The daily life of the villain's boss and his wife

Chapter 35 Little Fox, I Want You 11
The painting hall wakes up in the morning and comes to report the snowflakes.Looking at Jia Rui from the high roller shutter, the bright color is far away from the courtyard.

Youwang Mansion.

"This is really strange!"

"Who said no!"

"I don't know if it's a blessing or a curse!"

When Ye Liuguang went out wearing a cloak, he heard servants chattering outside his yard, and he didn't know what they were discussing.

"What are you discussing? Can you tell me about it?"

The crowd immediately knelt down, looking at each other, but they didn't dare to make a sound.

Seeing this situation, Ye Liuguang frowned, and said in a deep voice, "Housekeeper, tell me."

The butler who was directly named wiped the sweat from his forehead, buried his head and said: "Hui Shizi, there was a heavy snowfall in Aocheng last night, which turned the whole Aocheng into white, but...but for some reason, There is no snow in Youwang Mansion, so the servants are discussing what is going on."

Ye Liuguang was also surprised when he heard this. He looked around and found that there was indeed no snow. If he hadn't heard what the housekeeper said, Ye Liuguang really couldn't tell that it had snowed.

But no matter how surprised, Ye Liuguang still remained calm, "Okay, go down, don't spread these superstitions in the mansion."

All the people felt relieved and retreated quickly.

Ye Liuguang returned to the house, but saw that the little fox who was originally on the soft couch had disappeared.

"Night South."

A black shadow appeared in front of Ye Liuguang, waiting for his order.

Ye Nan is Ye Liuguang's dark guard, he usually doesn't appear in front of people, only when Ye Liuguang needs him.

Ye Liuguang was in a very bad mood right now, and said with a dark face, "Where's that little fox?"

"Return to the son, in the Qiyan Pavilion." After Ye Nan finished speaking, he returned to the dark place.

Ye Liuguang's expression changed.

Qiyan Pavilion is the residence of his mother and concubine.

It has been empty since the death of his mother and concubine, and no one dared to enter.

This little fox is quite bold, he ran there on the first day he came to the mansion.

It seems that it is time to teach this little fox a lesson.

Thinking of this, Ye Liuguang walked towards Qiyang Pavilion with his long legs.

-

Qiyan Pavilion.

No one cares about it for more than ten years, making it dilapidated.

In the center of the yard, there is a huge tree.

This tree almost enveloped the entire Qiyan Pavilion. If it was very summer, one would be able to see that the Qiyan Pavilion was full of vitality under the cover of green.

It's a pity that now only the bare branches of the big tree are left, and the whole yard looks desolate.

Ye Liuguang stood outside the Qiyan Pavilion, staring up at the big tree, and couldn't help but think of those beautiful days. This tree even witnessed his entire childhood.

It's just that everything can't go back.

He sighed and walked on.

With just one glance, Ye Liuguang saw the little fox sleeping on the tree.

What surprised Ye Liuguang was that he found that there was a faint blue light on the little fox's body. If he didn't observe carefully, he couldn't see this light at all.

The light blue light is the same color as the little fox's pupils, very shallow, but it still has its presence.

Ye Liuguang narrowed his eyes and pursed his lips, already having a conjecture in his mind that even he couldn't believe.

According to legend, a long time ago, there was a landscape painter, who had always only painted landscapes, but he drew a picture of a beautiful woman overnight.

The beauties in the painting take flowers as their appearance, the moon as their god, willows as their posture, jade as their bones, ice and snow as their skin, autumn water as their posture, and poetry as their heart.

What is amazing is the eyes of this beauty, a pair of fox eyes with a smile, when people look at her, it seems that she is looking at everyone.

It's just that for some reason, the artist wants to draw a few tails behind the beauty, making the beauty in this painting look more like a fairy who captivates all living beings.

(End of this chapter)