Disaster Artist

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In the studio, swords, lights and swords were changing rapidly, and anyone with a discerning eye could see that Gu Qingyuan came prepared today. Things were obviously not that simple, and it might even trigger an earthquake-like chain reaction in Lanchuan.

Outside the studio, the wind was calm and the waves were calm. Jiang Haowen was sitting in the carriage, secretly glanced at Ning Ye from the corner of his eyes, and then quickly looked out the window. He regretted it now, he should have chosen the passenger seat.

As long as Lu Qian and Gu Qingyuan talked indoors, they sat in the carriage for as long as they waited patiently. Although Jiang Haowen was mentally prepared, it was one thing to stay in the carriage for an hour. It's another thing to stay with your big boss for an hour—

Jiang Haowen had no objection to Ning Ye.

In fact, Ning Ye is a very young leader, unlike the CEO of a film company, more like a young man in a technological innovation company.

Usually, Ning Ye's style of doing things is very relaxed, whether it is in the workplace or in personal time, and the internal environment of Damen Films is also cheerful, but the boss is the boss, after all, he is not an equal friend.

What's more, two people plus a "silence is golden" driver are crowded in a narrow compartment space, and all the topics that can and cannot be discussed are filtered out, and then only embarrassment remains. Anxiety is slowly creeping in.

They are waiting for the land dive.

Obviously, coming to the studio to visit the studio today is not a sudden and friendly act, but an organized and planned initiative to approach, but if it is too formal, some things are too serious and grand, so there is such a friendly visits but avoid formal meetings—

Damen Films wants a piece of the pie.

The matter was somewhat close to Gu Qingyuan's guess, but not exactly the same.

First of all, it is indeed related to the cinema, this is the part that Gu Qingyuan guessed right.

The move of "The Woman Who Left" to be released simultaneously in theaters and streaming media has really touched the cake of the theaters. It is conceivable that the theaters will never sit still, and Blue Whale Pictures will face turbulent waves in the future—

It may even be a joint boycott of theaters.

In terms of theaters, they are tough and domineering, and refuse any negotiation at all. The only solution is that Blue Whale Pictures cancels the plan to release "The Woman Who Left" simultaneously, either in theaters or on streaming media. Of course, if only On streaming, that means the film is out of awards season.

According to regulations, all works competing for the awards season must be screened in Lanchuan for at least two weeks. Note that it is not necessary for other cities to be in Lanchuan. The Sichuan Cinemas still do not have the qualifications to sign up for the major awards ceremonies.

reason?

To a certain extent, it can be regarded as a clause of Lanchuan’s film industry’s mutual assistance, and in essence, it is a move of Lanchuan’s hope to support local theaters. Of course, these clauses were formulated half a century ago, in line with the The current situation may not have kept up with the development of the times, but different film critic associations and different academic factions have not revised the regulations.

It is precisely because of this that the awards season led by the Golden Book Awards and the Golden Sparrow Awards is one faction, while the three major film festivals are considered to be another faction.

All in all, the theater chain has a tough stance, there is no room for maneuver, and they have made their position clear, threatening Blue Whale Pictures to make a choice, and the matter is as simple as that.

This is indeed a serious crisis, and large film companies including Lion Films will not stand on the side of Blue Whale Films. After all, streaming media platforms have nothing to do with them, which also means It is impossible for Blue Whale Films to expect the solidarity of allies.

In the eyes of outsiders, Damen Films, which has a series of close cooperation with Blue Whale Films, should be impatient. This is a natural guess.

Secondly, Damen Pictures really needs to face up to the suppression and resistance from theaters, but Ning Ye is going to do the opposite. He is not here to put pressure on Lu Qian, but to support Lu Qian—

Take a share.

In Ning Ye's view, Lu Qian is not the only smart person in Blue Whale Films. It is impossible for them not to have anticipated such a situation. What do you know? The furious reaction of the theater chain was not unexpected at all.

Therefore, Blue Whale Films should have made preparations before announcing the release plan of "The Woman Who Left", and may even have prepared a series of follow-ups.

Logically speaking, Damen Films is the same as other film companies. They have no plan to build a streaming media platform, so they should be on the same side as the theaters. Otherwise, if they offend the theaters, the works under Damen Films that are waiting to be fed will suffer. , but Ning Ye has a different idea about it.

Don’t forget that Damen Pictures has never had their own distribution channels, and they have suffered a lot; they even tried to sit down and negotiate with the theaters through Streamer Pictures, seeking cooperation, opening up the situation for their next development, and groveling at the expense of their interests Show sincerity.

This matter is also the most important thing that Ning Ye pays attention to after taking office.

However, how did the theaters respond?

Arrogant, high-minded, arrogant, tough, and even joined forces to sing double **** to tease Damen Films, not only intending to tear a piece of meat from Damen Films, but also preparing to let the upstarts like Damen Films, who are still inexperienced, take a good look at the old giants The elegant demeanor is purely a lesson.

In the end, one shot and two parts.

In fact, an important opportunity for Damen Films and Blue Whale Films to launch an all-round close cooperation is that Damen Films once again got shut down by the theaters.

Now, theaters need to unite, they need to unite with film companies to suppress the rise of streaming media, but what is even more absurd and ridiculous is that the theaters did not treat Damen Films in particular to please Damen Films, but thought Damen The film industry will of course be on their side—

The theater chains are still the first to seek support from Magic Pictures and Streamer Pictures.

These industry giants have no plans to develop streaming media at all. It is conceivable~www.wuxiaspot.com~ They stand on the side of the theater chain and maintain a successful model for a whole century. This is not a question that needs to be discussed at all. .

As for upstarts like Damen Films and old people like Qiyang Media, the theater chain alliance didn't bother at all, and took it for granted that they would continue to uphold the "traditional rules."

In other words, even now, even facing a fork in the road of the times, Damen Films still has no right to speak in front of the theater alliance.

Regarding this, Ning Ye asked back: Why?

As far as Damen Films is concerned, if they continue to maintain the traditional model of theater releases, they will not see the benefits and benefits. At least, it is not what Damen Films expected. After all, the cake has been divided up by established forces. These rising stars and new forces can only carve up some corners, and it is impossible to get the big head, let alone the strawberry on the cake.

In fact, we can make an assumption here. Damen Pictures chooses theater chains to take this opportunity to open up channels and establish the distribution channels they dream of. So what is the price?

The answer is not complicated.