super sports star

Chapter 342
Jinfeng didn't intend to stop, so Chen Lang was naturally embarrassed to let Jinfeng stop.

There are many national musical instruments, and Jinfeng picked up an erhu at random.

"This is the erhu. Someone played it before." Jin Feng held the erhu high. For many people, although the erhu is familiar, they have never paid attention to it.

Yue Yue played the erhu in the front, but the current living environment of the erhu is too bad, there is no room for development. It is really like what Yang Han said, it is only used by beggars on Tianqiao, and the music is mainly sad .

It should be said that Jinfeng knows a lot of erhu tunes, not to mention "Erquan Yingyue", even other erhu tunes he can pull out.

"Many people look down on folk music and think it is a bit earthy, but what I want to say is that folk music is not earthy at all, but very foreign. The erhu is not all sad and melancholy songs, but there are also some other songs. Today I Just show it to everyone."

After finishing speaking, Jinfeng found a stool and sat down directly.

What tune are you playing?Jinfeng thought for a while and decided to pull "Birds Singing in the Kongshan".

Many people don't know this piece, but what I want to explain is that this piece is very classic and was once awarded the Chinese [-]th Century Music Classic Works Award. This erhu piece uses a combination of Chinese and Western styles, which can be described as unique.

Chen Lang didn't expect Jinfeng to play the erhu, but he was looking forward to it.

Yang Han breathed a sigh of relief, the golden wind has started to wave, the piano music in front is already very amazing, but he didn't expect to come to the erhu again, isn't this just asking for trouble for himself?
"Bird Language in the Kongshan Mountain" is divided into five parts, plus an introduction and an ending, it is actually seven parts.

As soon as Jinfeng made a move, everyone felt the difference.

Everyone felt that the birds chirped from a certain corner from time to time, and the echo came from the other side of the valley. No one ever thought that the erhu could produce such music.

Chen Lang is also listening to this piece. His appreciation angle is different from that of the audience. He appreciates it from other aspects.

The first one is the introduction part. The introduction part should be the presentation of the theme of the whole song. In this part, Jinfeng adopts the pre-appitiative sound pattern for all the melodies, but it is not boring at all. Due to the change of different lengths, the repetition of appologia and higher octaves of different durations, the remoteness of the valley, and the crispness of birdsong are vividly depicted by the image description of only three tones.

It's really powerful, just based on this introduction, this song will not be too bad.

The introduction is over, the following is the first paragraph.

Here is the continuation of the last two paragraphs of the introduction. It starts at a slow speed, and then gradually speeds up. It seems that the birds in the valley are interested in singing because of the singing near and far at the beginning. They swarm up and look lively. abound.

Chen Lang continued to analyze secretly in his heart. The first paragraph began to continue the melody sound of the last two bars of the introduction. It should be the first two bars, and the melody lines fluctuated in order.

The music materials of the upper and lower sentences of the next section of music are directly derived from the first and fourth bars of the previous section.

The speed of this paragraph at the beginning inherits the slow speed of the introduction part, and then gradually speeds up.The use of jumping into intervals here not only forms the division of pauses between sentences and paragraphs, but also indicates that the back-end uses a large number of thematic sound patterns to make the music image more unified.

It's very good, and it also conforms to the multi-stage structure of "scattered, slow, medium, fast, loose" in traditional Chinese music, and Chen Lang has never heard of this piece.

The music then enters the second paragraph.

I don’t know if other people can hear it, but Chen Lang can hear it anyway. The first four bars of the second piece of music are enlarged from the beginning of the first piece. The melody writing technique used in "Fish Bite the Tail" is to repeatedly echo the music material at the beginning of the first paragraph to enter the repeated performance. The collocation and use of the music material is novel, but also very rigorous and orderly; It has a strong sense of musical layering, and in this new piece of music extended from a wider range, it seems that you can see the moving scenes of flocks of birds flying, chasing and playing with each other.

It's so powerful, it's really very powerful, Chen Lang is almost in admiration, this golden wind is really invincible.

From the very beginning, the third paragraph inherits the relationship of fifths in the theme part of the introduction. This paragraph mainly focuses on jumping into the melody, as if the lively scene of energetic birds stomping back and forth is unfolding in front of you.The speed changes back to the original Allegro.

The tempo of the fourth melody is still very fast. When Jinfeng used the method of perpetuating the major triad, Chen Lang was stunned. What kind of method is this?He has never seen it before. This is a brand new technique, but the effect is very good.

This completely uses the major triad decomposition form, and quickly borrows the unison fingering technique used in plucked string instruments. It seems to depict many birds competing to sing, and the chirping sounds form a scattered and layered sound.

The fifth piece of Golden Wind began to use a lot of slide techniques, and used big jumps, as well as the change and contrast of sound range and timbre, and clever decorations, vividly depicting the calls of birds from different corners, and the sounds of different birds. It depicts the characteristics of different birds, intends to render the artistic conception of echoes in the empty valley, and echoes the theme of the introduction.

The epilogue reproduces the beginning of the first paragraph, and the ending sentence again uses the decomposition form of major triads. The speed gradually slows down, and the whole song ends in a bright musical mood.

At the end of the whole piece, Chen Lang felt mixed emotions. He never expected that such an expert would appear in a musical instrument competition that he thought was unprofessional. Let alone the previous piano piece, this erhu use skill , has completely exceeded his imagination.

Moreover, this piece is not pure folk music. To be precise, it has both the characteristics of folk music and the characteristics of Western music. It can be said to be an attempt to combine East and West. It has to be said that this is a mature piece.

The audience was also stunned. It’s not like they haven’t heard erhu before, but this is the first time they’ve heard such a piece. Jin Feng is really a genius. You can use the piano to simulate the buzzing of bees, and you can also use the erhu to simulate it. The sound of birds came out, just now everyone thought they were really in an empty valley, listening to the birds singing around them.

It seems that this folk music is no worse than Western music. It can be said that both have their own characteristics.

Do you want to continue?Everyone looked at Jinfeng eagerly.

　The second update is here, begging for various tickets and subscriptions.

　　
　
(End of this chapter)