Master of Chinese Opera

Chapter 262
After only being educated in the palace for a period of time, Chai Yuan added a yellow robe to his body.

In the picture, three-year-old Chai Yuan is wearing a bright yellow five-clawed golden dragon robe, sitting on a huge carved dragon throne.

Prince Chun knelt beside the throne, with the huge heirloom seal held in both hands covered on the yellow silk.

Some people under the throne are waiting in an orderly manner for the start of the enthronement ceremony.

Seeing the enthronement ceremony attended by tens of thousands of people, the audience in the cinema couldn't help exclaiming one after another.

The scene is too big, no wonder this movie claims to be the largest investment in history, the actors and costumes in the movie alone have to spend a lot of money.

Especially the dragon robe on Chai Yuan's body, it looked like a real dragon robe, and it was very expensive to make.

When the enthronement ceremony is played on the screen, the soundtrack is also wonderful.

After the introduction of guzheng and flute performances, orchestral music and Chinese national musical instruments interweave, setting off the spectacular scene of hundreds of officials worshiping, with sadness and helplessness in the grandeur.

The song, titled "Enthroned," caused sighs from many fans who paid attention to the soundtrack.

The wind blew up the yellow silk curtain, and little Chai Yuan ran under the yellow curtain to look outside the hall.

Thousands of courtiers kowtowed to the ground to pay homage to the new emperor.

Seeing this scene, Chai Yuan found it very interesting, so he couldn't help testing back and forth by the threshold of the Hall of Supreme Harmony.

Suddenly, there was a crisp grasshopper call from the crowd.

Xiao Chaiyuan immediately shouted excitedly: "Grasshopper!"

He walked among the courtiers kneeling on the ground, looking everywhere for the place where the "grasshopper" insects were chirping, and he finally stopped in front of a courtier.

Chen Baochen, in his 40s, raised his head.

Chai Yuan asked, "Where is the Grasshopper?"

Chen Baochen took out a delicately woven grasshopper cage from under his armpit: "Your Majesty, it is my friend, it is comfortable and warm in my arms, and it is the one who accompanied me all the way to get here." .”

Chen Baochen opened the lid of the cage, and the grasshopper crawled out.

Chai Yuan looked curiously at this little light green animal - Grasshopper.

Seeing Chai Yuan's interest, Chen Baochen flattered him and said, "Look, it kowtows to the emperor. From now on, it belongs to the emperor."

This plot bought a big foreshadowing, and it will not be revealed until the end of the film, which will bring endless shocks to the movie theater audience.

After the enthronement ceremony, the scene changed suddenly, and Chai Yuan, played by Shen Yuelou, was lying on the ground, his face pale and unconscious, with one hand patting his cheek.

Director Zhang Cheng's narrative style is quite special.

This way of flashing back and forth from time to time is much more interesting than straightforward narration.

Chai Yuan was rescued and imprisoned in a prison camp.

After a while, he accidentally saw his younger brother Chai Jie.

Looking at the younger brother in front of him, he couldn't help but recall what happened 40 years ago...

At that time, he was still the emperor of the country.

When Chai Yuan entered the palace and became emperor, Prince Chun could no longer treat him as his son.

In order to comfort the princess, they created another son, and this son was Chai Yuan's younger brother Chai Jie.

Because the emperor was too lonely, Prince Chun sent Chai Jie to the palace to be Chai Yuan's playmate for a period of time.

However, Chai Jie is four years younger than Chai Yuan, and he doesn't know what is superior or inferior.

So, they broke out a small conflict.

"Why are you wearing that? You are not allowed to wear bright yellow, only the emperor can wear it!"

"No, it's ordinary apricot yellow."

"It's the emperor's unique bright yellow. I said yes, only the emperor can wear this kind of yellow. Take it off!"

"No, you are no longer the emperor! Now it is the Republic of China, and there is a new emperor outside, and everyone calls him the president."

Chai Jie's words exposed Chai Yuan's situation, and at the same time clarified the background at this time. Now, it is the Republic of China.

Chai Yuan is ignorant of these things, but he also knows that times have changed.

Furious, he drove Chai Jie out of the palace.

Seeing this situation, Prince Yong, who is good at drilling, saw the opportunity and sent his daughter Chai Yuchuan to the palace to be Chai Yuan's playmate.

It's just that Chai Yuchuan is a woman after all. After growing up in the palace for a few years, she gradually grew older, and the emperor also reached the age of first love, so it would be a bit inappropriate to mix them together.

So, the queen mother discussed with the concubines in the palace, and secretly sent the little princess out of the palace without telling the emperor.

This scene was very tear-jerking, and the audience was completely moved by the feelings between the young Chai Yuan and the young Chai Yuchuan's childhood sweetheart.

Especially the soundtrack written by Shen Yuelou added a lot to this clip.

The music is accompanied by the scene where the little princess is sent out of the palace - the little emperor realizes that his favorite person has been taken away, crying and chasing and running to find it, the violins play the second theme melody in unison, which is mixed with a sad erhu The timbre, the interweaving of guzheng, pipa and western wind music, exaggerates the sadness of Chai Yuan and Chai Yuchuan's sadomasochism in the film.

Chasing after the sedan chair that had gone a long way, the young Chai Yuan shouted: "Jade bracelet!"

In the desolate compound overgrown with weeds, the 14-year-old emperor called for the only person who could give him love.

Walking to the end of the courtyard, when he raised his head again, the young Chai Yuan had already turned into a young Chai Yuan.

Seeing this scene, the audience in the theater couldn't help but sigh.

"Oh, the emperor is so pitiful, he has no way to control everything."

"Yeah, the little princess is so cute. The actor is really well chosen."

"Boss Shen's looks and temperament are so amazing, he can play the role of a noble concubine on stage, and an emperor in a movie."

……

After the little princess was sent away, Chai Yuan grew up overnight, and the time slowly came to [-].

Chai Yuchuan was taken home, on the one hand, because it was not suitable to live in the palace, and on the other hand, it was also because Prince Yong wanted to marry his daughter to Beiyuan to be married.

Before getting married, he also asked his daughter to worship General Chuan Dao of Yingzhou as her adoptive father, and instigated Marshal Zhang to restore the emperor.

Restoration, Chai Yuan is naturally willing.

It's just that it's not enough to let the little princess go and get married.

Moreover, Zhang Dashuai made a request to let his daughter be the queen.

Naturally, it was impossible for Chai Yuan to agree to these two matters.

However, Prince Yong Chai Feng had an affair with the Queen Mother Guo. As soon as he mentioned these two things, the Queen Mother was immediately moved.

However, she also has her own selfishness. She wants to make her niece Guo Wanrong the queen.

Under the persecution of Queen Mother Guo, Chai Yuan had no choice but to agree to the request of the little princess to get married, and at the same time marry the palace Guo Wanrong and the imperial concubine Zhang Wenxiu.

The emperor backed down, and the queen mother and Prince Yong also agreed to wait until the little princess became an adult before marrying to Beiyuan.

Seeing this intricate political struggle full of exchange of interests, the audience in the cinema couldn't help being hooked.

The little princess and his relatives in the Northern Yuan Dynasty, and the marriage of the last emperor to the empress Guo Wanrong and the imperial concubine Zhang Wenxiu. Although these things happened in real history, few people know about the logic and connection behind them.

Unexpectedly, this movie actually told these stories in a convincing and convincing way.

(End of this chapter)