Chatty Hollywood

　　Thank you book friend Baili Qingyan and your fans for the recommended red envelopes.

　　*******The text begins*******

　　 When Charlotte told Judy Foster that they could go to watch the samples, the crew’s finale party was over.

Because it was to let everyone relax and go home early, I deliberately put the party until today, so the party itself is very simple and does not last long. Some impatient actors and staff members are even in the middle of the party. I drove back to Los Angeles.

Of course, as the director and assistant director, Charlotte and Lao Qiang did not leave. They also shoulder the task of taking Judy Foster to view the samples—especially whether the other party will make additional investments. .

　　 Also there is Charlize who didn’t leave,

　　 "I want to see in advance what my performance in this movie is like!"

　　 Well, this reason sounds really positive. At least Judy Foster appreciates her attitude as an actor.

　　 However, in Charlotte's view, it makes no sense for Charlize to do so. As a director, he knows very well that as long as he has the heart, whether through photography or editing, an excellent actor's wonderful performance can be turned into shit. On the other hand, even a shit-like performance can only be saved with the help of footage and editing—although it is costly.

　　 But even if he knew this, Charlotte didn't say anything. After all, as long as he saw the blonde girl talking and laughing with Judy Foster, he knew that this girl was not interested in drinking.

　　—Speaking of which, Judy Foster looks like a lace edge.

　　 Charlotte's brain can't help but began to fantasize...

　　 "Stop it!"

　　 At this time, a few of them are already in the old gun RV, along with Judy Foster, her life assistant, and photographer Addison Young. Six people suddenly squeezed into the small RV, and it was slightly crowded.

　　 "Hey, have you cleaned up yet?"

　　 Charlotte put an old gun on his shoulder, and there was a layer of teasing hidden in the words.

"certainly!"

　　 Old Gun glared at Charlotte, but in front of the three women in front of him, he didn't say anything. He just prepared the sample show with the photographer Addison.

　　 "Speaking of which, I haven't actually watched a sample. I don't know how it was taken?"

　　 The old gun muttered to himself.

　　 Even as an assistant director, Lao Gun’s job is more about coordinating between crew members and arranging some work plans. For the actual shooting process, he didn’t have much contact with him. Although standing on the sidelines, he thinks that many shots should be taken well, but after all, he is watching with a filter called expectation. He didn't know the true result.

　　 "It should be really good!"

　　 Addison Yang, who has been silent all the time, suddenly said that Old Gun thought he was answering his own question. When I looked up, I realized that the other party was also talking to himself.

　　-Forget it, he is also a personal participant, and the judgment is not objective!

　　 There is no way, the old gun can only cast his eyes on Judy Foster.

　　*********

　　 Judy looked a little surprised at the sample that was playing in front of him.

Although the 　　 sample film only played for a few minutes, and has not undergone post-production, lack of dubbing and soundtrack, and has not been edited at all, she was born as a child star and has been mixing on set since she was a child. She can tell at a glance that this film is good!

　　 Apart from anything else, the scene where the two climbers were killed at the beginning was handled very well—

　　 At the very beginning, the cliffs that the two climbers climbed were so foggy that it gave people a mysterious and gloomy feeling. Although this kind of lens language can be used by a director, it may allow the eerie atmosphere to diffuse directly through the screen, and the skill of the director and photographer should not be underestimated;

　　 When the male climber was killed, his expressiveness was even better. The angle of view at this time is mainly based on female climbers who are still hanging on the cliff—seeing that the companion who climbed to the top of the cliff before him ignores his call, the female climber is a little anxious and worried, and the male climber’s The body was thrown abruptly from the top of the cliff.

The corpse is in the field of vision, from small to large, the shots falling straight in front of the eyes are handled very well, especially when the corpse’s face has been enlarged to cover the screen, the face full of horror and blood on the face before death. It is even more visible. This visual impact made Judy lean back involuntarily.

　　Actually, this kind of lens that directly faces the relative movement of the door is indeed more suitable for 3D movies, but this does not mean that it has not been used in the 2D era. Judy Foster alone can quickly list several movies that use this kind of lens, but she has never seen such a visual impact.

　　 Charlotte and the photographer Addison looked at each other and smiled. Foster's performance made them very satisfied. This shot is their proud work. Of course, it's not that no one pays the price—for example, after playing the slain, Brandon Fisher, who killed him and stopped hanging the wire.

　　 Naturally, Judy Foster, who is sitting next to the screen watching the demo, would not know this. She just thinks that the lens of the opposite movement is handled very well. However, in the next moment, she discovered that the excitement was still going on.

　　 After the face of the male climber's corpse was enlarged to the maximum, the camera switched obviously, showing the feeling of the opponent's corpse passing in front of his own eyes. UU Reading www.uukahnshu.com Then, the camera is out of the female climber’s perspective, chasing the fallen corpse all the way down-this is another use of the opposite side-to-door motion camera, but the direction is completely opposite to the previous camera. Only, it can make people involuntarily feel a falling sensation of accelerating the falling of the body of the follower.

At the last moment when the corpse fell to the ground, the camera suddenly surpassed the corpse, stuck it directly on the ground, and smoothly completed a flip—the next moment, the corpse’s face fell directly on the camera, and the head was like a broken watermelon. "Boom" all of a sudden, the brain bursts and the screen is full of...

"what!!"

　　 Of course the one who was scared and screamed could not be the old Jianghu Judy Foster, but her assistant Anna. As for Foster, she just lamented that her life assistant was too young, and at the same time evaluated the level of the three consecutive sets of opposing sports shots that were seamlessly connected together—

　　 If you look at it separately, each set of shots is actually not particularly new, but it takes a lot of imagination to stitch them together like this. In particular, the director has a really high level of control over the camera, as he can handle it so smoothly and at the same time express the full sense of impact.

　　 Judy Foster couldn't help but glanced at Charlotte beside him in admiration.

　　*********

　　 Charlotte is also very fulfilling with these sets of shots, but he is not at all proud. Because he knew that he just borrowed a lot of relative motion shots from future 3D blockbusters. But now that the 3D skills are not yet mature, the impact of these shots is full, relying on the photographer Addison's technology. As for himself, he just thought of a few tricks.

　　 The shots that really make Charlotte proud are actually still behind—