Dead house is amazing

Chapter 24 Drawing and Writing Manga
Kazama Moonlight took the initiative to wash the dishes after the meal - the main reason is that she didn't need to do it, and Kazama's house had a dishwasher.

After the accident two years ago, Kazama's family lost one person after all. Kazama Nantaro was usually busy with work, so naturally he didn't have the energy to spend on washing dishes.

Moreover, Nantaro Kazama can barely be considered a middle class in Neon, so it is no problem to buy a dishwasher.

Kazama Xingfei thought about it, and then decided to work this month.

After all, he has been procrastinating for two months. After two months of playing, he is a bit bored. He doesn’t know what to do anymore. It’s better to work hard for a month. When he gets tired from work, he will be more energetic go play!

Doesn't this make sense?

Hoshihiro Kazama went upstairs and began to draw the manuscript, because he didn't need to use his brain to plan the plot, coupled with his ability to draw and write manga LV63, the manuscript he drew was always of high quality and did not hinder his speed.

This is the reason why the skill of drawing and writing comics is called drawing and writing comics, not the ability to draw.

After all, manga is different from simple painting. Manga requires a plot, and some small details must be drawn sometimes. Every picture has the function of linking the past and the future.

The process of making comics is actually equivalent to writing novels while drawing. A painter with strong drawing skills may not necessarily draw popular comics, and a writer who writes excellent novels may not be able to achieve the same achievements as novels in comics.

This is the reason why many originally good light novels have not reached the level of excellence of the original works after being mangaized.

Because even if the cartoonist in charge draws completely according to the plot of the original work, he may not be able to have that kind of ability in the details.

As a result, a new cooperation model has emerged in the comics industry, that is, some people are responsible for writing scripts, and others are responsible for drawing.

The two work together and provide each other with their own opinions, making up for the details while still painting a beautiful style.

Kazama Xingfei does not object to this cooperation model.

Everything in the world has pros and cons, Kazama Xingfei will not rashly judge whether it is good or bad.

It is enough for Kazama Xingfei to write four or five manuscripts every day. After all, Kazama Xingfei is different from last year.

There are several types of comic magazines, among which they can be divided into weekly, semi-monthly and monthly according to the frequency of publication.

The update frequency of the weekly comics must be very fast, and almost five days a week must implement a [-]-hour work system, and if your drawing does not meet the review of the editor in charge, the editor in charge will directly send your manuscript back for revision.

Modifying means having to work overtime again, so the general weekly manga writers, their images are not very good-most of them stay up late to draw the manuscript.

Not only that, logically speaking, authors of weekly magazines submit manuscripts at least four times a month, so their income should be higher than that of authors of semi-monthly and monthly magazines, right?
But the opposite is true.
The income of weekly manga writers is much lower than that of monthly manga writers.

Weekly cartoonists are equivalent to the bottom of the circle of professional cartoonists, although they are not considered to be on the street—the real offenders are those cartoonists whose original works cannot be officially serialized, and who serve as assistants to other cartoonists.

It is precisely because of the low status of weekly comics that their manuscript fees are much lower than those of semi-monthly and monthly comic authors, and the fee for single manuscripts is also very little.

Really great cartoonists, their works must be serialized in semi-monthly and monthly magazines.

Because of this, they can grind their work more finely.

When Kazama Hoshihime was a rookie in the manga industry last year, he also started as a hard-working weekly magazine writer, but Kazama Hoshihime is very good, with the help of drawing and writing manga skills, and he doesn't need to think about the plot itself.

So last year, although Xingfei Kazama seemed to update at a very fast speed, in fact, he was a dead house most of the time.

Otherwise, how did he get so many skills and such a high level of five-dimensional attributes?

Kazama Hoshihime briefly recalled the next plot of the original work, and then with a light stroke of the brush, two original manuscripts with Kazama Hoshihime's own style were drawn.

But at this moment, Kazama Xingfei stopped her movements.

Then Kazama Xingfei looked at the door helplessly, Kazama Yueguang was hiding behind the door at the moment, carefully sticking out her little head to peek at Kazama Xingfei.

But at this moment, her eyes met with Kazama Xingfei's.
Kazama Moonlight yelled that "Ah——" again, and immediately hid behind the door completely.

Kazama Xingfei patted his forehead helplessly, he really didn't know how to complain, did this woman think that she could pretend that he didn't see it by hiding like this?
Kazama Xingfei began to doubt whether the intelligence attribute of Kazama Moonlight really had LV57, but then thought about it, didn't some superhuman scientists with outstanding IQs in history make some jokes every day?

Perhaps intelligence does not represent these aspects.

And what is Kazama Yueguang thinking, her movement of gently opening the door of Kazama Xingfei's room, no matter how slow and calm the door is opened, and no matter how small the opening is, it is impossible for him not to notice it. !
Kazama Xingfei looked at the direction of Kazama Yueguang who was hiding behind the door and was still acting as an ostrich, and suddenly felt very helpless. He said, "Moonlight sauce, just talk about anything, there is no need to hide."

Now Kazama Xingfei and Kazama Moonlight are already familiar. Although Kazama Xingfei still has no way to call Kazama Moonlight sister, but it is not inappropriate to call him "Jiang".

"Ah——" Kazama Moonlight behind the door heard Kazama Xingfei's words, once again had a mantra, and then walked in coyly.

At this moment, the moonlight in the wind looks very cute with a shy face.

But Kazama Xingfei is indifferent, a three-dimensional woman is just a three-dimensional woman after all!hum!
However, Kazama Xingfei's stare at Kazama Moonlight's shy and pretty face gave him away.

Kazama Yueguang said with some embarrassment, "I'm sorry, I disturbed you Xingfei-kun."

Kazama Xingfei turned the paintbrush in his hand a little bored, and the paintbrush fluttered up and down between his flexible and slender fingers, full of artistic sense.

Fancy pen-turning LV37, one of the useless little skills that Kazama Xingfei has picked up through random draws in the system in the past two years.

Kazama Xingfei said, "That's not true."

Kazama Moonlight was silent for a long time, and then, as if finally mustering up the courage, she said to Kazama Xingfei, "Xingfei-jun, may I know what your work is?"

Kazama Xingfei was silent for a while, then stopped turning the pen, poked the brush tip in the face, looked at Kazama Moonlight warily and said, "Moonlight-chan, why do you want to know this?"

(End of this chapter)