Looking at the slim figure walking towards the door.

Mu Shang was about to say something but stopped, there was something mmp that he didn't know whether to say or not.

I believe Gu Xue’s words are okay.

He has always believed in Gu Xue.

I believe there is nothing wrong with what Gu Xue Studio said. After all, the sixth episode, which is the key to the animation, was outsourced to her studio.

but……

And me?

What about us?

What about our CDD animation workshop?

Why don't you add us, are we not trustworthy?

Or should we say that we are tool people...

Don’t we want to lose face?…

Just when Mu Shang was wondering whether he and CDD Animation Workshop had become tool men.

Gu Xue walked to the door and was about to turn around and disappear from Mu Shang's sight. Gu Xue seemed to have thought of something and slowly stopped. Then he turned around, scratched his face with his index finger, and asked softly with a little embarrassment: "Mr. Kigami, let me ask you a question, am I... annoying?"

Mu Shang: "..."

Looking at the beautiful face not far away with a little uneasiness and shyness.

Mu Shang was silent for a long time, and then whispered: "Forget it, a tool man is a tool man."

Gu Xue didn't hear clearly: "Huh?"

"It's nothing. I'm telling you to stop thinking nonsense. How can anyone hate you... Oh, our producer doesn't seem to like you, but it's not a big problem. He has been divorced three times and is already over seventy. He doesn't like you at all. I understand women, so it has no reference value.”

Gu Xue: "..."

What a stupid answer, I might as well ask Miss Mihara.

Time will pass.

And what is supposed to come will always come.

Although the current CDD animation studio, especially those involved in the production of "Embrace a Better Tomorrow", is in a state of gloom.

But the animation cannot be stopped.

The film has also been handed over to the TV station, and they will not cancel the broadcast because of a few words from CDD Animation Studio.

Therefore, the fourth episode of "Embracing a Better Tomorrow" was broadcast on time.

And the number of people watching...to be honest is quite a lot.

Although the current online reviews of this animation are very poor, and just half an hour after Gu Xue and Mu Shang decided to ignore the online reviews for the time being, a lot of remarks that discredited the animation appeared inexplicably in major animation forums and related communities. What? The animation is rubbish, the worst animation in history and so on.

These remarks can certainly affect viewers who have never followed or watched this animation.

But this doesn't bother those who have already seen the anime.

From the stunning start of the first episode, everyone praised it.

In the second episode, the style of painting changed. The male protagonist's stupid and arrogant character was amplified, and he protected her one by one. In the end, it led to the death of the female protagonist Alice, which attracted criticism.

In the third episode, the stupid and arrogant male protagonist becomes taciturn, and Alice's father becomes angry and begins to take revenge. The second male lead seemed to blame all the faults on the male lead and issued a revenge notice against him...

Although only three episodes have been played.

But the viewers who have watched it understand better than the trolls who are still criticizing the animation "Embracing a Better Tomorrow" in major forums and communities now, and what the animation they have watched for three episodes is.

The fourth episode of the animation premiered on TV.

Complete broadcast.

Ratings were tepid.

Because not many people sit in front of the TV and watch animation now.

Half an hour later.

The video website officially launched the fourth episode of "Embracing a Better Tomorrow" and pushed it to users who subscribed to the series.

The next second.

The number of views of the fourth episode of the animation began to rise with a frequency of thousands, doubling in tens of seconds, and the growth rate did not slow down until the number of views exceeded 1.2 million.

Of course, such an explosive amount of views in a short period of time was not only brought about by the audience of this animation, but also by other figures...

Kyoto.

Hachioji District.

After a fierce mental struggle, Li Dudu finally sat down in front of the computer and clicked on the fourth episode of "Embracing a Better Tomorrow".

After the cool OP, the main film plays.

The plot follows the previous episode.

The second man inserted the long sword he brought into the ground, then turned and left.

The male protagonist Arthur walked forward with Alice's father and his guards, his head lowered and silent.

The atmosphere was as depressing as ever.

But it is difficult for Li Duduo to pick up the mood and feelings he had when he watched the third episode.

Because... the time between the two episodes is a bit long. Although it is only a short week, a week is already a long time.

Human emotions cannot be preserved for that long.

This is also the reason why many people don’t like to follow the anime, because one episode is played every week, and the seven-day interval can easily wear away the sense of anticipation and the original emotion of watching the anime. Each episode has to be restarted. For some people, it's actually quite annoying.

Especially the kind of grinding and grinding... No, it should be said to be a slow-burning work.

For example, for the well-known "Steins;Gate", there were probably very few people who could follow it every week in the early stages.

After all, in the early stage, without knowing what will unfold in the later stage... it is indeed not interesting to follow episode after episode.

It is a technical job to make the audience keep following the episode episode by episode, and even make them feel like "I don't want to do anything but watch the next episode now."

A sense of anticipation, a breaking point, or simply the next fate of a certain character in the animation, etc.

These can all be used to attract an audience, if used correctly.

Unfortunately, the fourth episode of "Embrace a Better Tomorrow" did not have any explosive moments, nor did it leave much sense of expectation for the audience. The fate of the barely compatible characters was not mentioned too much.

It's completely a transitional episode.

Fortunately, with excellent performances and paintings, even though the above elements are not available, the fourth episode of the animation still successfully brought Li Duoduo into it.

The progress bar is one third of the way through.

Li Duduo was completely immersed in it.

After watching two-thirds of the episode, he also discovered that although this episode was a transition, it was not nothing.

The content is quite substantial.

For example, Alice's father once again sent a convoy to the misty forest, but not to mention finding Alice's body, they couldn't even enter the dungeon.

Because the evil dragon seems to be unable to bear showing its fangs, the edge of the misty forest, where the dungeon is located, is now a restricted area. The elements are violent and chaotic, and full of poisonous miasma.

The other is the male protagonist. After Alice's father took him away, I don't know if he reached some agreement with the male protagonist or if he had calmed down. In short, in the end, he did not imprison the male protagonist on an unfounded charge. He only imprisoned him for a few days and then kicked him out.

As for the male protagonist, as soon as he came out, he found a carriage and sent his father out of the city.

As for himself, he chose to stay.

He was holding the bundle and was sitting unsteadily on the back of the carriage. He looked at his father uneasily and kowtowed hard. After watching the carriage leave, he limped to the entrance of the misty forest.

entrance.

After learning that the misty forest was closed because of the evil dragon, the male protagonist didn't make any fuss. He thanked the guard, and then, with the guard's disdainful eyes on him, he came not far from the guard post and sat down against the wooden fence.

As for the second male actor Owen, who announced the challenge to the male protagonist, he stayed at home, looking in the direction of the misty forest, occasionally touching his waist, which was no longer equipped with a sword, not knowing what he was thinking.

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