Death: No cheats, take refuge in Aizen

Chapter 79 78. Open the door and go to hell!

There was light rain outside the window.

It was the first rain since spring entered Soul Society. Higashino Shuichi was sitting alone in his living room in the second district of Nishi Rukongai, silent.

He has already said hello to Uozhihua Lie.

Thanks to Higashino Shuichi becoming more and more resistant to hacking (cao), Unohana Retsu found new fun in Higashino Shuichi, and he changed his tricks every time to kill Higashino Shuichi.

So now Unohana Retsu is becoming more and more relaxed about Higashino Shuichi. In addition to still not allowing Higashino Shuichi to start a family and start a business alone and become the captain, it is not difficult for Higashino Shuichi to get some extra personal leave.

It's just that when Higashino Shuichi asked for leave yesterday, Unohana Retsu specially added the sentence, "I'll wait for you to come back", which seemed to set a flag for Higashino Hideno.

Aizen's Higashino Shuichi also stated the reason in advance.

But Aizen's attitude really frightened Higashino Hideichi.

"Are you going to hell?"

"Yes, Aizen-sama, I want to hone myself there."

"You are still too impatient, both for the nobles and yourself."

"Maybe it's because of my personality, Aizen-sama."

"Well, then go ahead. Ichimaru Gin recently submitted an application to join the team. I originally wanted to invite you to join me."

"Forget it, Aizen-sama, for the time being, I'd better keep a distance from you in front of Ichimaru Gin."

"up to you."

"Well, Aizen-sama, the people in hell are all Shinigami or Hollows with too strong spiritual pressure."

"Ok, I know."

"With my strength, it will be more difficult to survive there."

"Well, Xiuyi, you know, I'm very optimistic about you, I always have been."

"."

At this point, Alain's small plan to dye wool failed.

Higashino Hidemoto originally thought that Aizen, considering that he had worked hard for so many years, could use Bengyu to improve himself.

Isn't it just virtualization? With Bengyu in hand and having collected so much experimental data through Xia Dalu’s family, how difficult would it be to make oneself virtual?

In the end, Aizen just couldn't get enough of it, and he made it clear that he wanted to see Higashino Shuichi perform by himself.

In addition, the rest, such as Matsumoto Rangiku, Zaihou, Kisaragi Suisuke, Ichimaru Gin, Rokukaru Kensai, Shifouin Yoruichi, Gin Ginjiro, Sato Yoko, etc., have a pretty good relationship with Higashino Shuichi. The God of Death and Higashino Shuichi all dismissed them with the lame excuse of "Soul Society is so big, I want to go and see it alone."

Because hell is an unknown place after all. Even if Higashino Shuichi has the Kabutuma family's artifact and the infinite regeneration of the Soul King's fingernail fragments as a back-up, he can't guarantee how long he will stay in it this time, and whether he will really have to. Accidents will happen.

For him, the danger has never been how to go to hell. Even if the Kabutuma family was not what it is today, if it were the prosperous appearance of the Tsunayashiro family, Higashino Shuichi would still be confident of getting a ticket to hell.

It's nothing more than being a pony once more and taking refuge with the boss once more. He knows this trick well.

For Higashino Shuichi, the danger and uncertainty have always come from how he can escape from hell after completing his set goal.

According to Sayoko Kabutuma, the girl who was kneeling on the ground of Kabutuma's house before, Maki Kuroto was able to go to hell because he had a weak fragment of the Soul King in his body.

But Zangren Maki couldn't even stay there for half a day, and fled back in embarrassment. The reason why he was able to borrow the power of hell was because his body was marked by the Hollow in hell.

But according to the original idea of ​​the Kabutuma family, they wanted to truly release the sins in hell back to Soul Society in the form of spirit children through the medium of the God of Death.

The best thing to do is to defeat the sinner in hell, and then use the power of the Kabuto Ma family's sacred weapon, the Zanpakuto Shimi Posa, to carve a divine mark similar to an oath on his body.

In this way, the power from hell will not be as violent, uncontrollable, and extremely aggressive as Zangren Maki.

When he heard this, Higashino Shuichi knew that he was at a disadvantage, because regardless of whether he made that request, the Zanpakutō Shimi Posa would actually be handed over to him in the end.

The only difference is whether he should return Shimi Posa to Kabutama Sayaka after returning from hell, like Zangren Maki did.

However, because Kabutuma Sayeko forcibly communicated with hell, her body had already been entangled with the power from hell, and she could not move freely. She might die one day. If Higashino Shuichi really didn't return it, it wouldn't be a big problem.

However, Higashino Shuichi was not shameless enough to regret it on the spot. Anyway, his goal had been accomplished, and it didn't matter whether there were any additional gains.

Breathe a long sigh of relief.

Higashino Shuichi looked at the Zanpakutō that was placed in front of him like a carving knife, Shimi was dancing.

There is no doubt that this is also an extremely special Zanpakutō, and Higashino Shuichi even believes that it should not be described as a Zanpakutō.

Thinking of the other two artifacts in Soul Society that have exposed information, the Ise family's Eight Mirror Sword and the Tsunayashiro family's Nine Heavens Mirror Valley, they are both Zanpakutō that have been passed down from generation to generation, and their use is also not restricted. The masters each have their own strengths.

So do the other nobles who are also among the five nobles have similar artifacts?

Higashino Shuichi held Shimi Posa with his left hand. It was too early for him to consider this issue now.

The process of communicating with Shimi Posa is very simple, and there may be reasons for this that Douma Sayezi has explained beforehand.

"Crossing the world to the other side, the world is dancing!"

As Higashino Shuichi's voice fell, the Shimi Posa in the palm of his left hand bloomed like a flower, and then the flying silver petals turned into the outline of a door in front of Higashino Shuichi.

The only handle of the knife left in Higashino Shuichi's hand happened to be the handle of the door.

As long as Higashino Hideichi pushes in slightly, the door will open for him.

If it is a normal beginning, there is no need for Higashino Shuichi to open the door himself. Those past beings who signed a contract with Shimi Posa will come out to fight for Shimi Posa's master.

And the existence of these pasts does not require that they still exist in the present, as long as they leave traces in the past.

If a more vivid metaphor is needed, then Higashino Shuichi believes that the word "heroic spirit" is the most appropriate to describe it.

Unfortunately, it seems that this call is not without cost.

Whether it is communicating with heroic spirits, allowing them to come out to fight, or maintaining their fighting costs, the user's lifespan is required.

This is exactly the same as the Zanpakutō "Kyuten Kyougaya" of the Tsunayashiro family.

But fortunately, the heroic spirits need their lifespan to pay for their coming, but Higashino Shuichi doesn't need it when he comes.