Disaster Artist

The production of "Deadpool" has entered the final quarter, but the difference from the previous three quarters is that Lu Qian needs to hand over the initiative.

Because in the final stage, the initiative should be in the hands of the corresponding professionals, and Lu Qian is responsible for putting forward ideas and requirements, and then letting go:

Sound engineers, colorists, soundtrack artists, etc., and of course, editors.

Lin Hanzhou is indeed talented, but his biggest shortcoming is his lack of experience.

Therefore, when each work enters the editing stage, Lu Qian needs to conduct a lot of communication with Lin Hanzhou, and try to avoid his own influence on Lin Hanzhou. to complete the creation.

The difference between "Deadpool" and all previous works is that its editing context is not hidden in one shot, but in countless shots.

It's like sorting out the spools of thread. Eight or ten spools of thread are all piled up together. Before starting the arrangement, you need to determine a main thread, but looking at the "disaster" that is chaotic in front of you, this is obviously not an easy task. matter.

Communication is a problem.

No matter Lin Hanzhou or Lu Qian, both are stubborn characters. If you don't pay attention, you may get into trouble and insist on doing the right thing.

People are like this. Once they believe that they are right, other voices will no longer be heard, and they will habitually enter their familiar routines.

Breaking the shackles and breaking the routine has never been easy. It is true for everyone, and even more so for artistic creation.

Between you and I, there was a deviation in communication, and then Lin Hanzhou turned and left.

But Lu Qian couldn't give up.

He can't be angry or throw the table, he needs to stay calm, he needs to communicate with Lin Hanzhou, and although it's not easy, he still needs to finish it.

Each part of the Blue Whale Studio has two creative spaces, one indoor and one outdoor, to ensure that when the production team encounters bottlenecks or difficulties, they can find a small space for themselves to relax their thoughts and find inspiration again .

Nominally, the space in front of you belongs to the editing studio, but that doesn't mean only the editing team can come here to relax.

Other busy teams at Blue Whale Studio can come and relax if they want, as each creative space is designed with a different concept, with the core goal of sparking a storm of inspiration.

Of course, the current design is still relatively single-dimensional and single-line, not perfect or rich enough, but it doesn't matter, Lu Qian still has enough time, he can continue to discuss, collide, and share with his colleagues, and then slowly make adjustments. Turn this place into a creative paradise.

This afternoon, it was not Lu Qian's idea that they came here, but Lin Hanzhou left the editing room in a rage, and ran here to get sullen.

It appears that the existence of creative spaces has come into play.

After Lin Hanzhou finished venting, he finally calmed down and listened carefully.

After Lu Qian explained it eloquently, he found that it was still a little lacking. He always felt that his explanation did not directly touch the essence.

But the key here is that artistic creation is often difficult to express in words, just like performance.

"A little more here."

"A little less here."

So, what more? What is less?

It is a kind of "feeling", which sounds mysterious and mysterious, but it is actually a feeling. Compared with language, it should be touched with irrational emotions.

Sometimes, when the director is shooting on the set, he always feels that there should be more performances, so he asks the actors to try again and again. Finally used the original version again.

There are countless similar situations.

So, is the director wrong? No.

So, does the director understand what he is doing? To be honest, sometimes I really don't know, it's all based on feeling.

It is precisely because of this that this "feeling" is occasionally correct and occasionally wrong. The deviation value exists objectively, and the final quality will also fluctuate.

Even the master is no exception.

Now there is a little such a feeling, Lu Qian tried to state his idea, but always felt that it was a little lacking, and the transmission was still not clear enough.

As a result, Lin Hanzhou, who listened attentively, showed an expression of sudden realization.

"what!"

"You want the audience not to be a participant, but to be a bystander, to really feel it up close; and this bystander is like a fly."

fly

Why does it feel weird to describe it like this? Also, it seems a little disgusting.

Lin Hanzhou looked at Lu Qian's expression and said confidently, "What's wrong with the flies, the flies can see a 360-degree field of vision, okay?"

Lu Qian opened his mouth, subconsciously wanting to refute, but thinking about it seriously

Unable to refute it!

"Yes, that's it." Lu Qian nodded and affirmed, "A movie viewing experience without blind spots."

The immersive first-perspective experience of "raid" and "fast pursuit" has always been a selling point, which has also successfully set off a martial arts craze in the world

The children imagined themselves to be the protagonists and began to learn martial arts.

"Deadpool" does not need, to be precise, there is a slight difference, just like the difference between games and comics.

Because the ability of superheroes is outrageous, the integration of comic sense can also work, so the magnificence and majesty presented by the third perspective should be a more suitable viewing setting~www.wuxiaspot.com~ Lu Qian conceived the scene of the shooting lens At times, the fancy martial arts design, gorgeous camera scheduling, complex route layout, etc., etc., can feel the difference.

However, Lu Qian has never been able to clearly and clearly divide the first and third perspectives.

In the movie "Deadpool", the viewing experience of real swords and guns is still a big selling point, and the scene of the third act of the final battle is a typical first perspective.

In addition, the martial arts design of Hongjiaban is also the same.

In the process of elaborating and explaining, what Lu Qian lacks is precisely such a touch, not that he doesn't know, but a blind spot.

But for Lin Hanzhou, such a change has an immediate effect on the basis and cut-in of editing, and the difference in the observation perspectives between him and Lu Qian is immediately highlighted. Further, the two people's understanding of the film is also different. Also doomed to the difference between the two positions.

So, Lu Qian nodded and affirmed.

The presentation of the sense of space and the prominence of the three-dimensional sense.

To a certain extent, it is indeed emphasizing the third perspective and covering the audience.

Lu Qian even had a possibility in his mind, similar to the "AR visual effect", allowing the audience to surf with the camera, bringing an unparalleled viewing effect.

Maybe they are not the protagonists of the first point of view, but they can still follow a number of characters on a roller coaster.

However, if this is the case, then during the shooting process, some lens settings need to be changed. It seems that this time it should be too late, maybe you can try it next time.

Lin Hanzhou thought about it again, looked at Lu Qian, and laughed, "You are really a freak, you always have strange thoughts in your head."