.

Because of Lu Qian's talent, the film has a new vitality in his hands, and the process of inspiration collision is like magic is born in front of him.

Someone once commented on the workplace like this. The style of a leader determines the tone of the entire department:

If the leader is practical, then the entire department also tends to focus on work; if the leader is single-mindedly flattering and taking shortcuts for promotion, then even the interns in the department think so; Department members are also not too active.

The same goes for film crews.

The entire crew went up and down, all eyes focused on Lu Qian.

From the preliminary preparation to the rehearsal process to the actual shooting, Lu Qian has always been the core of the crew, and even the publicity of "Raid 2" and the launch of the Echo have been sidelined. All his energy and focus are poured into this work. The charm is like a trickle, bit by bit, injecting vitality into the crew.

On Lu Qian, they clearly felt one thing:

Creation is painful, struggling and difficult, but at the same time, it is also beautiful, colorful and splendid, and full of vitality.

The scene of One Shot in the End is always challenging the limit in all aspects. All the departments of the entire crew are no exception. In front of the camera, behind the camera, outside the camera, inside and out, even with One Shot to the end. Wei Dongmang and Li Jianan, who are not directly related, are no exception.

But they are so sweet, all twisted into a rope, firmly united, and there is only one thought in their minds:

The director has a grand blueprint in mind, how should they achieve it? Should I use my own inspiration and talents to collide with sparks to make this blueprint more magnificent and perfect?

As long as they are united around Lu Qian, as long as they contribute their part, as long as they still believe in movies and images, they can light up the light of their dreams.

Day and night, they stay up all night fighting together; moment by moment, they work hard together and really become part of the movie.

This is the most beautiful and moving.

Because Lu Qian is telling everyone with practical actions that movies are indeed a kind of magic.

Some people still remember the time when "Deadpool" was just started, the "pseudo-one shot" completed on the viaduct, Lu Qian had already passed the shooting, but was shot by Su Ziyi, Su Ziyi argued with reason, and Lu Qian Qian started a heated debate because Su Ziyi thought there was room for improvement in the picture.

At that time, most of the crew couldn't understand Su Ziyi, one or two showed a hellish expression, and they couldn't believe Su Ziyi's actions.

But now?

Most of the crew are calming down and thinking about the same question, just like Su Ziyi, and unconsciously they are becoming each other.

Even Renault is no exception.

He has been rolling around in Lanchuan for too many years, coming and going, ups and downs, he has experienced too much, and he has become an old fried dough stick.

What dreams, what hopes for the future, in his opinion, has no meaning, only the interests are real, and only what he holds firmly is real.

Now, however, Renault is a little more uncertain.

Perhaps, stalking Lu Qian and sneaking up to the door was the most correct decision in Renault's career.

Renault wants to do better.

In this scene, Renault hopes to be better, neater and smoother. If he can, he hopes to do it again. He believes that he can perform better.

As absurd as it may sound, Reynolds really thinks this way:

do it again.

I'm afraid, Renault is not the only one.

As a result, the entire crew was silent, everyone was reviewing and reflecting, everyone was running their brains, and everyone was feeling inspired.

So, what about Lu Qian?

One after another, the people who were immersed in their thoughts came to their senses, and then they found the silence of the crew, and still no one broke the silence.

The line of sight, in twos and threes, was projected towards Lu Qian.

Lu Qian is watching the replay.

Brows furrowed.

It is really too difficult to shoot in one shot. Every link is very important. Deviations in any link may show different effects. Even Lu Qian cannot firmly control all the details. .

At the same time, the one-shot shooting is simply burning money, and one shot will burn money once, so Lu Qian must make a more reasonable assessment of the entire shooting work.

Some scenes need to be retaken and must be shot to the end.

Some pictures do need to be retaken, but they can be taken out separately and shot with a rocker camera or a Wia or a professional stand-in.

Finally, how to arrange and combine, and how Lin Hanzhou should carry out post-production, all of these need to be integrated in his mind.

After the filming was interrupted, Lu Qian signaled that the crew could relax and rest, while he himself needed to re-examine the monitor, correspond one by one with the doubts left in his mind during the filming just now, and then make a judgment.

The crew, someone started to act.

Su Ziyi went to Bai Cheng for the first time. He noticed that the "House of Flying Daggers" bridge section in the middle, the light and shadow settings and the building position should be able to make some adjustments.

An important point is that Deadpool's suit is dark red, and when it enters the dark environment ~www.wuxiaspot.com~ is not conspicuous. How should they make the audience pay attention to Deadpool without changing the color? Moreover, the picture can't be completely black, otherwise the pitch black can't be seen at all.

In this regard, they can adjust through post-production, of course; but on the set, when the actual shooting, what else can they do?

Su Zi immediately got busy.

Chen Ziyang was no exception. Although his back was sore at this time, and the muscles from his shoulders to his waist were stiff, he did not rest.

Anyway, in the current state, neither standing nor sitting, it is estimated that lying down is uncomfortable, so it is better to take the opportunity to complete the work.

Chen Ziyang asked around, and then walked towards the second group. He needed to have a face-to-face talk with Chen Mu. The more he explored, the more he realized his inadequacies.

The crew has gradually recovered, but it seems that everyone is busy with their own, an atypical crew, sure enough, very deadpool.

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