Master of Chinese Opera

Chapter 50

Walking to the center of the stage, before the music started playing, Shen Yuelou first stretched his graceful figure on the stage, and then made a gesture of looking back and smiling.

With a graceful and elegant demeanor, passionate and charming eyes, and equal parts nobility and charm, Shen Yuelou will play one of the four beauties in Chinese history - "Ming Fei", the favored concubine of Tang Yuanzong.

More than a month ago, he had just co-starred with Lin Yanqiu in "Jiange Hearing the Bell", and he is very familiar with the reenactment of "Ming Concubine" this time.

The music sounded, and the prelude was a complex and free Sanqu, with solo and round performances of chime, zither, flute, flute, harp, bamboo bamboo, sheng, etc.

The audience in the audience was still enjoying the beautiful ancient music, but saw Teacher Shen on the stage suddenly flicked his sleeves and danced gracefully.

While dancing gracefully, Shen Yuelou still leisurely recited an ancient poem: "The heavenly tower is deep and the night is still young, and the fairy dance of the green clouds dances in neon clothes.

A sound of jade flute fills the air, and the moon is full and the Lishan Palace is long. "

His dancing posture is light, elegant, soft and free, like the first string of a robe, and the light flows through the gaps. As he moves in the air, his graceful figure seems to be transformed into immortality at any time.

"Mist grass, fog grass, fog grass, the fairy family is singing and dancing!
Absolutely, really Nima absolutely.

The scene of Taizhen Mingfei dancing under the osmanthus tree in the Moon Palace, is this something that mere mortals are qualified to watch from the sidelines? "

"Neon Clothes and Feather Clothes, is Teacher Shen dancing the legendary "Neon Clothes and Feather Clothes Dance"?"

"It must be, it is graceful and unconventional, this is the "Neon Clothes and Feather Dance" in my mind!"

"It's as graceful as a startling bird, as graceful as a swimming dragon, I feel like a fairy is dancing on the stage."

"Tsk tsk tsk, "Big Fish" is matched with an animated short film, and "Galan Rain" is a dance beauty that combines real scenes and images. This time, we danced a song "Neon Clothes and Feather Dress Dance" that is too real and immortal. Mr. Shen is too good at playing tricks, and I look forward to him playing some new tricks in the semi-finals and finals."

"The prelude and dance are already so beautiful, how about the song of the highlight?"

"Looking forward to it, looking forward to it!!"

……

Spinning, jumping, his eyes closed.

In line with the rhythm of the music, Shen Yuelou's light and graceful figure kept soaring on the stage.

Spinning around on the stage, he suddenly opened his eyes. As soon as he closed his wonderful dancing posture, the sound of the music changed immediately.

The solemn and complicated sound of ancient music paused for a while, and the whimpering sound of the hole flute and the sound of running water from the guqin joined in at the right time. Fairy Taizhen's previous dancing mood fell to the bottom instantly.

Today was her birthday, so she danced a song to celebrate.

But when she thought of the origin and source of this "Neon Clothes and Feather Dress Dance", she couldn't help feeling sad.

The mode and dancing posture of this Dharma song were all written and arranged by that person for himself.

Now, would that cruel person remember that today is his birthday?

Drinking a bottle of sweet-scented osmanthus wine alone at the birthday banquet in the Moon Palace, Fairy Taizhen looked down at the world, and couldn't help but think back to the time when she and Emperor Yuanzong were in love with each other in the Tang Palace two years ago.

With a lonely expression, Shen Yuelou sang softly in a melancholy tone that could not bear to look back on the past: "The snowflakes of that year fell, and the plum blossoms bloomed.

By the Huaqing Pool that year, there were too many worries.

Don't talk about who is right and who is wrong, whether feelings are wrong or right.

I just want to be with you in my dream and get drunk again.

The golden bird hairpin and the jade hairpin are gifts you gave me.

Several times of reincarnation, singing and dancing for you.

Jianmenguan is your deep miss for me.

Down the slope of Mawei, I wish to break my soul for true love. "

After listening to the entire paragraph at the beginning of Mr. Shen, the audience in the audience had different expressions, and the response was not very enthusiastic.

Some people closed their eyes and enjoyed it, but some people felt that the beginning of this song was not as amazing as Teacher Shen's previous songs.

There are still no flaws in the singing, but the tune is a little gentler.

"The words are correct, the accent is round, and the words are eloquent. Teacher Shen's voice is so comfortable to listen to."

"Yeah, the perspective of this song is so clever.

Master Liu Huan's "Ming Fei Drunk" is from the perspective of Emperor Yuanzong.

Emperor Yuanzong went to Concubine Ming's residence enthusiastically after reviewing the memorial, but saw Concubine Ming passed out drunk in the Baihua Pavilion.

After asking the attendant Mr. Gao, he found out that Concubine Ming thought that Emperor Yuanzong had gone to Concubine Jiang's palace because she had been waiting for His Majesty for a long time, so she resented and got drunk.

However, Mr. Shen's "New Drunken Concubine" is narrated from the perspective of the concubine Ming. The concubine Ming who has ascended to a fairy shows her heart, and she is willing to die for her true love.

This is the model for adapting a famous song. Teacher Shen did a great job of revising it. "

"Well, the lyrics are really well written, but isn't the melody a bit too plain, and the ups and downs don't feel very strong?"

……

Just when many audience members felt that the song was in a gentle tone with little ups and downs in the melody, the woman playing the flute in the band next to the stage suddenly whimpered rapidly, and the musicians who mastered the rhythm also adjusted the rhythm more tightly.

Accompanied by the sobbing flute sound, Shen Yuelou hooked the round fan with his orchid fingers first, then stepped forward and doubled up his sleeves, and dived low to make a figure sniffing flowers and lying fish.

"Love and hate are in an instant, toasting to the moon is like heaven.

Love and hate are boundless, when will you fall in love?
The chrysanthemum platform reflects the bright moon, who knows that my love is cold?

Drunk in the king's arms, dreaming back to love in Datang. "

Different from the popular singing method in the previous section, in this section, Shen Yuelou's singing voice is full of twists and turns, which is as intoxicating as dancing pearls and shaking jade.

As soon as this amazing scene came out, the audience immediately went into a rage.

"Mist grass, fog grass, fog grass...how can it sound so good? It sounds so good!"

"It's cool, it's really transparent, and the bones are crisp."

"The scalp is numb, the three flowers have already gathered on the top, and all my goosebumps are on the top."

"Mr. Shen's movement of falling to the ground and tilting his head just now is really beautiful. His body is boneless, smooth and silky, without a trace of fireworks."

"Hee hee, that's called Lying Fish. In Peking Opera Danjiao's figure, this movement has a very high degree of difficulty."

"Mr. Shen is indeed a professional Peking Opera singer in Qingyi. This figure and singing style have definitely been refined over time."

"Teacher Shen, you will always be a god."

…………

Amid the bursts of surprise and admiration from the audience, Shen Yuelou stood up slowly and sang again: "The golden bird hairpin and the jade head scratcher are the gifts you gave me.

Several times of reincarnation, singing and dancing for you.

Jianmenguan is your deep miss for me.

Down the slope of Mawei, I wish to break my soul for true love. "

When hearing this slightly bland aria again, the feelings of the audience were completely different immediately.

Wow, that's how it should be arranged.

The weight is appropriate, and the details are appropriate.

Only when the previous singing is simple and plain, and the later part of the play comes out, will it highlight the amazing feeling under the strong contrast.

I'm coming!
The climax is coming, high energy ahead, everyone stand up.

"Love and hate are in an instant, toasting to the moon is like heaven.

Love and hate are boundless, when will you fall in love?
The chrysanthemum platform reflects the bright moon, who knows that my love is cold?

Drunk in the king's arms, dreaming back to love in Datang. "

Even though this is the second time I have heard this beautiful opera, the audience still cannot hide the feeling of astonishment that they love to hear.

(End of this chapter)