Disaster Artist

Classics are called classics because of the profoundness and complexity of the spiritual core, which can often break free from the shackles of the times and bring continuous thinking.

Always see, always new.

Lu Qian vaguely remembered that when he first watched "Meet Hate Late", he was not particularly touched. He did not deny the excellence and beauty of the movie, but he did not have the kind of sigh and resonance that came to his face, he just sighed. , Is there really that kind of pure emotion in real life?

However, watching it again, the whole feeling and experience has quietly changed. Could it be... this is the power of classics?

Regarding "Meet Hate Late", many viewers have expressed that the emotions described in the story are undoubtedly beautiful and moving, but does it also prove one thing:

Human beings are always fond of the new and dislike the old. "What is not one's own is always the most beautiful", "What is not available is always in turmoil, and what is favored is always fearless".

It is not a condemnation, but a kind of inquiry, a kind of introspection, a kind of analysis.

In this regard, Lu Qian does not object, but does not think it is completely correct.

In fact, it is a boring thing for anyone to repeat themselves mechanically, so what is more than just love? The same goes for day-to-day work, where simple assembly-line work aside, non-creative work is repetitive.

day after day.

One year, another year.

Over time, the numbness and stiffness that comes with habit can be a challenge for everyone.

Life is no exception.

Whether it’s a couple/couple life or parenting routine, it’s not every day that there are surprises and fun, but more often it’s a calm repetition.

It's a lack of change rather than dullness.

It is precisely because of this that human beings are always "contradictory". On the one hand, they yearn for calm and peaceful, and on the other hand, they cannot control the urge to explore the unknown.

Just like the future, while resisting the arrival of the unknown, at the same time looking forward to the unknown changes, and anxiously heading towards the coming tomorrow.

Faced with such contradictions, everyone has their own way of dealing with them, and there are no two leaves that are 100% identical in the world.

Similarly, this is also the root of the contradiction between "love" and "marriage"—

Love is exploring the unknown.

Marriage is to remain stable.

Day after day, immersed in a peaceful and trivial daily life, you are drowned and swallowed in a blink of an eye, and you naturally begin to crave adventure and excitement, breaking the peace.

But the contradiction lies in the fact that after the ups and downs and the turbulent life, I began to yearn for a constant and calm ordinary daily life.

Over and over again, like reincarnation.

No wonder some people say that life is all about experience. Only by experiencing different possibilities and trying different challenges can you determine your own thoughts, and then truly embrace your own destiny, whether it is peace or adventure, whether it is turbulence or daily life. , can face it calmly.

"It's too late to meet each other", Xiao Xiao tore a hole in his daily life, explored different possibilities, and then stopped after a brief taste, and reined in the reins before the order was disrupted.

This is undoubtedly brilliant.

But what Lu Qian really likes is the setting of the movie:

The respective marriages of the two protagonists are fine, perhaps lacking in passion and sparks, but there is nothing wrong with avoiding marital problems becoming a distraction.

In this way, the film can really focus on the emotions that the two protagonists have developed, and then discuss love and marriage.

Make a bold assumption—

If the two protagonists choose to elope at the end of the story, can they really be happy? Could their union really be the perfect marriage?

not necessarily.

The two protagonists, or what the audience imagined, is a "possible" that has never happened and will not happen. Naturally, they do their best to superimpose all the beautiful visions on the happy and happy life of the two protagonists after their elopement, but It's like the "happy ending" in a fairy tale.

Real life doesn't exist.

After the princess and the prince are together, they also need to face the daily life of firewood, rice, oil, salt and trivial matters. "Marriage" is just another beginning.

Therefore, it comes from love, knowledge comes from propriety, and then, stop.

That way, it's better.

Because both of them can hold a "future that didn't happen" as their thoughts, and they can pin all their beautiful imaginations in the depths of their souls.

After watching it again, it turned out to be quite different. Lu Qian's love for movies has risen to a new level, and he has different ideas about the script he is writing.

Perhaps, deep down, he was cruel—

He thought he believed in marriage, but now it seems that he doesn't.

At the end of the movie "Love", Lu Qian asked the two protagonists to choose the perfect ideal partner in their imagination, just like the encounter between a prince and a princess in a fairy tale, they both thought that they could have a perfect and happy life from now on.

But Lu Qian knew that, in fact, this choice also meant the beginning of the collapse and destruction of the dream bubble, because the new perfect marriage in their minds did not exist.

Everything is just imagining, the new marriage will still hit the rocks, and the same situation will still be encountered after going around. At that time, they will despair:

Because they gave up the love they once chose, they also gave up on themselves; in the end, they chose a perfect image that they imagined. As a result, not only did the marriage collapse, but the love they once believed in has completely disappeared along with that choice.

This is true despair.

It's like "tourist" and "lover". UU reading www.uukanshu.com

Although they both chose to stick to their marriage in the endings of the two movies, Lu Qian has already revealed all the ugliest parts of their marriage relationship. Even if they return to marriage, they all know that they will never go back. .

So, should Lu Qian be "kinder" when filming "Love"?

The more beautiful and moving the "perfect image" in that fantasy, the perfect lover, the perfect marriage, and the perfect life, when the dream bubble is burst, the more cruel it will be.

Maybe, "Love" should be filmed as a soft sci-fi fairy tale filled with pink bubbles, hiding all the bitterness and sadness, pain and struggle in pink marshmallows, and then, when the ending arrives—

Ruined.

Thinking of this, Lu Qian was a little excited.

That feeling... It's like taking a vacation on the beach, building a magnificent castle and killing everyone else on the beach.

Then, with a slight push, it's all destroyed.

In fact, deep down in their hearts, they all know that this is a sand castle, and sooner or later it will disappear without a trace when the waves hit and the wind blows; but the reality is, even so, they saw Lu Qian overthrow the castle with his own eyes. At that time, the fear and shock were indescribable.

Slowly, the image style and story outline of "love" took shape in my mind.

really!

He still likes movies. Classics are re-watched, often watched and often new.

"See you late", it was over, the subtitles slowly moved up, the lights in the projection hall did not turn on, and Lu Qian seemed to see a familiar figure.

Wait, is that Su Changting? Moreover, he is not alone, the person next to him seems to be a... woman?

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