All People: Unparalleled Painter, Copying Ragnarok!

The field painting in Lin Ming's hand is called "Purple Pavilion of Clouds and Mist"

The ink in the painting expanded outwards, quickly covering the entire platform.

At this time, two different monsters appeared on the painting, one was a pale ghost, and the other was a translucent ghost in the painting.

Lin Ming counted them carefully, and found that a total of one hundred and two were captured this time, each of which was around the second-level strength, and there were also three-level existences among them.

This discovery made Lin Ming ecstatic. If all of them were copied, there would be more than two hundred attribute points.

If you count the soul orbs that they may drop when they die, wouldn't it be able to reach 300 points!

Turning off this item of income is enough to make one's mental power reach the exceptional level.

Imprisoning these monsters in the painting, Lin Ming is not afraid of them running away. The [Cloud and Smoke Purple Pavilion] in his hand is strictly a product of the power of rules. If he wants to get out of the painting, he can only use the same level The power of the rules will do.

After confirming that no fish slipped through the net, Lin Ming was not in a hurry to close the field of painting, but continued to expand outward.

Trenches were once dug underground to establish secret strongholds.

Later, after the entire underground was taken over by the train company, some tunnels were directly used as waste. As for the unused tunnels, they were simply pasted with cement.

Therefore, the passages of the underground trains actually extend in all directions. If you don't use special methods, even if you search for them for a week, there may be little effect.

The expansion of the domain was very fast, and soon Lin Ming discovered that there were monsters underground, but they were not rare monsters like ghosts and ghosts, but common monsters.

For these monsters, Lin Ming naturally has no intention of taking them down.

To his surprise, the missing persons were not found on the painting.

This kind of situation should not happen, even if those missing persons died and turned into dry bones, it would still be displayed.

As long as you enter the painting, there must be records, but if nothing is displayed now, it proves that these people are not in the underground station.

"How could this person disappear out of thin air, did I miss something?"

"Or do you have to board that train if you want to follow the ghost's path?"

Lin Ming raised his hand and rubbed his chin, thinking about the situation he encountered since he got down.

Phantoms and ghosts often appear in places with strong yin energy, and their mass gathering will produce a hallucinatory effect.

If someone gets into it by mistake, they will often be unable to tell whether it is reality or illusion, just like what Lin Ming saw when he came to Pushan Station just now.

Maybe just getting on the train is the key step to enter the next screen, but Lin Ming has already broken the illusion of the train.

If you still want to reproduce the illusion now, I'm afraid you have to start from scratch, and re-release the ghosts and ghosts to make them form the illusion.

Just when he was at a loss for what to do, an uninvited guest broke into Lin Ming's painting field.

[Picture of the Purple Pavilion in Clouds and Mist] appeared ten villains, the front one was Na Qing who had a relationship with Lin Ming, and not far behind them was the sneaky Sun Guoshuai and his group.

"They followed? Why did Sun Guoshuai and the others also come?"

Lin Ming looked at the villain in the painting thoughtfully, and then his eyes lit up.

Isn't this the right person to trigger the next step?

Thinking of this, Lin Ming felt more feasible, and released a batch of ghosts and ghosts with a wave of his hand.

While releasing ghosts and ghosts, Lin Ming took Yuling into the world in the painting.

Pushan Station suddenly became dark, and there was no one on the dark platform, only a vivid landscape painting hung on the pillar of the platform.

The next moment, the electric light above Pushan Station made a whistling sound, and then a white ghost with a whole body and a transparent ghost with a whole body emerged from the ground.

Lin Ming silently observes the movement outside in the world in the painting. Now he is in the world in the painting, and the outside world is the surface world.

The two worlds inside and outside are separated. In the world in the painting, Lin Ming can see outside, but Lin Ming cannot be seen outside.

After the ghost appeared, the abandoned Pushan Station changed. The electric light above Lin Ming's head made a "sizzling" electric sound, and the next moment the bulbs lit up one by one.

The places illuminated by the lights began to return to the original appearance of the station.

After the platform was restored, ghosts and ghosts gathered together, and they crawled on the rails and turned into old-fashioned steam trains.

Lin Ming watched silently from the side while Specter used his ability to recover underground.

"It seems that the way these ghosts and ghosts control the illusion is the light, and the place illuminated by the light will become what they imagined."

When the ghosts and ghosts were released, the first thing that reacted was the electric light above the head. At that time, there was a sound of electric current, and the first thing to recover was also the light.

In addition, Lin Ming was also dazzled by a white light before entering Pushan Station.

After the underground station was restored under the ghost's ability, Lin Ming felt excited.

In his opinion, the phantom and the phantom constructed by the phantom cannot be said to be perfect, but it can also be said to be full of flaws.

It doesn't look like an underground platform at all, because just seeing this platform will make normal people feel uneasy.

The empty platform, coupled with the cool-colored lights above the head, combined with the white tiles under the feet, give people a very lonely feeling.

In conjunction with the sudden appearance of the steam train of the last century.

This doesn't look like a platform, it's obviously a set for a ghost film!

And it's still the kind of low-cost ghost movies that suddenly appear ghost faces.

It was precisely because of the ghost movie-like atmosphere that he didn't get in the car just now.

"It must be processed, otherwise how can I trick people into the car!"

Lin Ming took out his paintbrush silently as he spoke, intending to process the illusion in front of him a little bit.

Although he is now in the world of painting and can paint without a brush, the feeling of holding a brush in his hand cannot be given by others.

It is difficult for ordinary people to make improvements to the illusion. After all, the framework has been set at the beginning of the illusion, and no matter how it is changed, it will only be a small improvement in the framework.

But this is not difficult for Lin Ming, after all, the things he draws are real.

First of all, Lin Ming changed the cool color system of the electric light into the white color system in the painting, which makes people look more comfortable.

The second is actually how people who don't take a car at the subway station can do it.

He drew thirty or forty people on the platform with a pen. Some of these people in his paintings were talking, some were playing with their mobile phones with their heads down, basically recreating the scene where he once took the underground train.

Every time Lin Ming draws something, [Picture of Purple Pavilion in Clouds and Mist] is like some pens and inks flying out.

Soon under Lin Ming's improvement, Pushan Station has become a brightly lit scene with many migrant workers waiting for the last train.

"The last step."

Lin Ming turned his attention to the steam train. This thing is a product of the last era, and it is completely antique. Although the underground is very weird, the degree of weirdness of this thing can also be ranked.

It must be replaced with a modern train. Lin Ming's treatment method for trains is to cover them.

After all, this steam train is transformed from ghosts and ghosts. If the internal structure of it is changed, it may not be able to lead to the next station, so it can only be sheathed.

By the time Lin Ming completely remodeled the platform, half an hour had passed outside.

Na Qing and the others have already come along the railway track, and it is estimated that they will arrive at Pushan Station in another five minutes.

On the platform of Pushan Station, the little girl who was playing with her mobile phone suddenly trembled, and the dull eyes disappeared instantly.

She listened to the voice in her ear, took off the painting hanging on the pillar, and walked into the train step by step with the painting in her arms.